In a 19th-century police station, a scene unfolds with a picture of Montague John Druitt on the wall, as detectives contemplate his mysterious past.
1 of 2
More Like This
In 1888, the dimly lit interior of a police station, where the old lighting creates a somber atmosphere, depicting a scene of detectives investigating a murder suspect.
1 of 2
In 1888, the dimly lit interior of a police station, where the old lighting creates a somber atmosphere, depicting a scene of detectives interrogating multiple suspects.
1 of 2
Inside a police station in 1888, exposing criticism of corruption and incompetence within the police force, with detectives dedicating themselves to investigation in the darkness.
1 of 2
Inside a police station in 1888, exposing criticism of corruption and incompetence within the police force, with detectives dedicating themselves to investigation in the darkness.
1 of 2
Inside a dark and dilapidated police station in 1888, detectives analyze and discuss the Jack the Ripper case, portraying the helplessness of the police force in the face of the unfolding events.
1 of 2
In 1888, a crime scene analysis room, depicting forensic experts dedicated to evidence collection and criminal profiling.
1 of 2
In 1888, a crime scene analysis room, depicting forensic experts dedicated to evidence collection and criminal profiling.
1 of 2
August 31, 1888, London, early morning—a busy scene on the street with police officers attending to a murder investigation.
1 of 2
Present-day scene depicting evidence collection and criminal profiling in progress.
1 of 2
August 31, 1888, London, early morning—a tense and chaotic atmosphere on the street as police officers are busy with a murder investigation, creating a sense of urgency and complexity.
1 of 2
In 1888, a crime scene analysis room, featuring forensic experts dedicated to their work.
1 of 2
In 1888 England, a scene unfolds at the door of Mary Jane Kelly's room, with many policemen in a narrow corridor, investigating the murder.
1 of 2
In 1888, a scene from the past—Frederick Abberline, who had served for 14 years in Whitechapel, carefully examining records of the murder cases.
1 of 2
Modern crime investigators re-examining the Jack the Ripper case in a forensic lab, bridging the gap between 1888 and the present.
1 of 2
character concept art, 2d portrait caricature of troubled 1910s english police officer weating gray uniform, jack palance, Peter Capaldi, artstation 2d angular concept art, pulp noir, solid background
1 of 2
A haunting scene from 1888 in England, depicting numerous police officers moving the lifeless body of one of Jack the Ripper's victims, covered by a white cloth, in Mitre Square Park on a dark night. The somber atmosphere adds to the intensity of the crime investigation.
1 of 2
A haunting scene from 1888 in England, depicting numerous police officers moving the lifeless body of one of Jack the Ripper's victims, covered by a white cloth, in Mitre Square Park on a dark night. The somber atmosphere adds to the intensity of the crime investigation.
1 of 2
September 8, 1888, around 6 AM, a scene in Hanbury Street 29 depicting British police officers handling the crime scene, heavy fog, and a significant amount of blood.
1 of 2
September 8, 1888, around 6 AM, a scene in Hanbury Street 29 depicting police officers handling the crime scene, heavy fog, and a significant amount of blood.
1 of 2
September 8, 1888, around 6 AM, a scene in Hanbury Street 29 depicting police officers handling the crime scene, heavy fog, and a significant amount of blood.
1 of 2
September 8, 1888, around 6 AM, a scene in Hanbury Street 29 depicting police officers handling the crime scene, heavy fog, and a significant amount of blood.
1 of 2
August 31, 1888, London, early morning—a murder scene on the street, police officers surrounding the body.
1 of 2
1960's film still, film noir, experienced Detective realized the whole point of the narrative police station corridor, dim lighting, close-up, rich color palette, high contrasts, symmetrical composition
1 of 2
1960's film still, film noir, experienced Detective realized the whole point of the narrative police station corridor, dim lighting, close-up, rich color palette, high contrasts, symmetrical composition
1 of 2
1960's film still, film noir, experienced Detective realized the whole point of the narrative police station corridor, dim lighting, close-up, rich color palette, high contrasts, symmetrical composition
1 of 2
misterious scene, thrilling crime scene, policemen investigating a crime scene, highly realistic
1 of 2
A haunting scene from 1888 in England, depicting the lifeless body of one of Jack the Ripper's victims covered by a cloth in Mitre Square Park on a dark night. The somber atmosphere is intensified by the presence of numerous police officers investigating the gruesome crime.
1 of 2
September 8, 1888, around 6 AM, a scene in the back alley of Hanbury Street 29 depicting police officers covering the body with a sheet. The atmosphere is dark, with heavy fog and a significant amount of blood.
1 of 2
September 8, 1888, around 6 AM, a scene in the back alley of Hanbury Street 29 depicting police officers covering the body with a sheet. The atmosphere is dark, with heavy fog and a significant amount of blood.
1 of 2
September 8, 1888, around 6 AM, a scene in the back alley of Hanbury Street 29 depicting police officers covering the body with a sheet. The atmosphere is dark, with heavy fog and a significant amount of blood.
1 of 2
September 8, 1888, around 6 AM, a scene in the back alley of Hanbury Street 29 depicting police officers covering the body with a sheet. The atmosphere is dark, with heavy fog and a significant amount of blood.
1 of 2
In 1888, lawyer Druitt confronting evidence in his office shrouded in darkness, with a view of London's hilly landscape in the background.
1 of 2
In 1888, lawyer Druitt confronting evidence in his office shrouded in darkness, with a view of London's hilly landscape in the background.
1 of 2
Police station, incest laboratory, a man holding glass in his hand, observing carefully
1 of 2
character concept art, 2d portrait caricature of crooked victorian english police officer weating gray bobby uniform, Lee Van Cleef, Jack Black, artstation 2d angular concept art, pulp noir, solid background
1 of 2