a man in the middle of ruins and fire, Tarkovsky movie, neo-noir style, color, cinematographic, film grain


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a man in the middle of ruins and fire, Tarkovsky movie, neo-noir style, color, cinematographic, film grain

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rotting skull engulfed in hellfire, decaying flesh melting away, dystopian cityscape in ruins, Jeremy Mann's gothic style, Carne Griffiths' grim lighting and textures, Junji Ito's unsettling details, Robert Oxley's dark atmosphere, Ismail Inceoglu's painterly speed, oil paint strokes and textures, 8K masterpiece, digital interpretation of traditional oil on canvas, shadows and smoke billowing, flickering flames illuminating the crumbling architecture, haunting cinematic lighting, a glimpse into a post-apocalyptic nightmare.

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fire made of garbage, half-abandoned Russian city, thickets, tall trees, very tall buildings with glass balconies, various buildings, high concrete fences in advertisements, lattice fences, red-brick and beige-brown buildings, swamp, heaps of construction debris, dark evening, cloudy weather

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fire made of garbage, abandoned Russian city, thickets, tall trees, very tall buildings with glass balconies, various buildings, high concrete fences in advertisements, lattice fences, red-brick and beige-brown buildings, swamp, heaps of construction waste, dark evening, cloudy weather

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On the Mongolian night grasslands, a solitary burning yurt stands tall, flames roaring. A man in traditional Mongolian attire, hatless, his clothes ablaze with significant flames. The scene, captured from the side with a distant perspective, portrays the figures as small. BY James Francis Cameron.

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A raging inferno engulfs a person or a city within a desolate wasteland, symbolizing destruction and rebirth. blade runner subsurface scattering, 35mm/polaroid, sanguine, celadon, amber, desaturated, faded, dirt corrosion, double exposure, light pollution, aged, scratches, blemishes, torn, burnt, dark green, amber, black, desaturated

A raging inferno engulfs a person or a city within a desolate wasteland, symbolizing destruction and rebirth. blade runner subsurface scattering, 35mm/polaroid, sanguine, celadon, amber, desaturated, faded, dirt corrosion, double exposure, light pollution, aged, scratches, blemishes, torn, burnt, dark green, amber, black, desaturated

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view from the ground, a fire, a half-abandoned Russian city, thickets, tall trees, very tall buildings with glass balconies, various buildings, high concrete fences in advertisements, lattice fences, red-brick and beige-brown buildings, a swamp, garbage everywhere, sunny evening

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On the Mongolian night grasslands, a solitary burning yurt stands tall, flames roaring. A man in traditional Mongolian attire, hatless, his clothes ablaze with significant flames. The scene, captured from the side with a distant perspective, portrays the figures as small. BY James Francis Cameron.

On the Mongolian night grasslands, a solitary burning yurt stands tall, flames roaring. A man in traditional Mongolian attire, hatless, his clothes ablaze with significant flames. The scene, captured from the side with a distant perspective, portrays the figures as small. BY James Francis Cameron.

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looking over the edge of a skyscraper in 1st person view at a giant man wearing gray armor with fiery red eyes, bulging muscles, emerging from the river below, center of a night time city with lightning and cloud cover just after sundown, mild rain, vibrant lights, people running, city on fire --warm colors, --elegant theme, --cinematic experience, --ar16:9, --4k, --photorealism,

looking over the edge of a skyscraper in 1st person view at a giant man wearing gray armor with fiery red eyes, bulging muscles, emerging from the river below, center of a night time city with lightning and cloud cover just after sundown, mild rain, vibrant lights, people running, city on fire --warm colors, --elegant theme, --cinematic experience, --ar16:9, --4k, --photorealism,

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