Make a four poster panel depicting 4 similarly designed Stained Glass Windows, with each of the 4 windows having respectively, an R, an O, an S, and an E. For the window with the R, make a subtle distinction in the design to have thirds. For the window with the O, make a subtle distinction in the design to have quadrants. For the window with the E, make a subtle distinction in the design to have eigths. For the window with the S, make a subtle distinction in the design to have a dichotomy. Insipired by design from ancient castles, Grandiose and ornate. Ultra realism with focus on rays of light shining through.
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Make a four poster panel depicting 4 similarly designed Stained Glass Windows, with each of the 4 windows having respectively, an R, an O, an S, and an E. For the window with the R, make a subtle distinction in the design to have thirds. For the window with the O, make a subtle distinction in the design to have quadrants. For the window with the E, make a subtle distinction in the design to have eigths. For the window with the S, make a subtle distinction in the design to have a dichotomy. Insipired by design from ancient castles, Grandiose and ornate. Ultra realism with focus on rays of light shining through.
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A product with an empty top surrounded by glass panels and a small electronic keyboard below, with more than ten insertable holes on the board
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3d_illustration_fibonacci series metal_filigree_profusion__gold_and_silver__colorful__layers__floral__vegetative_design_spiral__black leaves flower angular symmetry revolving object complex dark lace deep metalic glowing indigo ruby gray Andre-Charles Boulle Kusama Suzanne Lalique Neri Oxman (Patek Philippe) ((Arabesque caligraphy)) etched glass decorative piece prepared for Tiffany and Co., focused lighting, in a palacial room window background, future tech
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concept art by otto schmidt of a large orrery. A far point of view of a large, fantastic, complex, mechanical aparatus with gears and levers which holds clear lenses and focuses and projects intense bright beams of sunlight onto a platform outdoors dominating and central to the image. show the whole machine in the image. To one side of the machine at the control panel
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concept art by otto schmidt of a large orrery. A far point of view of a large, fantastic, complex, mechanical aparatus with gears and levers which holds clear lenses and focuses and projects intense bright beams of sunlight onto a platform outdoors dominating and central to the image. show the whole machine in the image. To one side of the machine at the control panel
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a skeletal display prehistoric bird, positioned in an indoor setting that resembles a storage or workshop area for paleontological artifacts. The skeleton is prominently displayed in the foreground with a large, elongated skull that has a full set of pointed teeth, suggesting it could be a carnivorous species. The rest of the skeleton includes a vertebral column, ribcage, and long, slender legs, indicating that the creature was likely bipedal. The bones have a well-preserved appearance, with a texture that gives them an aged and fossilized look. In the background, there are shelves filled with various objects and artifacts that appear to be other bones or fossils, as well as tools and equipment that might be used for preparing and assembling skeletal displays like this one.
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a skeletal display prehistoric bird, positioned in an indoor setting that resembles a storage or workshop area for paleontological artifacts. The skeleton is prominently displayed in the foreground with a large, elongated skull that has a full set of pointed teeth, suggesting it could be a carnivorous species. The rest of the skeleton includes a vertebral column, ribcage, and long, slender legs, indicating that the creature was likely bipedal. The bones have a well-preserved appearance, with a texture that gives them an aged and fossilized look. In the background, there are shelves filled with various objects and artifacts that appear to be other bones or fossils, as well as tools and equipment that might be used for preparing and assembling skeletal displays like this one.
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a skeletal display prehistoric bird, positioned in an indoor setting that resembles a storage or workshop area for paleontological artifacts. The skeleton is prominently displayed in the foreground with a large, elongated skull that has a full set of pointed teeth, suggesting it could be a carnivorous species. The rest of the skeleton includes a vertebral column, ribcage, and long, slender legs, indicating that the creature was likely bipedal. The bones have a well-preserved appearance, with a texture that gives them an aged and fossilized look. In the background, there are shelves filled with various objects and artifacts that appear to be other bones or fossils, as well as tools and equipment that might be used for preparing and assembling skeletal displays like this one.
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3d_illustration_fibonacci series metal_filigree_profusion__gold_and_silver__colorful__layers__floral__vegetative_design_spiral__black leaves flower angular symmetry revolving object complex dark lace deep metalic glowing indigo ruby gray Andre-Charles Boulle Kusama Suzanne Lalique Neri Oxman (Patek Philippe) ((Arabesque caligraphy)) etched glass plate prepared for Tiffany and Co., focused lighting, in a palacial room window background, future tech
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\"Craft a radiant glass painting portraying a 50-year-old Mexican man. Highlight the luminous details of his light brown complexion, small black mustache, long black hair, and the traditional Mexican attire in a close-up of his face. Draw inspiration from artists like Marc Chagall, Tiffany Studios, and Cinta Vidal, known for their ability to blend vibrant details and create expressive works in the style of stained glass.\"
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A wall made up of various displays, very cool style, screen screen is also very cool, there are hundreds of screens, modern
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3d_illustration_fibonacci series metal_filigree_profusion__gold_and_silver__colorful__layers__floral__vegetative_design_spiral__black leaves flower angular symmetry revolving object complex dark lace deep metalic glowing indigo ruby gray Andre-Charles Boulle Kusama Suzanne Lalique Neri Oxman (Patek Philippe) ((Arabesque caligraphy)) etched glass square plate prepared for Tiffany and Co., focused lighting, in a palacial room window background, future tech
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A charging cabinet with a sense of design that supports charging 10 VR glasses at the same time
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query:glass tranparent mobile application user interface, ui ux, ui/ux, front veiw, 2 screen shots
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images of a lampshade made from four rectangular plywood panels with artistic cut-out designs
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A young man with short black hair, wearing glasses, thick eyebrows, hanging eyes, with a solemn expression, wearing a black turtleneck leggings, a white suit, white trousers, and casual shoes. Standing behind a middle-aged man with short hair, handsome and straight, without a beard, wearing a dark blue casual suit, holding a golf club in his hand, standing down In front of the floor window, panoramic lens
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A young man with short black hair, wearing glasses, thick eyebrows, hanging eyes, with a solemn expression, wearing a black turtleneck leggings, a white suit, white trousers, and casual shoes. Standing behind a middle-aged man with short hair, handsome and straight, without a beard, wearing a dark blue casual suit, holding a golf club in his hand, standing down In front of the floor window, panoramic lens
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:In the design for this single family house the sloping site is used as a device for programmatic and volumetric organization. A box-like volume bifurcates into two separate volumes; one seamlessly following the northern slope; the other lifted above the hill creating a covered parking space and generating a split-level internal organization. The volumetric transition is generated by a set of five parallel walls that rotate along a horizontal axis from vertical to horizontal. The ruled surface maintaining this transition is repeated five times in the building. From inside the huge window strips from floor to ceiling allow a fluid continuity between interior and landscape. From the exterior the reflective glass seams to become one with its surroundings.
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:In the design for this single family house the sloping site is used as a device for programmatic and volumetric organization. A box-like volume bifurcates into two separate volumes; one seamlessly following the northern slope; the other lifted above the hill creating a covered parking space and generating a split-level internal organization. The volumetric transition is generated by a set of five parallel walls that rotate along a horizontal axis from vertical to horizontal. The ruled surface maintaining this transition is repeated five times in the building. From inside the huge window strips from floor to ceiling allow a fluid continuity between interior and landscape. From the exterior the reflective glass seams to become one with its surroundings.
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:In the design for this single family house the sloping site is used as a device for programmatic and volumetric organization. A box-like volume bifurcates into two separate volumes; one seamlessly following the northern slope; the other lifted above the hill creating a covered parking space and generating a split-level internal organization. The volumetric transition is generated by a set of five parallel walls that rotate along a horizontal axis from vertical to horizontal. The ruled surface maintaining this transition is repeated five times in the building. From inside the huge window strips from floor to ceiling allow a fluid continuity between interior and landscape. From the exterior the reflective glass seams to become one with its surroundings.
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:In the design for this single family house the sloping site is used as a device for programmatic and volumetric organization. A box-like volume bifurcates into two separate volumes; one seamlessly following the northern slope; the other lifted above the hill creating a covered parking space and generating a split-level internal organization. The volumetric transition is generated by a set of five parallel walls that rotate along a horizontal axis from vertical to horizontal. The ruled surface maintaining this transition is repeated five times in the building. From inside the huge window strips from floor to ceiling allow a fluid continuity between interior and landscape. From the exterior the reflective glass seams to become one with its surroundings.
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