annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of the Skaa slums, cramped and desperate, a stark contrast to the opulence of the noble houses, with hidden whispers of rebellion.
1 of 2
More Like This
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of the Skaa slums, cramped and desperate, a stark contrast to the opulence of the noble houses, with hidden whispers of rebellion.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of the Skaa slums, cramped and desperate, a stark contrast to the opulence of the noble houses, with hidden whispers of rebellion.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of an underground cavern beneath the city, illuminated by magical crystals and home to a hidden community of mythical creatures.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of an underground cavern beneath the city, illuminated by magical crystals and home to a hidden community of mythical creatures.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of an underground cavern beneath the city, illuminated by magical crystals and home to a hidden community of mythical creatures.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of an underground cavern beneath the city, illuminated by magical crystals and home to a hidden community of a very old and fragile antro (tomato creature:1.3) white thin whispy long hair and wrinkled skin
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of an underground cavern beneath the city, illuminated by magical crystals and home to a hidden community of a very old and fragile antro (tomato creature:1.3) white thin whispy long hair and wrinkled skin
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of an underground cavern beneath the city, illuminated by magical crystals and home to a hidden community of a very old and fragile antro (tomato creature:1.4) white thin whispy long hair and wrinkled skin
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of the mud people, chasms and schisms show the way that is paved with ancient trees and howling wind
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of the mud people, chasms and schisms show the way that is paved with ancient trees and howling wind
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of the eerie boundary, a shimmering wall of intense, unnatural colors, separating realms, with twisted, distorted landscapes visible through its translucent veil.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of the eerie boundary, a shimmering wall of intense, unnatural colors, separating realms, with twisted, distorted landscapes visible through its translucent veil.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of the fantastic urban lighthouse , deeo chasms and underground rivers show the way that is paved with ancient trees and howling wind
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of the fantastic urban lighthouse , deeo chasms and underground rivers show the way that is paved with ancient trees and howling wind
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean of a very old and fragile antro (peanut creature:1.4) white thin whispy long hair and wrinkled skin an oriental ink inside an underground cavern beneath the city, illuminated by magical crystals where tapestries of silence are spun from threads of the unseen.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean of a very old and fragile antro (peanut creature:1.4) white thin whispy long hair and wrinkled skin an oriental ink inside an underground cavern beneath the city, illuminated by magical crystals where tapestries of silence are spun from threads of the unseen.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean of a very old and fragile antro (peanut creature:1.4) white thin whispy long hair and wrinkled skin an oriental ink inside an underground cavern beneath the city, illuminated by magical crystals where tapestries of silence are spun from threads of the unseen.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean of a very old and fragile antro (peanut creature:1.4) white thin whispy long hair and wrinkled skin an oriental ink inside an underground cavern beneath the city, illuminated by magical crystals where tapestries of silence are spun from threads of the unseen.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, an oriental ink complex fantasy map showing the path to the mud people, chasms and schisms show the way that is paved with ancient trees and howling wind
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, an oriental ink complex fantasy map showing the path to the mud people, chasms and schisms show the way that is paved with ancient trees and howling wind
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of the windswept Plains of Ven, vast and unending, dotted with the tents of nomadic tribes, the horizon broken only by the occasional ancient, gnarled tree standing defiant against the relentless wind.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of the windswept Plains of Ven, vast and unending, dotted with the tents of nomadic tribes, the horizon broken only by the occasional ancient, gnarled tree standing defiant against the relentless wind.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of the devastated belltower , chasms and schisms show the way that is paved with ancient trees and howling wind
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of the devastated belltower , chasms and schisms show the way that is paved with ancient trees and howling wind
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean of a very old and fragile antro (peanut creature:1.4) white thin whispy long hair and wrinkled skin. An oriental ink drawing of the catacombs of an ancient monastry, illuminated by magical crystals where tapestries of silence are spun from threads of the unseen.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean of a very old and fragile antro (peanut creature:1.4) white thin whispy long hair and wrinkled skin. An oriental ink drawing of the catacombs of an ancient monastry, illuminated by magical crystals where tapestries of silence are spun from threads of the unseen.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean of a very old and fragile antro (peanut creature:1.4) white thin whispy long hair and wrinkled skin. An oriental ink drawing of the catacombs of an ancient monastry, illuminated by magical crystals where tapestries of silence are spun from threads of the unseen.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and H.R. Giger, an oriental ink drawing of a shadowy urban alleyway that transforms into a portal to an otherworldly realm, filled with mysterious runes and glowing symbols.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and H.R. Giger, an oriental ink drawing of a shadowy urban alleyway that transforms into a portal to an otherworldly realm, filled with mysterious runes and glowing symbols.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and H.R. Giger, an oriental ink drawing of a shadowy urban alleyway that transforms into a portal to an otherworldly realm, filled with mysterious runes and glowing symbols.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean On the shores of the forgotten sea, sheet lightning, where the waters whisper secrets, ancient ruins loom. Their stones are worn by time and tide, yet they stand resilient, guardians of histories submerged beneath the waves, where every tide brings a tale, and every wave sings of bygone eras.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean On the shores of the forgotten sea, sheet lightning, where the waters whisper secrets, ancient ruins loom. Their stones are worn by time and tide, yet they stand resilient, guardians of histories submerged beneath the waves, where every tide brings a tale, and every wave sings of bygone eras.
1 of 2
annotated mixed-media etching on traditionally worn, pale parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean of a fantastical landscape where the transition between the drawing in an open, ancient book and the real world is seamless. The book lies on a flat surface, its pages aged and edges worn. The right side of the open book contains a detailed ink drawing of a mountain range, with annotations and grid lines, reminiscent of an explorer's old map. As the drawing spills out from the pages, it transforms into a three-dimensional landscape of towering, jagged mountains with sharp peaks and ridges. The color palette is a mix of soft sepia tones for the pages, transitioning to cool grays and blues for the mountains, suggesting a cold, icy environment. Include intricate details such as tiny trees, a winding river in the valley, and melting snow dripping off the edges of the book. The atmosphere is one of discovery and magic, as if one could step directly into the adventure laid out on the pages. Shadows and highlights should give depth to the mountains and the impression that they are emerging from the flatness of the drawings.
1 of 2
annotated mixed-media etching on traditionally worn, pale parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean of a fantastical landscape where the transition between the drawing in an open, ancient book and the real world is seamless. The book lies on a flat surface, its pages aged and edges worn. The right side of the open book contains a detailed ink drawing of a mountain range, with annotations and grid lines, reminiscent of an explorer's old map. As the drawing spills out from the pages, it transforms into a three-dimensional landscape of towering, jagged mountains with sharp peaks and ridges. The color palette is a mix of soft sepia tones for the pages, transitioning to cool grays and blues for the mountains, suggesting a cold, icy environment. Include intricate details such as tiny trees, a winding river in the valley, and melting snow dripping off the edges of the book. The atmosphere is one of discovery and magic, as if one could step directly into the adventure laid out on the pages. Shadows and highlights should give depth to the mountains and the impression that they are emerging from the flatness of the drawings.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of the desolate and haunting ruins of Caska, a once-great city now left to crumble, its broken walls and deserted streets whispering tales of past glory and tragedy.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of the desolate and haunting ruins of Caska, a once-great city now left to crumble, its broken walls and deserted streets whispering tales of past glory and tragedy.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean of a very old and fragile antro (prune creature:1.4) white thin whispy long hair and wrinkled skin an oriental ink inside an underground cavern beneath the city, illuminated by magical crystals. Schisms and chasms background webs
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean of a very old and fragile antro (prune creature:1.4) white thin whispy long hair and wrinkled skin an oriental ink inside an underground cavern beneath the city, illuminated by magical crystals. Schisms and chasms background webs
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean of a very old and fragile antro (prune creature:1.4) white thin whispy long hair and wrinkled skin an oriental ink inside an underground cavern beneath the city, illuminated by magical crystals. Schisms and chasms background webs
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean of a very old and fragile antro (prune creature:1.4) white thin whispy long hair and wrinkled skin an oriental ink inside an underground cavern beneath the city, illuminated by magical crystals. Schisms and chasms background webs
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean of a very old and fragile antro (prune creature:1.4) white thin whispy long hair and wrinkled skin an oriental ink inside an underground cavern beneath the city, illuminated by magical crystals. Schisms and chasms background webs
1 of 2
annotated mixed-media etching on ancient, softly yellowed parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, illustrating a complex fantasy map with routes to the mud people's realm
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean of a very old and fragile antro (tomato creature:1.5) white thin whispy long hair and wrinkled skin an oriental ink inside an underground cavern beneath the city, illuminated by magical crystals
1 of 2
annotated mixed-media etching on classic, lightly blemished parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, with a detailed fantasy map indicating the path to the mud people's abode
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of the mystical and fog-enshrouded forest of Jangang, where trees seem to whisper secrets and paths appear and disappear with the mist.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by Jacques Bellange, Ismail Inceoglu, and Dave McKean, an oriental ink drawing of the mystical and fog-enshrouded forest of Jangang, where trees seem to whisper secrets and paths appear and disappear with the mist.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean of a very old and fragile antro (peanut creature:1.4) white thin whispy long hair and wrinkled skin an oriental ink inside an underground cavern beneath the city, illuminated by magical crystals. Echoes of echoes, mirroring the void.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean of a very old and fragile antro (peanut creature:1.4) white thin whispy long hair and wrinkled skin an oriental ink inside an underground cavern beneath the city, illuminated by magical crystals. Echoes of echoes, mirroring the void.
1 of 2
annotated mixed-media etching on ancient, softly faded parchment by William Blake, Ismail Inceoglu, and Dave McKean of a very old and fragile antro (peanut creature:1.4) white thin whispy long hair and wrinkled skin an oriental ink inside an underground cavern beneath the city, illuminated by magical crystals. Echoes of echoes, mirroring the void.
1 of 2