an art with two panels juxtaposing the countryside vs the city life. On the left panel is the rural areas where people are feeding animals in the field with a bright tone. On the right panel is the busy traffic jams in the city with a dystopian tone.
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an art showing the countryside vs the city life. On the left, the rural areas where people are feeding animals in the field with a bright tone. On the right, the busy traffic jams in the city with a dystopian tone.
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a comic with two panels juxtaposing the countryside vs the city life. On the left panel is the rural areas where people are feeding animals in the field with a bright tone. On the right panel is the busy traffic jams in the city with a dystopian tone.
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a comic with two panels juxtaposing the countryside vs the city life. On the left panel is the rural areas where people are feeding animals in the field with a bright tone. On the right panel is the busy traffic jams in the city with a dystopian tone.
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comic juxtaposing the countryside vs the city life. the rural areas where people are feeding animals in the field with a bright tone in contrast with the busy traffic jams in the city with a dystopian mood.
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comic juxtaposing the countryside vs the city life. the rural areas where people are feeding animals in the field with a bright tone in contrast with the busy traffic jams in the city with a dystopian mood.
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a comic juxtaposing the countryside vs the city life. the rural areas where people are feeding animals in the field with a bright tone vs the busy traffic jams in the city with a dystopian tone.
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A close-up photorealistic image of a scratched and weathered car rearview mirror mounted on the side door of a vintage car. The mirror should have a chrome housing with fine scratches and some areas of tarnish or rust. The car door should be painted in a faded or chipped dark red color. The background can be slightly blurred and out of focus, with hints of a vintage streetscape or countryside setting.
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A close-up photorealistic image of a scratched and weathered car rearview mirror mounted on the side door of a vintage car. The mirror should have a chrome housing with fine scratches and some areas of tarnish or rust. The car door should be painted in a faded or chipped dark red color. The background can be slightly blurred and out of focus, with hints of a vintage streetscape or countryside setting.
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A close-up photorealistic image of a scratched and weathered car rearview mirror mounted on the side door of a vintage car. The mirror should have a chrome housing with fine scratches and some areas of tarnish or rust. The car door should be painted in a faded or chipped dark red color. The background can be slightly blurred and out of focus, with hints of a vintage streetscape or countryside setting.
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Simple minimalistic Agricultural FUTURESTIc hopeful Artistic Image
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Artificial landscape for urban farming, wooden construction on grid, mixture of open and semi open spaces, semi realistic architeure diagram
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Artificial landscape for urban farming, wooden construction on grid, mixture of open and semi open spaces, semi realistic architeure diagram
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A rural style poster, with several white clouds floating in the sky and corn fields on the ground. Farmers are busy in the fields/scenery/cartoon
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post-apocalyptic landscape scene set in 2050, eye pupils visible, a train station overgrown with wildflowers, two scavengers atop a horse amid the ruins, morning light with Rembrandt style chiaroscuro, concept art inspired by Jakub Rozalski and Anton Mauve, painterly styles of Andrew Macara, 16K, concept character art by craig mullins, Alexander Kanoldt and Aliza Razell
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[mexican shaman bear, red and black feathered headdress, animal skin robes, ritual staff topped with a bear skull, standing in a yucca cactus grove under a full moon, inspired by the art of carlos pacheco, michael whelan and james gurney, painterly style with airbrush textures, warm moonlit tones, 16K masterpiece, digital painting:post-apocalyptic village, thatched-roof cottages nestled in a valley, ruined windmill in the distance, families working the fields outside small wooden houses, golden afternoon light casting long shadows, style of Albert Bierstadt, Alois Arnegger, Anton Mauve, Asher Brown Durand, hints of decay and overgrowth, meadows and forests reclaiming what was once civilization, painterly realism, 16K digital masterpiece:10]
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Rural style poster, a corn and rice field, with several white clouds floating in the sky. Farmers are busy in the field/scenery/cartoon
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post-apocalyptic landscape scene set in 2050, a train station overgrown with wildflowers, two scavengers atop a horse amid the ruins, morning light with Rembrandt style chiaroscuro, concept art inspired by Jakub Rozalski and Anton Mauve, painterly styles of Andrew Macara, 65K masterwork
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The background is a combination of grassland and river, winding and winding. There are cows and sheep on the grassland, and in the distance, there is a blue sky. It is realistic and has a wide-angle lens,
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The background is a combination of grassland and river, winding and winding. There are cows and sheep on the grassland, and in the distance, there is a blue sky. It is realistic and has a wide-angle lens,
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beautiful farm fields, sunset, clouds, wallpaper, artstation, digital drawing
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Générez une image mettant en scène une ville futuriste, alliant réalisme et une abondance de végétation flamboyante. Lobjectif est de dépeindre un futur optimiste et écologique, en évitant les clichés de paysages urbains tristes
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Use a background featuring natural landscapes or elements of nature, emphasizing the environments in which these animals live.with lots of animal.
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Use a background featuring natural landscapes or elements of nature, emphasizing the environments in which these animals live.with lots of animal.
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Use a background featuring natural landscapes or elements of nature, emphasizing the environments in which these animals live.with lots of animal.
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An image of a person with arms wrapped around their body, sitting on a pile of broken clock parts. The person’s soul is open, revealing a hollow space inside. The image has a dark and gloomy tone, with a contrast between the metallic clockwork and the organic flesh. The image is inspired by the works of LEXI LAINE and POLO PERRIER, who are known for their surreal and dystopian art
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An image of a person with arms wrapped around their body, sitting on a pile of broken clock parts. The person’s soul is open, revealing a hollow space inside. The image has a dark and gloomy tone, with a contrast between the metallic clockwork and the organic flesh. The image is inspired by the works of LEXI LAINE and POLO PERRIER, who are known for their surreal and dystopian art
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An image of a person with arms wrapped around their body, sitting on a pile of broken clock parts. The person’s soul is open, revealing a hollow space inside. The image has a dark and gloomy tone, with a contrast between the metallic clockwork and the organic flesh. The image is inspired by the works of LEXI LAINE and POLO PERRIER, who are known for their surreal and dystopian art
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[beautifull house on a hilltop near a water stream, impressive oil painting by Adrian Paul Allinson, seen through tall grass, blue and red accents:a red deer drinking water in a bleak post-industrial wasteland, decaying concrete structures amid rusting metal, clouded grey skies, toxic mist hangs heavy:10]
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[beautifull house on a hilltop near a water stream, impressive oil painting by Adrian Paul Allinson, seen through tall grass, blue and red accents:a red deer drinking water in a bleak post-industrial wasteland, decaying concrete structures amid rusting metal, clouded grey skies, toxic mist hangs heavy:10]
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[beautifull house on a hilltop near a water stream, impressive oil painting by Adrian Paul Allinson, seen through tall grass, blue and red accents:a red deer drinking water in a bleak post-industrial wasteland, decaying concrete structures amid rusting metal, clouded grey skies, toxic mist hangs heavy:10]
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[beautifull house on a hilltop near a water stream, impressive oil painting by Adrian Paul Allinson, seen through tall grass, blue and red accents:a red deer drinking water in a bleak post-industrial wasteland, decaying concrete structures amid rusting metal, clouded grey skies, toxic mist hangs heavy:10]
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[beautifull house on a hilltop near a water stream, impressive oil painting by Adrian Paul Allinson, seen through tall grass, blue and red accents:a red deer drinking water in a bleak post-industrial wasteland, decaying concrete structures amid rusting metal, clouded grey skies, toxic mist hangs heavy:10]
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[beautifull house on a hilltop near a water stream, impressive oil painting by Adrian Paul Allinson, seen through tall grass, blue and red accents:a red deer drinking water in a bleak post-industrial wasteland, decaying concrete structures amid rusting metal, clouded grey skies, toxic mist hangs heavy:10]
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abandoned village house, overgrown with vines and flowers, wild deers grazing nearby, post apocalyptic art, by simon stalenhag, james gurney, and john harris, digital painting, watercolor style, soft and natural tones, low angle view, cloudy sky, 8K masterpiece.
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abandoned village house, overgrown with vines and flowers, wild deers grazing nearby, post apocalyptic art, by simon stalenhag, james gurney, and john harris, digital painting, watercolor style, soft and natural tones, low angle view, cloudy sky, 8K masterpiece.
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landscape post apo , green city , fog and horro mood , an archer and a dog in font of the city , concept art style , dark style
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landscape post apo , green city , fog and horro mood , an archer and a dog in font of the city , concept art style , dark style
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man, dog, riverside, ruined city, cloudy sky, sun rays, long coat, hat, sitting dog, trees, rocks, atmospheric, somber tone, post-apocalyptic, by Simon Stålenhag, dystopian art, dramatic lighting, desolate landscape, worn-out buildings, misty riverbank, reflective water, painterly brushstrokes, emotional connection, captivating storytelling, high-quality illustration.
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man, dog, riverside, ruined city, cloudy sky, sun rays, long coat, hat, sitting dog, trees, rocks, atmospheric, somber tone, post-apocalyptic, by Simon Stålenhag, dystopian art, dramatic lighting, desolate landscape, worn-out buildings, misty riverbank, reflective water, painterly brushstrokes, emotional connection, captivating storytelling, high-quality illustration.
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\Imagine a scene where former President Trump visits rural China, embracing the countryside experience. Picture him engaging with local farmers, perhaps trying traditional agricultural activities or enjoying the scenic landscapes. Capture the cultural exchange with a mix of curiosity and warmth, showcasing both the uniqueness of the rural setting and Trumps presence in this unexpected environment. Use a balanced color palette to represent the harmony between the visitor and the rural surroundings. Medium: Digital or traditional illustration with a focus on cultural exchange and a touch of humor. Aspect ratio: 16:9. Height: 576. Draw inspiration from artists skilled in capturing cultural diversity and cross-cultural interactions.\
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Create an image in a 90s cartoon style depicting a territorial war between sheep and chickens on a farm. Picture a comical battleground with sheep donning camouflage gear, strategizing behind haystack barricades, and launching cotton ball projectiles. Meanwhile, the chickens, equipped with aviator sunglasses and eggshell helmets, stage a feathery resistance with corn-on-the-cob cannons. In the background, the farm landscape should showcase cartoonish barns and fields, with exaggerated expressions on the faces of the animal combatants. Capture the chaos and humor of this whimsical war, evoking the playful and vibrant aesthetic of 90s cartoons. Think dynamic poses, exaggerated features, and bold, saturated colors to bring the lively and entertaining battle between sheep and chickens to life.
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Create an image in a 90s cartoon style depicting a territorial war between sheep and chickens on a farm. Picture a comical battleground with sheep donning camouflage gear, strategizing behind haystack barricades, and launching cotton ball projectiles. Meanwhile, the chickens, equipped with aviator sunglasses and eggshell helmets, stage a feathery resistance with corn-on-the-cob cannons. In the background, the farm landscape should showcase cartoonish barns and fields, with exaggerated expressions on the faces of the animal combatants. Capture the chaos and humor of this whimsical war, evoking the playful and vibrant aesthetic of 90s cartoons. Think dynamic poses, exaggerated features, and bold, saturated colors to bring the lively and entertaining battle between sheep and chickens to life.
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