In the hospital corridor, three or five people chatted in groups
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There are several people standing outside the isolation room of the hospital.
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Outside the isolation room of the hospital, a man with green hair came over, followed by several people
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Outside the isolation room of the hospital, a professor with white hair and glasses and a handsome black-haired guy are chatting.
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In the isolation ward, three men in hospital gowns looked on in shock.
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Outside the isolation room of the hospital, a white-haired professor wearing glasses and a handsome black-haired guy without glasses are chatting.
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Outside the isolation room of the hospital, a handsome black-haired man chatted with a professor with white hair and glasses.
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Outside the isolation room of the hospital, a nurse came over and spoke.
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Outside the isolation room of the hospital, a beautiful woman with short brown hair is standing and talking.
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In the hospital corridor, a beautiful woman with short brown hair is standing and talking seriously
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Outside the hospital isolation room, a man with blue hair stood. talking
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four doctors in a hospital corridor facing bacteria with a machine gun
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Inside a mental hospital, patients of different types and different ethnic groups and heights in scary masks and checkered shirts
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Outside the hospital isolation room, a man with green hair stands talking.
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There were ten people in the hall with restless looks on their faces.
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In the hospital, the handsome black-haired man is standing and talking.
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Outside the isolation room of the hospital, a handsome black-haired man stands talking.
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Anime illustration style, in a dim and simple bedroom, (a 16-year-old girl curled up on the bed: 1.5), (girls green short hair: 1.5), green eyes, (burying her face in the pillow and crying bitterly: 2)
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In the underground passage, patients are walking according to the signs
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In the dimly lit room of a Burmese hospital in the year 1885, a Marwadi man lies peacefully on a wooden bed, his eyes closed as if lost in the realms of slumber. The atmosphere is hushed, with only the faint sounds of distant conversations and the occasional creaking of the wooden floor. The Marwadi man is adorned in traditional attire, wearing a vibrant turban that signifies his cultural identity. The turban is neatly wrapped, its colors muted but still retaining a touch of elegance. The mans face reflects a sense of calmness, perhaps in the midst of recovery or contemplation. A thick blanket covers the Marwadi man, providing warmth in the coolness of the hospital room. The blanket is woven with intricate patterns, showcasing the craftsmanship of the region. Its edges drape gracefully over the sides of the bed. Surrounding the bed are diverse characters, each telling a story of their own. There are curious onlookers, fellow patients, and concerned family members, all with expressions that convey a mix of empathy, hope, and curiosity. The attire of the people varies, representing the multicultural tapestry of Burma in the late 19th century. A wise-looking doctor, dressed in period-appropriate medical attire, stands nearby, examining a medical chart. The doctors face reveals a mix of determination and compassion, suggesting a dedication to the well-being of the patients under their care. The lighting in the room is soft, emanating from a combination of flickering oil lamps and daylight filtering through worn curtains. Shadows dance on the walls, adding depth to the scene. This sketch captures a moment frozen in time, where cultures converge in the heart of a Burmese hospital, and the spirit of compassion transcends the boundaries of time and place.
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In the dimly lit room of a Burmese hospital in the year 1885, a Marwadi man lies peacefully on a wooden bed, his eyes closed as if lost in the realms of slumber. The atmosphere is hushed, with only the faint sounds of distant conversations and the occasional creaking of the wooden floor. The Marwadi man is adorned in traditional attire, wearing a vibrant turban that signifies his cultural identity. The turban is neatly wrapped, its colors muted but still retaining a touch of elegance. The mans face reflects a sense of calmness, perhaps in the midst of recovery or contemplation. A thick blanket covers the Marwadi man, providing warmth in the coolness of the hospital room. The blanket is woven with intricate patterns, showcasing the craftsmanship of the region. Its edges drape gracefully over the sides of the bed. Surrounding the bed are diverse characters, each telling a story of their own. There are curious onlookers, fellow patients, and concerned family members, all with expressions that convey a mix of empathy, hope, and curiosity. The attire of the people varies, representing the multicultural tapestry of Burma in the late 19th century. A wise-looking doctor, dressed in period-appropriate medical attire, stands nearby, examining a medical chart. The doctors face reveals a mix of determination and compassion, suggesting a dedication to the well-being of the patients under their care. The lighting in the room is soft, emanating from a combination of flickering oil lamps and daylight filtering through worn curtains. Shadows dance on the walls, adding depth to the scene. This sketch captures a moment frozen in time, where cultures converge in the heart of a Burmese hospital, and the spirit of compassion transcends the boundaries of time and place.
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Outside the hospital isolation room, a man with green hair stands talking.
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In the isolation ward, a man with brown hair and a suit sits and talks.
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Inside in mental hospital with bars on the windows, patients of different types and different ethnic groups and heights in disgusting masks and idencial checkered shirts
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Inside in mental hospital with bars on the windows, patients of different types and different ethnic groups and heights in disgusting masks and idencial checkered shirts
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Inside in mental hospital with bars on the windows, patients of different types and different ethnic groups and heights in disgusting masks and idencial checkered shirts
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Inside in mental hospital with bars on the windows, patients of different types and different ethnic groups and heights in disgusting masks and idencial checkered shirts
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16 people in a big office space with temporary couches and beanbags for a discussion with experts
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Inside in mental hospital with bars on the windows, sicks of different types and different ethnic groups and heights in disgusting masks and idencial checkered shirts
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In the isolation ward, a handsome black-haired man stands and talks
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Outside the isolation room of the hospital, a handsome black-haired man is standing and talking.
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Inside a mental hospital, patients of different types and different ethnic groups and heights in disgusting masks and checkered shirts
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Inside a mental hospital, patients of different types and different ethnic groups and heights in disgusting masks and checkered shirts
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In 1888, Royal Surgeon William Gull conversing with a patient in the opulent hallways of a hospital, set in the pleasant atmosphere of the 19th-century royal setting.
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In the isolation ward, a man with dark blue hair sits and talks.
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Outside the isolation room of the hospital, a beautiful woman with short brown hair is standing and talking.
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