Leonardo da Vinci and Lisa del Giocondo. taken a photograph. the famous Monalisa's Painting is in the background rather out focus. located in Florence in 1516, sephia. The Goddest light is reflecting on her face. Only a small part of it is accentuated. depth of field, bokeh. style :Photographic. seed:3244386153
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Leonardo da Vinci and Lisa del Giocondo. taken a photograph. the famous Monalisa's Painting is in the background rather out focus. located in Florence in 1516, sephia. The Goddest light is reflecting on her face. Only a small part of it is accentuated. depth of field, bokeh. style :Photographic. seed:1021725659
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Leonardo da Vinci and Lisa del Giocondo. taken a photograph. the famous Monalisa's Painting is in the background rather out focus. located in Florence in 1516, sephia. The Goddest light is reflecting on her face. Only a small part of it is accentuated. depth of field, bokeh. style :Photographic. seed:1021725659
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Leonardo da Vinci and Lisa del Giocondo. taken a photograph after finishing Monalisa Painting in the background. located in Florence in 1516, photo sephia.
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Leonardo da Vinci and Lisa del Giocondo. taken a photograph after finishing Monalisa Painting in the background. located in Florence in 1516, photo sephia.
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Leonardo da Vinci and Lisa del Giocondo. taken a photograph after finishing Monalisa Painting in the background. located in Florence in 1516, photo sephia.
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an old Photograph of Leonardo da Vinci and Lisa del Giocondo after finishing Monalisa Painting in the background. located in Florence in 1516, Black and White photography, very nice lighting, depth of field, there's a light throught from the window. bokeh. style :Photographic
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Black and White photography, an old Photograph of Leonardo da Vinci and Lisa del Giocondo after finishing Monalisa Painting . The painting is in the background, very nice lighting, there's a light throught from the window. The light is reflecting on her face. Only a small part of it is accentuated. depth of field, bokeh. style :Photographic. seed : 1021725659
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Black and White photography, an old Photograph of Leonardo da Vinci and Lisa del Giocondo after finishing Monalisa Painting . The painting is in the background, very nice lighting, The light is reflecting on her face. The drawing is mostly just pencil on paper. Only a small part of it is accentuated. depth of field, there's a light throught from the window. bokeh. style :Photographic
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Leonardo da Vinci's painting \"Mona Lisa\" (or \"La Gioconda\") selfie with phone, photo 8k, realism
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Leonardo da Vinci's painting \"Mona Lisa\" (or \"La Gioconda\") selfie with phone, photo 8k, realism
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Leonardo da Vinci's painting \"Mona Lisa\" (or \"La Gioconda\") selfie with phone, photo 8k, realism
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Leonardo da Vinci's painting \"Mona Lisa\" (or \"La Gioconda\") selfie with phone, photo 8k, realism
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Leonardo da Vinci's painting \"Mona Lisa\" (or \"La Gioconda\") selfie with phone, realism
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Leonardo da Vinci's painting \"Mona Lisa\" (or \"La Gioconda\") selfie with phone, realism
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Mona Lisa as Mother Nature, human-plant hybrid, green eyes, leafy hair, floral dress, serene smile, earthy tones, by Leonardo da Vinci, Frida Kahlo, and Georgia O’Keeffe, oil on canvas, Renaissance style, sfumato technique, 8K masterpiece.
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(best quality), Van Gogh's Mona Lisa stands in the close up front, Da Vinci's Last Supper is located behind her, and all this against the background of Da Vinci's \"Starry Night\"
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(best quality), Van Gogh's Mona Lisa stands in the close up front, Da Vinci's Last Supper is located behind her, and all this against the background of Da Vinci's \"Starry Night\"
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Mona Lisa as Mother Nature, human-plant hybrid, green eyes, leafy hair, floral dress, serene smile, earthy tones, by Leonardo da Vinci, Kahlo, and Georgia O’Keeffe, oil on canvas, Renaissance style, sfumato technique, 8K, masterpiece, concept art, time magazine cover art, conceptual art
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Van Gogh's Mona Lisa stands in the foreground, Da Vinci's Last Supper is located behind it, and all this against the background of Da Vinci's \"Starry Night\"
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Van Gogh's Mona Lisa stands in the foreground, Da Vinci's Last Supper is located behind it, and all this against the background of Da Vinci's \"Starry Night\"
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(best quality), Van Gogh's Mona Lisa stands in the close up front, ((Da Vinci's Last Supper is located behind her)), and all this against the background of Da Vinci's \"Starry Night\"
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Van Gogh's 'Mona Lisa' stands in the foreground, Da Vinci's 'Last Supper' is located behind her, and all this against the background of Da Vinci's 'Starry Night'
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Replace Mona Lisa with a black-haired witch with a hat and a black witch's dress sitting on a sort of semi-circular wooden armchair placed in profile, with armrests and a sort of semi-circular balustrade called a back supported by bars. with a soft and ethereal atmosphere. The figure of the woman is placed in front of a distant and mountainous misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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Replace Mona Lisa with a black-haired witch with a hat and a black witch's dress sitting on a sort of semi-circular wooden armchair placed in profile, with armrests and a sort of semi-circular balustrade called a back supported by bars. with a soft and ethereal atmosphere. The figure of the woman is placed in front of a distant and mountainous misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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Replace Mona Lisa with a black-haired witch with a hat and a black witch's dress sitting on a sort of semi-circular wooden armchair placed in profile, with armrests and a sort of semi-circular balustrade called a back supported by bars. with a soft and ethereal atmosphere. The figure of the woman is placed in front of a distant and mountainous misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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Replace Mona Lisa with a black-haired witch with a hat and a black witch's dress sitting on a sort of semi-circular wooden armchair placed in profile, with armrests and a sort of semi-circular balustrade called a back supported by bars. with a soft and ethereal atmosphere. The figure of the woman is placed in front of a distant and mountainous misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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Replace Mona Lisa with a black-haired witch with a hat and a black witch's dress sitting on a sort of semi-circular wooden armchair placed in profile, with armrests and a sort of semi-circular balustrade called a back supported by bars. with a soft and ethereal atmosphere. The figure of the woman is placed in front of a distant and mountainous misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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Replace Mona Lisa with a black-haired witch with a witch's hat and a black witch's dress sitting on a sort of semicircular wooden armchair placed in profile, with armrests and a sort of semicircular balustrade supported by bars. With a soft and ethereal atmosphere. The figure of the woman is placed in front of a distant and mountainous, misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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Replace Mona Lisa with a black-haired witch with a witch's hat and a black witch's dress sitting on a sort of semicircular wooden armchair placed in profile, with armrests and a sort of semicircular balustrade supported by bars. With a soft and ethereal atmosphere. The figure of the woman is placed in front of a distant and mountainous, misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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Replace Mona Lisa with a black-haired witch with a witch's hat and a black witch's dress sitting on a sort of semicircular wooden armchair placed in profile, with armrests and a sort of semicircular balustrade supported by bars. With a soft and ethereal atmosphere. The figure of the woman is placed in front of a distant and mountainous, misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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Replace Mona Lisa with a black-haired witch with a witch's hat and a black witch's dress sitting on a sort of semicircular wooden armchair placed in profile, with armrests and a sort of semicircular balustrade supported by bars. With a soft and ethereal atmosphere. The figure of the woman is placed in front of a distant and mountainous, misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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Replace Mona Lisa with a black-haired witch with a witch's hat and a black witch's dress sitting on a sort of semicircular wooden armchair placed in profile, with armrests and a sort of semicircular balustrade supported by bars. With a soft and ethereal atmosphere. The figure of the woman is placed in front of a distant and mountainous, misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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Replace Mona Lisa with a black-haired witch with a witch's hat and a black witch's dress sitting on a sort of semicircular wooden armchair placed in profile, with armrests and a sort of semicircular balustrade supported by bars. With a soft and ethereal atmosphere. The figure of the woman is placed in front of a distant and mountainous, misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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Replace Leonardo da Vinci's Mona Lisa with a dark-haired witch with her hat and witch's dress, against the backdrop of a mountainous landscape with distant, foggy horizons. In the background is a mountainous landscape with a winding path and a river spanned by a stone bridge. She is arranged in three quarters and represented up to the waist, arms and hands included, looking at the viewer, is seated on a sort of semi-circular wooden armchair placed in profile, with armrests and a sort of semi-circular balustrade. -circular supported by bars. His arms are bent and his hands crossed, the left arm placed firmly on an armrest of the chair and the right hand placed limply on the left wrist. with the same enigmatic smile and the same gaze as Mona Lisa, the gaze seems to follow the viewer even when he moves, because it is perpendicular to the image plane. The head of the young woman separates the painting into two parts. The source of soft light comes mainly from the left of the painting and gives the witch a luminous complexion in contrast with the dark clothes, inspired by the illustrations of Gustave Doré.
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Replace Mona Lisa with a black-haired witch with a hat and a black witch's dress sitting on a sort of semicircular wooden armchair placed in profile, with armrests and a sort of semicircular balustrade supported by bars. With a soft and ethereal atmosphere. The figure of the woman is placed in front of a distant and mountainous, misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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Replace Mona Lisa with a black-haired witch with a hat and a black witch's dress sitting on a sort of semicircular wooden armchair placed in profile, with armrests and a sort of semicircular balustrade supported by bars. With a soft and ethereal atmosphere. The figure of the woman is placed in front of a distant and mountainous, misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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Replace Mona Lisa with a black-haired witch with a hat and a black witch's dress sitting on a sort of semicircular wooden armchair placed in profile, with armrests and a sort of semicircular balustrade supported by bars. The figure of the woman is placed in front of a distant and mountainous, misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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Replace Mona Lisa with a black-haired witch with a hat and a black witch's dress sitting on a sort of semicircular wooden armchair placed in profile, with armrests and a sort of semicircular balustrade supported by bars. The figure of the woman is placed in front of a distant and mountainous, misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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(((masterpiece, best quality, highly detailed, good composition)))A portrait of the Scientist Leonardo da Vinci. Close up portrait. The background is black,Wear dark clothes. Face to me,Front view.Face to me.He is smile.And speaking.
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Replace Mona Lisa with a black-haired witch with a witch's hat and a black witch's dress sitting on a sort of semicircular wooden armchair placed in profile, with armrests and a sort of semicircular balustrade supported by bars. The figure of the woman is placed in front of a distant and mountainous, misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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Replace Mona Lisa with a black-haired witch with a witch's hat and a black witch's dress sitting on a sort of semicircular wooden armchair placed in profile, with armrests and a sort of semicircular balustrade supported by bars. The figure of the woman is placed in front of a distant and mountainous, misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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Replace Mona Lisa with a black-haired witch with a witch's hat and a black witch's dress sitting on a sort of semicircular wooden armchair placed in profile, with armrests and a sort of semicircular balustrade supported by bars. The figure of the woman is placed in front of a distant and mountainous, misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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Replace Mona Lisa with a black-haired witch with a witch's hat and a black witch's dress sitting on a sort of semicircular wooden armchair placed in profile, with armrests and a sort of semicircular balustrade supported by bars. The figure of the woman is placed in front of a distant and mountainous, misty landscape, in which a winding path and a river spanned by a stone bridge stand out. We can notice a break in the horizon line: the head of the young woman separates the painting into two parts. She has the enigmatic smile of Mona Lisa and her enigmatic gaze of Mona Lisa seems to follow the viewer in a subtle way.
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young and beautiful noblewoman in Renaissance clothes. Photography in the style of Paolo Roversi, jan Van Eyck style. format: photo
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young and beautiful noblewoman in Renaissance clothes. Photography in the style of Paolo Roversi, jan Van Eyck style. format: photo
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young and beautiful noblewoman in Renaissance clothes. Photography in the style of Paolo Roversi, jan Van Eyck style. format: photo
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