BIOPHILIA: NATURE REIMAGINED AT DENVER ART MUSEUM (DAM) In the summer of 2024, the Denver Art Museum (DAM) will present Biophilia: Nature Reimagined, a multisensory exhibition that brings together more than 70 imaginative works by an international roster of designers and artists, including Iris van Herpen, Studio Gang, teamLab, Joris Laarman, and DRIFT. Projects will span architectural models and photographs, fashion, digital installations, and immersive artworks that highlight the transformative power of nature. Popularized by American biologist and author Edward O. Wilson, ‘Biophilia’ describes the theory of how humans have evolved to become intrinsically intertwined with nature. Wilson’s hypothesis invites deep reflection and poses relevant questions to consider life in our hyper-digital and urban-centric world. Inspired by that theory, Darrin Alfred, Curator of Architecture and Design at DAM, envisions the show as a space ‘to heighten our senses, more closely observe the world around us, and engage in cathartic, quiet moments that allow us to breathe amid the complexities of contemporary life,’ he tells designboom.
1 of 2
More Like This
BIOPHILIA: NATURE REIMAGINED AT DENVER ART MUSEUM (DAM) In the summer of 2024, the Denver Art Museum (DAM) will present Biophilia: Nature Reimagined, a multisensory exhibition that brings together more than 70 imaginative works by an international roster of designers and artists, including Iris van Herpen, Studio Gang, teamLab, Joris Laarman, and DRIFT. Projects will span architectural models and photographs, fashion, digital installations, and immersive artworks that highlight the transformative power of nature. Popularized by American biologist and author Edward O. Wilson, ‘Biophilia’ describes the theory of how humans have evolved to become intrinsically intertwined with nature. Wilson’s hypothesis invites deep reflection and poses relevant questions to consider life in our hyper-digital and urban-centric world. Inspired by that theory, Darrin Alfred, Curator of Architecture and Design at DAM, envisions the show as a space ‘to heighten our senses, more closely observe the world around us, and engage in cathartic, quiet moments that allow us to breathe amid the complexities of contemporary life,’ he tells designboom.
1 of 2
Interior view Lobby skyscraper inspired in the BIOPHILIA: NATURE REIMAGINED AT DENVER ART MUSEUM (DAM) In the summer of 2024, the Denver Art Museum (DAM) will present Biophilia: Nature Reimagined, a multisensory exhibition that brings together more than 70 imaginative works by an international roster of designers and artists, including Iris van Herpen, Studio Gang, teamLab, Joris Laarman, and DRIFT. Projects will span architectural models and photographs, fashion, digital installations, and immersive artworks that highlight the transformative power of nature. Popularized by American biologist and author Edward O. Wilson, ‘Biophilia’ describes the theory of how humans have evolved to become intrinsically intertwined with nature. Wilson’s hypothesis invites deep reflection and poses relevant questions to consider life in our hyper-digital and urban-centric world. Inspired by that theory, Darrin Alfred, Curator of Architecture and Design at DAM, envisions the show as a space ‘to heighten our senses, more closely observe the world around us, and engage in cathartic, quiet moments that allow us to breathe amid the complexities of contemporary life,’
1 of 2
Interior view Lobby skyscraper inspired in the BIOPHILIA: NATURE REIMAGINED AT DENVER ART MUSEUM (DAM) In the summer of 2024, the Denver Art Museum (DAM) will present Biophilia: Nature Reimagined, a multisensory exhibition that brings together more than 70 imaginative works by an international roster of designers and artists, including Iris van Herpen, Studio Gang, teamLab, Joris Laarman, and DRIFT. Projects will span architectural models and photographs, fashion, digital installations, and immersive artworks that highlight the transformative power of nature. Popularized by American biologist and author Edward O. Wilson, ‘Biophilia’ describes the theory of how humans have evolved to become intrinsically intertwined with nature. Wilson’s hypothesis invites deep reflection and poses relevant questions to consider life in our hyper-digital and urban-centric world. Inspired by that theory, Darrin Alfred, Curator of Architecture and Design at DAM, envisions the show as a space ‘to heighten our senses, more closely observe the world around us, and engage in cathartic, quiet moments that allow us to breathe amid the complexities of contemporary life,’
1 of 2
Interior view Lobby skyscraper inspired in the BIOPHILIA: NATURE REIMAGINED AT DENVER ART MUSEUM (DAM) In the summer of 2024, the Denver Art Museum (DAM) will present Biophilia: Nature Reimagined, a multisensory exhibition that brings together more than 70 imaginative works by an international roster of designers and artists, including Iris van Herpen, Studio Gang, teamLab, Joris Laarman, and DRIFT. Projects will span architectural models and photographs, fashion, digital installations, and immersive artworks that highlight the transformative power of nature. Popularized by American biologist and author Edward O. Wilson, ‘Biophilia’ describes the theory of how humans have evolved to become intrinsically intertwined with nature. Wilson’s hypothesis invites deep reflection and poses relevant questions to consider life in our hyper-digital and urban-centric world. Inspired by that theory, Darrin Alfred, Curator of Architecture and Design at DAM, envisions the show as a space ‘to heighten our senses, more closely observe the world around us, and engage in cathartic, quiet moments that allow us to breathe amid the complexities of contemporary life,’
1 of 2
Interior view Lobby skyscraper inspired in the BIOPHILIA: NATURE REIMAGINED AT DENVER ART MUSEUM (DAM) In the summer of 2024, the Denver Art Museum (DAM) will present Biophilia: Nature Reimagined, a multisensory exhibition that brings together more than 70 imaginative works by an international roster of designers and artists, including Iris van Herpen, Studio Gang, teamLab, Joris Laarman, and DRIFT. Projects will span architectural models and photographs, fashion, digital installations, and immersive artworks that highlight the transformative power of nature. Popularized by American biologist and author Edward O. Wilson, ‘Biophilia’ describes the theory of how humans have evolved to become intrinsically intertwined with nature. Wilson’s hypothesis invites deep reflection and poses relevant questions to consider life in our hyper-digital and urban-centric world. Inspired by that theory, Darrin Alfred, Curator of Architecture and Design at DAM, envisions the show as a space ‘to heighten our senses, more closely observe the world around us, and engage in cathartic, quiet moments that allow us to breathe amid the complexities of contemporary life,’
1 of 2
exterior view skyscraper inspired in the BIOPHILIA: NATURE REIMAGINED AT DENVER ART MUSEUM (DAM) In the summer of 2024, the Denver Art Museum (DAM) will present Biophilia: Nature Reimagined, a multisensory exhibition that brings together more than 70 imaginative works by an international roster of designers and artists, including Iris van Herpen, Studio Gang, teamLab, Joris Laarman, and DRIFT. Projects will span architectural models and photographs, fashion, digital installations, and immersive artworks that highlight the transformative power of nature. Popularized by American biologist and author Edward O. Wilson, ‘Biophilia’ describes the theory of how humans have evolved to become intrinsically intertwined with nature. Wilson’s hypothesis invites deep reflection and poses relevant questions to consider life in our hyper-digital and urban-centric world. Inspired by that theory, Darrin Alfred, Curator of Architecture and Design at DAM, envisions the show as a space ‘to heighten our senses, more closely observe the world around us, and engage in cathartic, quiet moments that allow us to breathe amid the complexities of contemporary life,’
1 of 2
exterior view skyscraper inspired in the BIOPHILIA: NATURE REIMAGINED AT DENVER ART MUSEUM (DAM) In the summer of 2024, the Denver Art Museum (DAM) will present Biophilia: Nature Reimagined, a multisensory exhibition that brings together more than 70 imaginative works by an international roster of designers and artists, including Iris van Herpen, Studio Gang, teamLab, Joris Laarman, and DRIFT. Projects will span architectural models and photographs, fashion, digital installations, and immersive artworks that highlight the transformative power of nature. Popularized by American biologist and author Edward O. Wilson, ‘Biophilia’ describes the theory of how humans have evolved to become intrinsically intertwined with nature. Wilson’s hypothesis invites deep reflection and poses relevant questions to consider life in our hyper-digital and urban-centric world. Inspired by that theory, Darrin Alfred, Curator of Architecture and Design at DAM, envisions the show as a space ‘to heighten our senses, more closely observe the world around us, and engage in cathartic, quiet moments that allow us to breathe amid the complexities of contemporary life,’
1 of 2
exterior view skyscraper inspired in the BIOPHILIA: NATURE REIMAGINED AT DENVER ART MUSEUM (DAM) In the summer of 2024, the Denver Art Museum (DAM) will present Biophilia: Nature Reimagined, a multisensory exhibition that brings together more than 70 imaginative works by an international roster of designers and artists, including Iris van Herpen, Studio Gang, teamLab, Joris Laarman, and DRIFT. Projects will span architectural models and photographs, fashion, digital installations, and immersive artworks that highlight the transformative power of nature. Popularized by American biologist and author Edward O. Wilson, ‘Biophilia’ describes the theory of how humans have evolved to become intrinsically intertwined with nature. Wilson’s hypothesis invites deep reflection and poses relevant questions to consider life in our hyper-digital and urban-centric world. Inspired by that theory, Darrin Alfred, Curator of Architecture and Design at DAM, envisions the show as a space ‘to heighten our senses, more closely observe the world around us, and engage in cathartic, quiet moments that allow us to breathe amid the complexities of contemporary life,’
1 of 2
exterior view skyscraper inspired in the BIOPHILIA: NATURE REIMAGINED AT DENVER ART MUSEUM (DAM) In the summer of 2024, the Denver Art Museum (DAM) will present Biophilia: Nature Reimagined, a multisensory exhibition that brings together more than 70 imaginative works by an international roster of designers and artists, including Iris van Herpen, Studio Gang, teamLab, Joris Laarman, and DRIFT. Projects will span architectural models and photographs, fashion, digital installations, and immersive artworks that highlight the transformative power of nature. Popularized by American biologist and author Edward O. Wilson, ‘Biophilia’ describes the theory of how humans have evolved to become intrinsically intertwined with nature. Wilson’s hypothesis invites deep reflection and poses relevant questions to consider life in our hyper-digital and urban-centric world. Inspired by that theory, Darrin Alfred, Curator of Architecture and Design at DAM, envisions the show as a space ‘to heighten our senses, more closely observe the world around us, and engage in cathartic, quiet moments that allow us to breathe amid the complexities of contemporary life,’
1 of 2
exterior view skyscraper inspired in the BIOPHILIA: NATURE REIMAGINED AT DENVER ART MUSEUM (DAM) In the summer of 2024, the Denver Art Museum (DAM) will present Biophilia: Nature Reimagined, a multisensory exhibition that brings together more than 70 imaginative works by an international roster of designers and artists, including Iris van Herpen, Studio Gang, teamLab, Joris Laarman, and DRIFT. Projects will span architectural models and photographs, fashion, digital installations, and immersive artworks that highlight the transformative power of nature. Popularized by American biologist and author Edward O. Wilson, ‘Biophilia’ describes the theory of how humans have evolved to become intrinsically intertwined with nature. Wilson’s hypothesis invites deep reflection and poses relevant questions to consider life in our hyper-digital and urban-centric world. Inspired by that theory, Darrin Alfred, Curator of Architecture and Design at DAM, envisions the show as a space ‘to heighten our senses, more closely observe the world around us, and engage in cathartic, quiet moments that allow us to breathe amid the complexities of contemporary life,’
1 of 2
skycrapper inspired in the BIOPHILIA: NATURE REIMAGINED AT DENVER ART MUSEUM (DAM) In the summer of 2024, the Denver Art Museum (DAM) will present Biophilia: Nature Reimagined, a multisensory exhibition that brings together more than 70 imaginative works by an international roster of designers and artists, including Iris van Herpen, Studio Gang, teamLab, Joris Laarman, and DRIFT. Projects will span architectural models and photographs, fashion, digital installations, and immersive artworks that highlight the transformative power of nature. Popularized by American biologist and author Edward O. Wilson, ‘Biophilia’ describes the theory of how humans have evolved to become intrinsically intertwined with nature. Wilson’s hypothesis invites deep reflection and poses relevant questions to consider life in our hyper-digital and urban-centric world. Inspired by that theory, Darrin Alfred, Curator of Architecture and Design at DAM, envisions the show as a space ‘to heighten our senses, more closely observe the world around us, and engage in cathartic, quiet moments that allow us to breathe amid the complexities of contemporary life,’ he tells designboom.
1 of 2
skycrapper inspired in the BIOPHILIA: NATURE REIMAGINED AT DENVER ART MUSEUM (DAM) In the summer of 2024, the Denver Art Museum (DAM) will present Biophilia: Nature Reimagined, a multisensory exhibition that brings together more than 70 imaginative works by an international roster of designers and artists, including Iris van Herpen, Studio Gang, teamLab, Joris Laarman, and DRIFT. Projects will span architectural models and photographs, fashion, digital installations, and immersive artworks that highlight the transformative power of nature. Popularized by American biologist and author Edward O. Wilson, ‘Biophilia’ describes the theory of how humans have evolved to become intrinsically intertwined with nature. Wilson’s hypothesis invites deep reflection and poses relevant questions to consider life in our hyper-digital and urban-centric world. Inspired by that theory, Darrin Alfred, Curator of Architecture and Design at DAM, envisions the show as a space ‘to heighten our senses, more closely observe the world around us, and engage in cathartic, quiet moments that allow us to breathe amid the complexities of contemporary life,’ he tells designboom.
1 of 2
FROM PATTERNS AND FORMS TO PLACES AND PEOPLE The first theme, Natural Analogs, examines the simulation of naturally occurring shapes, sequences, and patterns with varying degrees of abstraction. ‘Here, nature’s aesthetic complexities, which conform to simple mathematical laws—the equations that generate patterns, cones, and pyramids, spirals and waves, and the topological rules of geometry—find new expressions in a digital age,’ explains the curator. Combining humans’ primal fascination with patterns and the wonders of computational technologies, Nervous System design studio lands at the Biophilia DAM exhibition with its undulating Floraform Chandelier inspired by the ruffled edges of flowers. The hanging light was developed with generative algorithms and fabricated using an additive 3D-printing process, casting a dense forest of shadows and enveloping the viewer in an environment of algorithmically grown plant forms.
1 of 2
FROM PATTERNS AND FORMS TO PLACES AND PEOPLE The first theme, Natural Analogs, examines the simulation of naturally occurring shapes, sequences, and patterns with varying degrees of abstraction. ‘Here, nature’s aesthetic complexities, which conform to simple mathematical laws—the equations that generate patterns, cones, and pyramids, spirals and waves, and the topological rules of geometry—find new expressions in a digital age,’ explains the curator. Combining humans’ primal fascination with patterns and the wonders of computational technologies, Nervous System design studio lands at the Biophilia DAM exhibition with its undulating Floraform Chandelier inspired by the ruffled edges of flowers. The hanging light was developed with generative algorithms and fabricated using an additive 3D-printing process, casting a dense forest of shadows and enveloping the viewer in an environment of algorithmically grown plant forms.
1 of 2
FROM PATTERNS AND FORMS TO PLACES AND PEOPLE The first theme, Natural Analogs, examines the simulation of naturally occurring shapes, sequences, and patterns with varying degrees of abstraction. ‘Here, nature’s aesthetic complexities, which conform to simple mathematical laws—the equations that generate patterns, cones, and pyramids, spirals and waves, and the topological rules of geometry—find new expressions in a digital age,’ explains the curator. Combining humans’ primal fascination with patterns and the wonders of computational technologies, Nervous System design studio lands at the Biophilia DAM exhibition with its undulating Floraform Chandelier inspired by the ruffled edges of flowers. The hanging light was developed with generative algorithms and fabricated using an additive 3D-printing process, casting a dense forest of shadows and enveloping the viewer in an environment of algorithmically grown plant forms.
1 of 2
FROM PATTERNS AND FORMS TO PLACES AND PEOPLE The first theme, Natural Analogs, examines the simulation of naturally occurring shapes, sequences, and patterns with varying degrees of abstraction. ‘Here, nature’s aesthetic complexities, which conform to simple mathematical laws—the equations that generate patterns, cones, and pyramids, spirals and waves, and the topological rules of geometry—find new expressions in a digital age,’ explains the curator. Combining humans’ primal fascination with patterns and the wonders of computational technologies, Nervous System design studio lands at the Biophilia DAM exhibition with its undulating Floraform Chandelier inspired by the ruffled edges of flowers. The hanging light was developed with generative algorithms and fabricated using an additive 3D-printing process, casting a dense forest of shadows and enveloping the viewer in an environment of algorithmically grown plant forms.
1 of 2
FROM PATTERNS AND FORMS TO PLACES AND PEOPLE The first theme, Natural Analogs, examines the simulation of naturally occurring shapes, sequences, and patterns with varying degrees of abstraction. ‘Here, nature’s aesthetic complexities, which conform to simple mathematical laws—the equations that generate patterns, cones, and pyramids, spirals and waves, and the topological rules of geometry—find new expressions in a digital age,’ explains the curator. Combining humans’ primal fascination with patterns and the wonders of computational technologies, Nervous System design studio lands at the Biophilia DAM exhibition with its undulating Floraform Chandelier inspired by the ruffled edges of flowers. The hanging light was developed with generative algorithms and fabricated using an additive 3D-printing process, casting a dense forest of shadows and enveloping the viewer in an environment of algorithmically grown plant forms.
1 of 2
Next up is Natural Systems, which explores nature’s processes and phenomena, focusing on seasonal and temporal changes. These works create meaningful, direct connections with the natural rhythms of life, mainly through movement and multi-sensory interactions. Illustrating this section is Meadow by Dutch artists Lonneke Gordijn and Ralph Nauta of DRIFT — a kinetic installation featuring colorful mechanical flowers suspended from above that open and close in an ever-changing choreography. Darrin Alfred points out in the interview that this particular piece recalls nyctinasty with its ‘Heraclitean motion‘ — a gentle, ever-changing pattern reminiscent of safety and comfort, akin to waves on a shore or grass swaying in the breeze, effortlessly grabbing one’s attention. Its constantly shifting nature allows the mind to unwind and recuperate while observing the mesmerizing movement of the lamps.
1 of 2
interior teatro Architecture comes to life. Organic forms and biology merge with design and engineering, Creating an innovation ecosystem. insert in amazonia forest
1 of 2
interior teatro Architecture comes to life. Organic forms and biology merge with design and engineering, Creating an innovation ecosystem. insert in amazonia forest
1 of 2
interior teatro Architecture comes to life. Organic forms and biology merge with design and engineering, Creating an innovation ecosystem. insert in amazonia forest
1 of 2
interior teatro Architecture comes to life. Organic forms and biology merge with design and engineering, Creating an innovation ecosystem. insert in amazonia forest
1 of 2
Architecture comes to life. Organic forms and biology merge with design and engineering, Creating an innovation ecosystem. insert in amazonia forest
1 of 2
Design an artwork that explores the seamless integration of organic and technological elements. Use captivating visuals, interactive components, and immersive audio to engage viewers. Incorporate augmented reality, generative visuals, and data-driven interactions to create a multi-sensory experience. Encourage reflection on the evolving relationship between technology, humanity, and the natural world, evoking a sense of wonder and interconnectedness
1 of 2