a photo of brazil, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. intensive traffic. rush hour. no shadows. soft colors. smoth appearance. reallystic. big light at the end of the avenue, like the sun, it's morning


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a photo of brazil, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. intensive traffic. rush hour. no shadows. soft colors. smoth appearance. reallystic. big light at the end of the avenue, like the sun, it's end of affternoon

a photo of brazil, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. intensive traffic. rush hour. no shadows. soft colors. smoth appearance. reallystic. big light at the end of the avenue, like the sun, it's morning. the year is 2022

a photo of some brazil avenue, lots of buildinds, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. intensive traffic. rush hour. no shadows. soft colors. smoth appearance. reallystic. big light at the end of the avenue, like the sun, it's morning. the year is 2022

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. no shadows

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. no shadows, intense traffic of cars.

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. no shadows, many cars are passing by

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. no shadows, intense traffic of cars.

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. intensive traffic. rush hour. no shadows. soft colors. smoth appearance. reallystic. big light at the end of the avenue, like the sun, it's end of affternoon

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. intensive traffic. rush hour. no shadows. soft colors. smoth appearance. reallystic. big light at the end of the avenue, like the sun, it's end of affternoon

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. many cars.no shadows. soft colors. smoth appearance. reallystic. big light at the end of the avenue, like the sun, it's end of affternoon

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. no shadows. soft colors. smoth appearance. reallystic

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. no shadows. soft colors. smoth appearance. reallystic. sun is at the end of the avenue. it's end of affternoon

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. no shadows. soft colors. smoth appearance

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. no shadows. soft colors. smoth appearance. bluered.

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, my point of view is 10 meters above floor, looking to the end of the avenue and no building shadows are seen in the avenue

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, my point of view is 10 meters above floor, looking to the end of the avenue, the end of the avenue in the middle of the picture. no shadows

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, my point of view is 10 meters above floor, looking to the end of the avenue, the end of the avenue in the middle of the picture. no shadows

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, my point of view is 10 meters above floor, looking to the end of the avenue and no building shadows are seen in the avenue, the end of the avenue in the middle of the picture

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, my point of view is 10 meters above floor

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, my point of view is 10 meters above floor, looking horizontally. no building shadows are seen in the avenue

a background wallpaper of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking for the horizon, like infinite front view, buildings are seen in the back but kind of bluered, my point of view is 15 meters above floor

a background wallpaper of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking for the horizon, like infinite front view, buildings are seen in the back but kind of bluered

a background wallpaper of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking for the horizon, like infinite front view, buildings are seen in the back but kind of bluered, my point of view is 15 meters above floor, 1500px x 1000px

a background wallpaper of avenida paulista in sao paulo, during the day, buildings are seen in the back but kind of bluered

a background wallpaper of avenida paulista in sao paulo, during the day, buildings are seen in the back but kind of bluered

A a realistic image of a nighttime urban landscape in São Paulo, featuring the iconic illuminated skyscrapers along Avenida Paulista, cars navigating the bustling avenues, and the vibrant atmosphere of a night in the largest city in Brazil.

a background wallpaper of avenida paulista in sao paulo. day is sunny

unar Ventura. A 25-year-old Brazilian, with a modern and bohemian style, long curly brown hair, expressive and curious green eyes, well-marked features, well-drawn and fleshy mouth. Luna is made up with red lipstick, a well-defined eye and false eyelashes. She has a slender body, full breasts, a small waist, and thick legs. It is in front of the landmark of the three borders between Brazil, Argentina and Paraguay. Panoramic photo. The sky is blue. Many people pass through the place.

cozy brazilian small city, sunset, brick streets, beautiful residential street, perfect details, pixel art, lovely house with balcony and a front yard

cozy brazilian small city, sunset, brick streets, beautiful residential street, perfect details, pixel art, lovely house with balcony and a front yard

cozy brazilian small city, sunset, brick streets, beautiful residential street, perfect details, pixel art, lovely blue house with balcony and a front yard

cozy brazilian small city, sunset, brick streets, beautiful residential street, perfect details, pixel art, lovely blue house with balcony and a front yard

cozy brazilian small city, sunset, brick streets, beautiful residential street, perfect details, pixel art, lovely Brazilian style sky blue house with balcony and a front yard

cozy brazilian small city, sunset, brick streets, beautiful residential street, perfect details, pixel art, lovely Brazilian style sky blue house with balcony and a front yard

cozy brazilian small city, sunset, brick streets, beautiful residential street, perfect details, pixel art, lovely Brazilian style sky blue house with balcony and a front yard

cozy brazilian small city, sunset, brick streets, beautiful residential street, perfect details, pixel art, lovely Brazilian style sky blue house with balcony and a front yard

cozy brazilian small city, sunset, brick streets, beautiful residential street, perfect details, pixel art, lovely Brazilian style sky blue house with balcony and a front yard

\"Blue sky, white clouds, street, a moving black car, tall buildings.\"

\"Blue sky, white clouds, street, a moving black car, tall buildings.\"

small town, cozy,landscape, Brazilian, beutiful twilight, contemporary, design by William Morris, Alphonse Mucha, Gustf Tenggren, Arthur Rackham