In the rain-drenched street, young Ethan and Oliver, exhibiting an eerie demeanor, play amidst puddles reflecting their images with a glitchy mirror effect. The scene, reminiscent of a 1950s dye transfer print, channels the artistic spirit of Ernst Hass and Marie Cosindas.
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Continuing their play, Ethan and Oliver, still with a haunting presence, are engaged on the same rain-soaked street. The puddles mirror them in a distorted fashion, evoking a 1950s dye transfer print style, influenced by Ernst Hass and Marie Cosindas.
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Creepy young boys playing on the street under the rain, a haunting and surreal scene, the young boys with eerie, distorted features, their playfulness taking on an unsettling quality, the street drenched by rain with a glitch mirror effect in the floor water, creating a surreal and disorienting reflection, capturing the scene in the style of a Dye Transfer Print Image from the 1950s, drawing inspiration from the works of Ernst Haas and Marie Cosindas, with meticulous attention to detail, coloration, and texture, evoking a sense of nostalgia and otherworldly intrigue
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Imagine an image divided into two halves, symmetrically identical but opposite. In each half, the described girl is shown walking towards the center of the image. In one half, the girl is in the rain in the city, with wet streets and buildings blurred by the rain. She carries an umbrella and her expression is calm and serene, despite the weather. Her hair is tousled by the terrible wind, the sky is gray and torrential rain with lightning is falling. She wears a heavy coat to protect herself from the cold. Many people with umbrellas run in fear of the storm. In the other half, the girl is in exactly the same city but under a clear and radiant sky. The city appears bright, with buildings and streets illuminated by the sun. Here, she is with a parasol and maintains the same serene and calm expression. Children playing ball, parents with their children on bicycles, flowers and leafy trees, children eating ice cream. Both halves of the image complement each other visually, showing the symmetry and opposition of these two situations in the girls life in the city, one in the rain and the other in the sun.
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Imagine an image divided into two halves, symmetrically identical but opposite. In each half, the described girl is shown walking towards the center of the image. In one half, the girl is in the rain in the city, with wet streets and buildings blurred by the rain. She carries an umbrella and her expression is calm and serene, despite the weather. Her hair is tousled by the terrible wind, the sky is gray and torrential rain with lightning is falling. She wears a heavy coat to protect herself from the cold. Many people with umbrellas run in fear of the storm. In the other half, the girl is in exactly the same city but under a clear and radiant sky. The city appears bright, with buildings and streets illuminated by the sun. Here, she is with a parasol and maintains the same serene and calm expression. Children playing ball, parents with their children on bicycles, flowers and leafy trees, children eating ice cream. Both halves of the image complement each other visually, showing the symmetry and opposition of these two situations in the girls life in the city, one in the rain and the other in the sun.
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A rainy evening in a futuristic cityscape. Capture the essence of urban life as people move about with umbrellas, surrounded by the soft glow of neon lights reflecting off the rain-soaked streets. Create an atmosphere that blends the energy of the city with the peacefulness of the rain.
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Windows covered with water drops on a rainy day,Klein blue,extreme detail,cinematic lighting
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Windows covered with water drops on a rainy day,Klein blue,extreme detail,cinematic lighting
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Windows covered with water drops on a rainy day,extreme detail,cinematic lighting
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heart-shaped puddle, rainy weather, people's feet next to the puddle, moody day, aquarel painting
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A rainy evening in a futuristic cityscape. Capture the essence of urban life as people move about with umbrellas, surrounded by the soft glow of neon lights reflecting off the rain-soaked streets. Create an atmosphere that blends the energy of the city with the peacefulness of the rain.
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dark city, film noir, raining, puddles, reflections, moody, street view
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Windows covered with water drops on a rainy day,Klein blue,orange light,extreme detail,cinematic lighting
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hear-shaped puddle, rainy weather, people's feet next to the puddle, moody day, aquarel painting
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matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective. Cars, umbrellas, hotels
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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Silhouette reflected in a rain-streaked window with a neon-lit cityscape outside, contrasting inner turmoil with vibrant urban life.
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Windows covered with water drops on a rainy day,The water droplets are small and uneven,Klein blue,extreme detail,cinematic lighting
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Looking out the window on a rainy day,Klein blue,extreme detail,cinematic lighting
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Looking out the window on a rainy day,Klein blue,extreme detail,cinematic lighting
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close-up rain puddle ney york city at night, cars riding, reflections, 4k, depth of field, photorealistic
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights. Isometric composition
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights. Isometric composition
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights. Isometric composition
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Subject: A solitary person walking on rain-soaked streets Setting: Rainy urban streets Action: Strolling alone Context: Urban environment, wet pavement, raindrops falling Environment: Darkened streets and glistening pavements Lighting: Ambient streetlights casting a soft glow Artist: Skilled artist with a knack for urban scenes
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water puddle,car,cinematic lighting,night,ray tracing,city style:realistic
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