A glimpse into the home of Ed Warren Miney in Bridgeport, Connecticut, on September 7, 1926, the day of his birth.
1 of 2
More Like This
The wooden house, a testament to resilience, wears the dual scars of destruction and reconstruction. Weathered boards, bearing the imprints of past turmoil, reveal a history of calamity. Yet, amidst the wreckage, signs of diligent restoration emerge. Fresh beams stand proudly, replacing those lost to the disaster. Repaired walls weave a narrative of determined revival, while new roofing shields the structure from further harm. The scars remain, but they coexist with the tenacious spirit of renewal, embodying a community's resolve to rebuild and breathe life back into the once-devastated home.
1 of 2
A vast mansion of generous dimensions was revealed in the midst of diffuse gloom. The predominant highlight in the interior was quite dark, highlighted by the white doors.
1 of 2
odd medical anomalies 1970s America, photographed by Juergen teller in natural light,
1 of 2
The wooden house, a resilient phoenix, rises from the ashes of calamity with an enhanced allure. Where destruction once left its mark, meticulous renovations have woven a tapestry of renewal. The weathered facade now boasts a refreshed charm, adorned with carefully replaced boards that glisten with a newfound luster. Diligent efforts have revitalized the structure, transforming the scars of disaster into badges of endurance. Renewed walls stand sturdy, and a gracefully restored roof crowns the dwelling with a touch of elegance. The house, once marred by misfortune, now stands as a symbol of both endurance and aesthetic triumph over adversity.
1 of 2
dusk. Basement. The walls are hidden in the darkness. High tech. The huge antique fireplace is decorated with cast iron and bronze elements and blazes with an even, humming flame. In a huge deep chair there is an ancient old man in ancient clothes. Nearby, a carved table is served with wine, fruit and light snacks. High detail.
1 of 2
dusk. basement. The walls are hidden in the darkness. High tech. The huge antique fireplace is decorated with cast iron and bronze elements and blazes with an even, humming flame. Huge deep chair. Nearby, a carved table is served with wine, fruit and light snacks. In the chair is an ancient old man in ancient clothes. on the other side of the table, on a small round chair, sits a pale girl with golden hair. There is a mouse under the table stealing cheese. High detail.
1 of 2
Four walls, a refuge moulded by her character, shaped by her restless mind, toned by her relentless fervour. A sharp scent of incense welcomed the guest, embosoming him in opulent fumes that caressed his eyelids, naturally drawing thoughts and focus on resting upon the pillowed bed propped against the wall, on the opposite end of the room from the entrance. Four additional pillows, decorated with warm red and orange oriental patterns, seemed to burst out from the deep blue wall behind them, advancing even further the proposal of dozing away in a kaleidoscopic dream. Above the bulky bed (the size of which appeared even larger, in the minuscule room), a chromatic dance of red shades decorated the cobalt tinted wall: a wide number of psychedelic posters, adorned with writings and evocative images, depicted the spirituality that characterised her, and outlined the desire for exotic travels that she has been preserving deep within her mind for many years. A timid, bluish, pale light peeped from a window to his left, and it almost instantly blended with the diffuse lighting that was flooding the room, coming from the numerous festive lights tingling and hanging from the ceiling, fixed from wall to wall and around the window. Slightly to the left of it, a night table held her computer and, behind it, stood an enigmatic little jewel box embellished with an exotic bas relief. Almost concealed, lying on the floor under the bedside stand, a pile of books and magazines served as emergency provisions for her thirst of knowledge. A hazy rock’n’roll song about mermaids, echoing directly from the sixties, came from an unidentified source, hinting to the musical spiced taste she enjoyed.
1 of 2
a 1960s illustration of a house of the future with a red robot servitor, at night, painting by Charles Schridde
1 of 2
a 1960s illustration of a house of the future with a red robot servitor, at night, painting by Charles Schridde
1 of 2
a 1960s illustration of a house of the future with a red robot servitor, at night, painting by Charles Schridde
1 of 2
a 1960s illustration of a house of the future with a red robot servitor, at night, painting by Charles Schridde
1 of 2
a 1960s illustration of a house of the future with a red robot servitor, at night, painting by Charles Schridde
1 of 2
Indeed, you would never have known the place yourself. The ceiling had been whitened. The faded drab woodwork had been painted white. The walls had been colored a beautiful soft yellow. Back of the counter a series of shelves, glassed in by sliding doors, ran the whole length of the wall and nearly to the ceiling. Behind the show case stood a comfortable, cushioned swivel-chair... The window certainly struck the key-note of the season. Tops in all sizes and colors were arranged in pretty patterns in the middle. Marbles of all kinds from the ten-for-a-cent \"peeweezers\" up to the most beautiful, colored \"agates\" were displayed at the sides. Jump-ropes of variegated colors with handles, brilliantly painted, were festooned at the back. One of the window shelves had been furnished like a tiny room. A whole family of dolls sat about on the tiny sofas and chairs. On the other shelf lay neat piles of blank-books and paper-blocks, with files of pens, pencils, and rubbers arranged in a decorative pattern surrounding them all
1 of 2
dusk. Basement. The walls are hidden in the darkness. High tech. The huge antique fireplace is decorated with cast iron and bronze elements and blazes with an even, humming flame. In a huge deep chair there is an ancient tall old man in ancient clothes. With a face lined with wrinkles, with a short small beard, on his right hand there are several heavy rings with large stones. Nearby, a carved table is served with wine and light snacks. High detail...
1 of 2
a 1960s painting of the interior of a house of the future with a red robot servitor and a 60s family, painting by Charles Schridde
1 of 2
a 1960s painting of the interior of a house of the future with a red robot servitor and a 60s family, painting by Charles Schridde
1 of 2
a 1960s painting of the interior of a house of the future with a red robot servitor and a 60s family, painting by Charles Schridde
1 of 2
dusk. basement. The walls are hidden in the darkness. High tech. The huge antique fireplace is decorated with cast iron and bronze elements and blazes with an even, humming flame. Huge deep chair. Nearby, a carved table is served with wine, fruit and light snacks. In the chair is an ancient tall old man in ancient heavy clothes shimmering in bronze and purple. High detail.
1 of 2
In the dim confines of the cellar, a formidable wall emerges, constructed with weathered bricks that whisper tales of time's passage. The absence of any discernible light source casts a mysterious gloom, emphasizing the rough texture of the bricks and the unassuming yet sturdy vault door at the center. The bricks, worn and aged, carry the weight of history in their silent endurance. Shadows play upon the uneven surfaces, concealing the intricacies of the craftsmanship. The vault door, though lacking in ornate embellishments, radiates a palpable sense of security within the somber cellar, a testament to the strength and resilience cocooned within the depths of the aged walls.
1 of 2
In the dim confines of the cellar, a formidable wall emerges, constructed with weathered bricks that whisper tales of time's passage. The absence of any discernible light source casts a mysterious gloom, emphasizing the rough texture of the bricks and the unassuming yet sturdy vault door at the center. The bricks, worn and aged, carry the weight of history in their silent endurance. Shadows play upon the uneven surfaces, concealing the intricacies of the craftsmanship. The vault door, though lacking in ornate embellishments, radiates a palpable sense of security within the somber cellar, a testament to the strength and resilience cocooned within the depths of the aged walls.
1 of 2
Imagine a realistic rodent standing on its hind legs, wearing a luxurious medieval style costume. The costume is richly adorned with intricate floral patterns and jeweled embellishments in shades of green and gold. The rodent has a gentle and noble expression, reminiscent of a regal character from a fantasy tale. The background is a soft blur, suggesting an opulent, classical indoor setting.
1 of 2
Imagine a realistic rodent standing on its hind legs, wearing a luxurious medieval style costume. The costume is richly adorned with intricate floral patterns and jeweled embellishments in shades of green and gold. The rodent has a gentle and noble expression, reminiscent of a regal character from a fantasy tale. The background is a soft blur, suggesting an opulent, classical indoor setting.
1 of 2
Imagine a realistic rodent standing on its hind legs, wearing a luxurious medieval style costume. The costume is richly adorned with intricate floral patterns and jeweled embellishments in shades of green and gold. The rodent has a gentle and noble expression, reminiscent of a regal character from a fantasy tale. The background is a soft blur, suggesting an opulent, classical indoor setting.
1 of 2
a 1960s painting of the interior of a house of the future with a red robot servitor, painting by Charles Schridde
1 of 2
a 1960s painting of the interior of a house of the future with a red robot servitor, painting by Charles Schridde
1 of 2
a 1960s painting of the interior of a house of the future with a red robot servitor, painting by Charles Schridde
1 of 2
a 1960s painting of the interior of a house of the future with a red robot servitor, painting by Charles Schridde
1 of 2
a 1960s painting of the interior of a house of the future with a red robot servitor, painting by Charles Schridde
1 of 2
a 1960s painting of the interior of a house of the future with a red robot servitor, painting by Charles Schridde
1 of 2
a 1960s painting of the interior of a house of the future with a red robot servitor, painting by Charles Schridde
1 of 2
a 1960s painting of the interior of a house of the future with a red robot servitor, painting by Charles Schridde
1 of 2
a 1960s painting of the interior of a house of the future with a red robot servitor, painting by Charles Schridde
1 of 2
a 1960s painting of the interior of a house of the future with a red robot servitor, painting by Charles Schridde
1 of 2
a 1960s painting of the interior of a house of the future with a red robot servitor, painting by Charles Schridde
1 of 2
twilight, basement, the walls are hidden in the darkness, hi-tech, a huge antique fireplace decorated with cast iron and bronze elements blazes with an even, humming flame. A huge deep armchair, next to a carved table served with wine, fruit and light snacks. In the chair is an ancient old man in ancient clothes, on the other side of the table on a small round chair sits a pale girl with golden hair, who is trying to cover a mouse stealing cheese. High detail.
1 of 2
twilight, basement, the walls are hidden in the darkness, hi-tech, a huge antique fireplace decorated with cast iron and bronze elements blazes with an even, humming flame. A huge deep armchair, next to a carved table served with wine, fruit and light snacks. In the chair is an ancient old man in ancient clothes, on the other side of the table on a small round chair sits a pale girl with golden hair, who is trying to cover a small gray mouse stealing cheese. High detail.
1 of 2
Within the dim confines of the cellar, a substantial 20-foot expanse of aged bricks stands stoically, its surface marked by the touch of time. The absence of any discernible light source enhances the mysterious aura, casting shadows that dance upon the uneven, weathered textures of the bricks. At the heart of this expanse, a closed vault door, standing at a modest 5 feet, exudes an unassuming strength. Though unadorned, the door hints at the impenetrable secrets safeguarded within the cellar. The cold metal surface, untouched by light, stands as a sentinel to the past, its silent strength promising security in the face of the unknown.
1 of 2
a 1960s painting of a house of the future with a red robot servitor, painting by Charles Schridde
1 of 2
a 1960s painting of a house of the future with a red robot servitor, painting by Charles Schridde
1 of 2
a 1960s painting of a house of the future with a red robot servitor, painting by Charles Schridde
1 of 2
a 1960s painting of a house of the future with a red robot servitor, painting by Charles Schridde
1 of 2