a video of a woman Red floating hair facing at the Window of a train in moviment all the scene Is by night detail of the big Moon through the Window aesthetic cinematic


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a woman facing at the Window of a train in moviment detail Red floating long hair ,black dress pain on her face aesthetic scene

Woman with windswept hair sitting in window of moving train, passing through scenic countryside, soft evening light streaming through window highlighting her pensive expression, train interior visible in background, sense of motion conveyed through blurred environment outside, shallow depth of field --ar 3:2

a beautiful Indian woman on the train, slow changing winter scenery in her window

a_beautiful_Peruvian_woman_on_the_train_fast-changing_Autumn_scenery_in_her_window.

An intricately detailed digital painting of a futuristic bullet train zooming down the tracks. The train is shaped like a giant stopwatch with clear glass sides exposing the complex internal machinery. The tracks are made of ripped price tag stickers floating whimsically in space. In the train's wake follows a colorful burst of stopwatch hands swirling dynamically. Vibrant skyscrapers and cityscapes are visible through the train windows. Cinematic perspective and angle captures a sense of speed and high technology. I included details about the train looking like a stopwatch, the imaginative price tag tracks, the swirling stopwatch hand trails, and the sci-fi city background seen through the windows. Let me know if you would like any changes or additions! I'm happy to refine the prompt further.

Modern black high-speed train crossing the seaside on a full moon night, realistic image, cinematic footage,

Ultra 8k In a haunting and atmospheric scene, an American steam train, dark and dirty, makes its eerie arrival at a gothic-style train station on a spooky, moonlit night. This tableau is steeped in eerie and macabre ambiance. The steam train, an imposing and grimy locomotive, approaches the station with a ghostly aura. Its exterior is marred by layers of grime and soot, and the once-brilliant metalwork has tarnished to a tarnished silver hue. The locomotives headlight emits a feeble, flickering glow, casting long, unsettling shadows as it emerges from the enveloping darkness. The gothic-style train station looms like a haunted castle, complete with spires that seem to reach for the heavens and grotesque stone gargoyles that leer menacingly down upon the trains arrival. The stations stone façade appears ancient and weathered, as if it has borne witness to centuries of eerie occurrences. The platform is drenched in an eerie, spectral light provided by dim, flickering lanterns that only partially pierce the oppressive darkness. Silent figures, barely visible in the murky gloom, await the trains arrival. They wear antiquated clothing, their faces obscured by the shadows and the unsettling half-light of the moon. The full moon, its pale glow an eerie counterpoint to the surrounding darkness, casts an unsettling aura over the entire scene. It highlights the stark contrast between the trains sooty exterior and the foreboding architecture of the station, creating an unsettling visual dissonance. As the steam train grinds to a hauntingly creaking halt, the doors of the passenger cars open with an eerie groan. Passengers disembark, their faces hidden by the moons ghostly light and the eerie obscurity of the stations cavernous interior. The passenger cars themselves remain veiled in mystery, their windows obscured by grime and shadows. This is a scene that beckons the imagination toward the realm of the supernatural and the uncanny. It is a place where the boundaries between reality and the paranormal blur, and one can easily envision stories of spectral encounters and haunted journeys unfolding under the unsettling gaze of the full moon., professional ominous concept art, by artgerm and greg rutkowski, an intricate, elegant, highly detailed digital painting, concept art, smooth, sharp focus, illustration, in the style of simon stalenhag, wayne barlowe, and igor kieryluk.