massive dinosaur skeleton, overgrown with vines and moss, post-apocalyptic landscape, towering trees sprout from rib cages, thick foliage blankets bones, inspired by zdzisław beksiński and simon stålenhag, ruins of a crumbling city in the background, abandoned vehicles half buried, warm afternoon light, digital painting, brush strokes emulate oil, nature reclaims the remnants of the past, jurassic park inspired, 16K masterpiece, by john harris, greg rutkowski, and alan lee
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ancient dinosaur skeletons reclaimed by nature, post-apocalyptic landscape, overgrown vines and moss cover giant bones, tall grass and wildflowers grow amongst the ribcage, concept art, digital painting, inspired by zdzisław beksiński and simon stålenhag, misty atmosphere, lo-fi 8-bit aesthetic, amber lighting, tangled tree silhouettes, dilapidated buildings in the distance, tyrannosaurus rex and triceratops skeletons emerge from the foliage, by greg rutkowski and john berkey, 16K masterpiece
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Jurassic ruins, towering dinosaur skull facade, decaying concrete and rebar, grass-covered, overgrown flora climbing structure, post-apocalyptic atmosphere, orange sunset light, inspired by Simon Stålenhag, Ismail Inceoglu and Jakub Rozalski, painterly digital painting, photorealistic details, loose brushwork, 8K resolution, cinematic lighting, ominous mood
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Jurassic ruins, towering dinosaur skull facade, decaying concrete and rebar, grass-covered, overgrown flora climbing structure, post-apocalyptic atmosphere, orange sunset light, inspired by Simon Stålenhag, Ismail Inceoglu and Jakub Rozalski, painterly digital painting, photorealistic details, loose brushwork, 8K resolution, cinematic lighting, ominous mood
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Small dinosaur, feathered tail, forest backdrop, pine trees, dappled sunlight, inspired by Mark Witton, Gregory S Paul, Luis Rey, John Conway, paleoart style, digital painting, fine brushwork, warm autumn tones, textured bark, loose brushstrokes, ambient light, scenic landscape, 16K masterpiece.
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Small dinosaur, feathered tail, forest backdrop, pine trees, dappled sunlight, inspired by Mark Witton, Gregory S Paul, Luis Rey, John Conway, paleoart style, digital painting, fine brushwork, warm autumn tones, textured bark, loose brushstrokes, ambient light, scenic landscape, 16K masterpiece.
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Small coelurosaur dinosaur, feathered tail, forest backdrop, pine trees, dappled sunlight, inspired by Mark Witton, Gregory S Paul, Luis Rey, John Conway, paleoart style, digital painting, fine brushwork, warm autumn tones, textured bark, loose brushstrokes, ambient light, scenic landscape, 16K masterpiece.
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Small coelurosaur dinosaur, feathered tail, forest backdrop, pine trees, dappled sunlight, inspired by Mark Witton, Gregory S Paul, Luis Rey, John Conway, paleoart style, digital painting, fine brushwork, warm autumn tones, textured bark, loose brushstrokes, ambient light, scenic landscape, 16K masterpiece.
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Small coelurosaur dinosaur, feathered tail, forest backdrop, pine trees, dappled sunlight, inspired by Mark Witton, Gregory S Paul, Luis Rey, John Conway, paleoart style, digital painting, fine brushwork, warm autumn tones, textured bark, loose brushstrokes, ambient light, scenic landscape, 16K masterpiece.
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Small coelurosaur dinosaur, feathered tail, forest backdrop, pine trees, dappled sunlight, inspired by Mark Witton, Gregory S Paul, Luis Rey, John Conway, paleoart style, digital painting, fine brushwork, warm autumn tones, textured bark, loose brushstrokes, ambient light, scenic landscape, 16K masterpiece.
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Small coelurosaur dinosaur, feathered tail, forest backdrop, pine trees, dappled sunlight, inspired by Mark Witton, Gregory S Paul, Luis Rey, John Conway, paleoart style, digital painting, fine brushwork, warm autumn tones, textured bark, loose brushstrokes, ambient light, scenic landscape, 16K masterpiece.
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Small coelurosaur dinosaur, feathered tail, forest backdrop, pine trees, dappled sunlight, inspired by Mark Witton, Gregory S Paul, Luis Rey, John Conway, paleoart style, digital painting, fine brushwork, warm autumn tones, textured bark, loose brushstrokes, ambient light, scenic landscape, 16K masterpiece.
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ancient t-rex skull shelter, post-apocalyptic winter forest, worn clothing and gear, scavengers huddled by a fire, within the massive jaws and eye sockets of a long-decayed giant, inspired by Jakub Rozalski's surreal landscapes, Craig Mullins' character concepts, Ian McQue's painterly lighting, digital oil painting style with thick brush strokes, chiaroscuro lighting from the campfire dancing across weathered bone, by Jakub Rozalski, Ismail Iceoglu, Craig Mullins, capturing the atmosphere and drama of surviving in a strange and formidable habitat, 16K ultra-high resolution masterpiece
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giant ancient t-rex skull head as shelter home, post-apocalyptic winter forest, worn clothing and gear, scavengers huddled by a fire, within the massive jaws and eye sockets of a long-decayed giant, inspired by Jakub Rozalski's surreal landscapes, Craig Mullins' character concepts, Ian McQue's painterly lighting, digital oil painting style with thick brush strokes, chiaroscuro lighting from the campfire dancing across weathered bone, by Jakub Rozalski, Ismail Iceoglu, Craig Mullins, capturing the atmosphere and drama of surviving in a strange and formidable habitat, 16K ultra-high resolution masterpiece
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half-submerged crocodiles lurking below a crumbling concrete dead end, post-apocalyptic concept art by greg rutkowski and greg manche, misty swampland backdrop, monochrome palette with hints of navy and gold, evening overcast lighting, ominous atmosphere, dilapidated details, moss-covered textures, silhouetted trees, 16K resolution masterpiece
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A surreal landscape where giant animal skulls serve as mountains, covered in lush greenery, by Simon Stålenhag, Jakub Rozalski, and John Harris, digital painting, sci-fi dystopia, environmental disaster, eerie atmosphere, muted colors, 8K masterpiece.
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Crumbling high-rises, shattered glass skyscrapers, rusting steel frames, abandoned warehouses, overgrown urban jungle, creeping vines, pale blue sky, ominous clouds, toxic smog, post-apocalyptic cityscape, inspired by Simon Stålenhag, Jakub Rozalski, Victor Moscoso and Chris Foss, digital matte painting, brush \u0026 airbrush techniques, illustrative style, painterly textures, 16K ultra-high resolution, cinematic lighting, golden hour, vivid hues, dramatic shadows, environment concept art, dystopian vibes.
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A huge strong T-rex from Jurassic Park bodie builder, highly desarrolle mussels cinematic photorealistic
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A huge strong T-rex from Jurassic Park bodie builder, highly desarrolle mussels cinematic photorealistic
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A huge strong T-rex from Jurassic Park bodie builder, highly desarrolle mussels cinematic photorealistic
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A huge strong T-rex from Jurassic Park bodie builder, highly desarrolle mussels cinematic photorealistic
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Highlit ruins, misty scenery, crumbling stairs framing one standing at the bottom, another figure on high, wide shot from behind encompasses cave opening, dusk lighting, solo ambiguous figure gazing upon ruins, by zdzisław beksiński and hiroyuki fujita, Slavic mythology inspired, 16K cinematic landscape painting, by Abram Arkhipov, post apocalyptic concept art by jakub rozalski and jermy mann
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Paleontologists, fossil excavation, Jurassic period, dense jungle, raptor claw, stegosaurus plates, brachiosaurus skeleton, brontosaurus footprints, hadrosaur skull, allosaurus jawbone, microscope, notebooks, fossil brushing, hiking boots, sun hats, safari clothing, khaki and olive tones, national geographic lighting, inspired by Zdenek Burian, Charles R. Knight, and Ray Harryhausen, digital painting, photorealistic style, 16K masterpiece.
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abandoned village house, overgrown with vines and flowers, wild deers grazing nearby, post apocalyptic art, by simon stalenhag, james gurney, and john harris, digital painting, watercolor style, soft and natural tones, low angle view, cloudy sky, 8K masterpiece.
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abandoned village house, overgrown with vines and flowers, wild deers grazing nearby, post apocalyptic art, by simon stalenhag, james gurney, and john harris, digital painting, watercolor style, soft and natural tones, low angle view, cloudy sky, 8K masterpiece.
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protoplanet landscape, rusting dystopian concrete structures, crumbling silos and towers against a red rocky terrain, inspired by Simon Stålenhag and John Harris, dramatic lighting of twin suns, worn concrete and rebar, scattered machinery and abandoned vehicles, hints of ancient civilization, style of James Gurney and Vincent Chong, digital oil painting, airbrush textures, 8K masterpiece
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{{A poorly executed and uninspiring representation of a lifeless Tyrannosaurus rex}} in a lackluster prehistoric scene with unconvincing details. This is a failed paleontology-inspired image that lacks any sense of awe. The environment/background is unattractive and fails to evoke the grandeur of a prehistoric landscape. The image should be in the style of a low-quality photograph, with no clear artistic inspiration. The panoramic shot, captured with a subpar lens, provides an uninspiring perspective. The lighting is flat and lacks any sense of dynamism, detracting from the supposed power of the T-Rex's roar. The level of detail is minimal, with a low-resolution output, missing crucial elements of the lifelike qualities of the dinosaur. The goal is to create a disappointing image that leaves viewers unimpressed.
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Post-apocalyptic scavengers, frenzied chase, blasted city ruins, concept art, dynamic poses, motion blur, by Zdzisław Beksiński and HR Giger, digital illustration, dusk lighting, action-packed, 4K resolution.
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A military tank, reclaimed by nature, amidst an overgrown forest. The rusted rifle turret peeks through the dense foliage, blending with the vibrant greens. Sunlight filters through the canopy, casting dappled shadows on the moss-covered ground. A scene inspired by the post-apocalyptic art of Simon Stålenhag and James Paick, combining elements of military machinery and natures resilience. The tank sits as a relic, a testament to the power of nature reclaiming what was once built by man. A painterly illustration capturing the balance between decay and growth, with a touch of melancholic beauty. A high-quality, detailed artwork, reminiscent of a sci-fi dystopian world. A 4K masterpiece
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A military tank, reclaimed by nature, amidst an overgrown forest. The rusted rifle turret peeks through the dense foliage, blending with the vibrant greens. Sunlight filters through the canopy, casting dappled shadows on the moss-covered ground. A scene inspired by the post-apocalyptic art of Simon Stålenhag and James Paick, combining elements of military machinery and natures resilience. The tank sits as a relic, a testament to the power of nature reclaiming what was once built by man. A painterly illustration capturing the balance between decay and growth, with a touch of melancholic beauty. A high-quality, detailed artwork, reminiscent of a sci-fi dystopian world. A 4K masterpiece
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unusual habitat in the forest, concept art by jakub rozalski, winter clothing, scavengers, giant scull decaying, t-rex scull as shelter, chiaroscuro light, brush strokes, by ismail iceoglu, jacub rozalski, ian mccue, craig mullins, etc.
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Exotic vegetation and groups of dinosaurs form the basis of ecosystems on the land's giant supercontinent. Captured through the lens of a wildlife photographer using a telephoto lens, this photograph showcases the vibrant and diverse ecosystems teeming with exotic plants and dinosaurs. The lens's compression highlights the intricate details of both the lush vegetation and the majestic dinosaurs, creating a sense of intimacy within the expansive landscape. The color temperature leans towards earthy tones, emphasizing the natural beauty of the ecosystem. Characters in the foreground wear expressions of awe and amazement, their features illuminated by the warm, golden hour lighting that bathes the scene
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An elder wanderer, hazmat suit tatters, lost deep in the woods at nightfall, red eyes watching from dark twisted trees with fanged mouths agape, concept art, inspired by Zdzisław Beksiński, carnivorous flora detail, loose paleoart style, glowing spores emit from bioluminescent fungus, by Jerzy Switko, Mark Kulis, and Vitaly S. Alexius, night forest acrylic painting, vintage National Geographic cover, edge lighting, 16K photorealism.
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An elder wanderer, hazmat suit tatters, lost deep in the woods at nightfall, red eyes watching from dark twisted trees with fanged mouths agape, concept art, inspired by Zdzisław Beksiński, carnivorous flora detail, loose paleoart style, glowing spores emit from bioluminescent fungus, by Jerzy Switko, Mark Kulis, and Vitaly S. Alexius, night forest acrylic painting, vintage National Geographic cover, edge lighting, 16K photorealism.
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post-apocalyptic soldier, threadbare military fatigues, red bandana, weathered leather boots, rusty assault rifle slung across back, determined expression, overgrown urban wasteland, crumbling buildings silhouetted against orange sky, inspired by the works of simon stålenhag and greg rutkowski, dramatic evening lighting, loose painterly brushwork, digital oil painting, 16K ultra-high definition masterpiec
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muted earth tones, abandoned infrastructure, rusted train tracks, subtle sunlight filtering through debris, post-apocalyptic train station with deers, by Jakub Rozalski, Ian McQue, skeletal remains of train cars, apocalyptic realism, roaming deers, nature reclaiming, atmospheric lighting, realistic, overgrown with vines, desolate landscape, 4K digital art
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Post-apocalyptic scavengers, frenzied chase, blasted city ruins, concept art, dynamic poses, motion blur, by craig mullins and by Zdzisław Beksiński and green lush overgrowth, digital illustration, dusk lighting, action-packed, 4K resolution.
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Post-apocalyptic scavengers, frenzied chase, blasted city ruins, concept art, dynamic poses, motion blur, by craig mullins and by Zdzisław Beksiński and green lush overgrowth, digital illustration, dusk lighting, action-packed, 4K resolution.
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Post-apocalyptic scavengers, frenzied chase, blasted city ruins, concept art, dynamic poses, motion blur, by craig mullins and by Zdzisław Beksiński and green lush overgrowth, digital illustration, dusk lighting, action-packed, 4K resolution.
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Immerse yourself in a captivating Aerial Shot view scene from the Jurassic era, where T-Rex dinosaurs roam amidst lush vegetation.. high quality, 8k.realistic,s50mm, f2.8 ISO 100
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post-apocalyptic, urban decay, environmental disaster, by Simon Stålenhag, by Arkady Plastov, oil painting, concept art, digital painting, photorealism, sci-fi, atmospheric perspective, loneliness
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{{A breathtaking and cinematic depiction of a Tyrannosaurus rex}} roaring in a prehistoric landscape, with every detail of its fearsome anatomy and majestic presence brought to life. This is a paleontology-inspired image that aims to showcase the awe-inspiring nature of the iconic T-Rex. The image should be in the style of a digital illustration, drawing inspiration from the scientifically accurate reconstructions of paleoartists like Mark Witton and the cinematic realism seen in \"Jurassic Park.\" The extreme close-up shot, captured with a 135mm+ lens, will provide an intimate view of the T-Rex's roaring face. The lighting should be dynamic and natural, emphasizing the texture of the dinosaur's scales and the power of its roar. The desired level of detail is highly realistic, with a 4K resolution, showcasing the lifelike qualities of the T-Rex. The goal is to create a visually stunning image that transports viewers to the prehistoric world of dinosaurs.
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close up of the T-rex,volumetric lighting,over-detailed character,50mm, f/2.8 ISO 100 ,clear focus,epic background of Jurassic Forest
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close up of the T-rex,volumetric lighting,over-detailed character,50mm, f/2.8 ISO 100 ,clear focus,epic background of Jurassic Forest
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flooded coastal city, concept art, abandoned homes, half submerged, wind turbine farm, in the horizon, by Simon Stålenhag, Jakub Rozalski, and John Harris, digital painting, sci-fi dystopia, environmental disaster, eerie atmosphere, muted colors, 8K masterpiece.
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flooded coastal city, concept art, abandoned homes, half submerged, wind turbine farm, in the horizon, by Simon Stålenhag, Jakub Rozalski, and John Harris, digital painting, sci-fi dystopia, environmental disaster, eerie atmosphere, muted colors, 8K masterpiece.
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dystopian cityscape, crumbling buildings, overgrown streets, rusting vehicles, clouded grey skies, inspired by Simon Stålenhag, digital painting, ominous atmosphere, thin silhouetted figures, worn gas masks, torn coats and boots, hints of neon signs in the darkness, rubble-strewn alleyways, hints of wildlife reclaiming the urban jungle, ominous lighting by lamplight, 16K masterpiece, by Simon Stålenhag and Jakub Rozalski
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post-apocalyptic landscape scene set in 2050, a train station overgrown with wildflowers, two scavengers atop a horse amid the ruins, morning light with Rembrandt style chiaroscuro, concept art inspired by Jakub Rozalski and Anton Mauve, painterly styles of Andrew Macara, 65K masterwork
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butterfly-winged humanoid, striped skin, feline features, scavenging the ruins, tattered clothing, carrying found items, post-apocalyptic landscape, overgrown city, cracked pavement, inspired by Zdzisław Beksiński and Simon Stålenhag, elements of steampunk and dieselpunk, warm sepia tones, dramatic afternoon light, loose painterly style, digital oil painting, by Artgerm and Greg Rutkowski, 16K masterpiece
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butterfly-winged humanoid, striped skin, feline features, scavenging the ruins, tattered clothing, carrying found items, post-apocalyptic landscape, overgrown city, cracked pavement, inspired by Zdzisław Beksiński and Simon Stålenhag, elements of steampunk and dieselpunk, warm sepia tones, dramatic afternoon light, loose painterly style, digital oil painting, by Artgerm and Greg Rutkowski, 16K masterpiece
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