number \66\ of israel war days bleeding red blood of gaza children, background of bombing houses with homeless people
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Graphic and creative design for a chassis board with the theme of children in the war in Gaza
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babie's souls are going out from the dead body of the babies dead in the war. Wrecked cities, explosion, burning, a scene from gaza.
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ultra realistic Gaza City after war with Ramdan lighting , Top view, Dynamic motion, the lighting is warm and focused lighting , Cannon cinema eos 4k, Cinematic, Dramatic lighting, god rays style:Cinematic super wide seed:401456085
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A sad, shivering homeless girl stands before a dilapidated table marked by the ravages of war, holding a transparent and clean ballots box containing white ballots. The girl carries a white paper with a drawn map of Palestine, prominently labeled \Gaza\ in bold, with a checkmark. In the background, the traces of the city of Gaza post-bombing are evident, portraying the aftermath of war, 8k, Cinematic visualization
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Create an image that captures the intense confrontation between an elite Israeli soldier from the Mossad in a super badass athletic battle stance and a member of Hamas in a determined battle stance. The Israeli soldier, in peak physical condition, towers over the Hamas terrorist. The scene is charged with tension as both adversaries lock eyes, ready for a face-off in a high-stakes spatial operation. The setting should convey the intensity of the conflict, emphasizing the strength and determination of the Israeli soldier while portraying the Hamas terrorist as a formidable opponent. Capture the essence of this charged moment in a visually striking way
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Karim: A ten-year-old boy with dark hair and eyes, dressed in simple clothes. He clutches a worn Palestinian flag, its green, black, and white stripes billowing in the breeze. His expression is a mix of hope and determination. Girl: Slightly older than Karim, with long dark hair and olive-toned skin. She stands quietly beside him, gazing out at the distant city and barbed wire fence. Her face is pensive, yet there's a hint of courage in her eyes. Hillock: Rolling hills covered in olive groves, bathed in the soft golden light of the rising sun. The distant city can be seen on the horizon, with the stark contrast of towering buildings and the barbed wire fence snaking through the fields. Sky: A vibrant blend of orange, pink, and purple hues, gradually giving way to a clear blue as the sun ascends. Hopeful and resilient, with a touch of melancholic beauty. The image should capture the contrast between the peaceful sunrise and the underlying conflict. The children should be positioned slightly off-center, with the flag flowing towards the left side of the frame. The hilltop should provide a panoramic view of the landscape, emphasizing the vastness of the land. The olive trees around them could be silhouetted against the sunrise, adding depth and perspective. Subtle hints of the olive harvest festival could be included, such as baskets or clay pots scattered around the hilltop.
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Karim: A ten-year-old boy with dark hair and eyes, dressed in simple clothes. He clutches a worn Palestinian flag, its green, black, and white stripes billowing in the breeze. His expression is a mix of hope and determination. Girl: Slightly older than Karim, with long dark hair and olive-toned skin. She stands quietly beside him, gazing out at the distant city and barbed wire fence. Her face is pensive, yet there's a hint of courage in her eyes. Hillock: Rolling hills covered in olive groves, bathed in the soft golden light of the rising sun. The distant city can be seen on the horizon, with the stark contrast of towering buildings and the barbed wire fence snaking through the fields. Sky: A vibrant blend of orange, pink, and purple hues, gradually giving way to a clear blue as the sun ascends. Hopeful and resilient, with a touch of melancholic beauty. The image should capture the contrast between the peaceful sunrise and the underlying conflict. The children should be positioned slightly off-center, with the flag flowing towards the left side of the frame. The hilltop should provide a panoramic view of the landscape, emphasizing the vastness of the land. The olive trees around them could be silhouetted against the sunrise, adding depth and perspective. Subtle hints of the olive harvest festival could be included, such as baskets or clay pots scattered around the hilltop.
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\Nasrallah, kidnapped by the IDF in the heart of Gaza, reflects the complicated reality in the region. The IDF soldiers, with a heavy responsibility, are proud of the kidnapping and show emotional support, while Nasrallah is pursued and kidnapped, a sign of the danger happening in Gaza.\
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mother is searching for his baby, feared,A scene from a war, burning, wrecked cities, gaza
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no of 66 bleeding red blood of bombing gaza children, background of bombing houses and homeless children and crying
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