Medieval history Rani Samavai Perindevi, the wife of the Pallava King Shakti Vitankan, was born in AD. In 966 Sri Vaikhanasa Bhagavachchastroktanga consecrated the idol of Bhoga Srinivasamurthy as instructed by the priests.[13] This is the.8k ultra hd
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First of all, the Puranas explain that Vaikhanasa priest Gopinatha Dixitulu (following Sri Venkatachala Mahatya), found Srivari Murthy in an anthill under Swami Pushkarini Chenta, Chinta tree and enshrined and worshiped Srivari Murthy at the present place. Since then the descendants of Gopinatha Dikshitha have been conducting the puja kainkaryas of Swami successively.
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First of all, the Puranas explain that Vaikhanasa priest Gopinatha Dixitulu (following Sri Venkatachala Mahatya), found Srivari Murthy in an anthill under Swami Pushkarini Chenta, Chinta tree and enshrined and worshiped Srivari Murthy at the present place. Since then the descendants of Gopinatha Dikshitha have been conducting the puja kainkaryas of Swami successively.
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Duhshasana, one of the Kaurava princes, drags Draupadi through the audience hall and begins disrobing her. Draupadi calls upon Krishna to save her honour. As I'msana strips a piece of clothing off Draupadi, Krishna replaces it with another and soon the heap of coloured fabric collecting at her feet begins to grow.
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one 25 years south indian village women with beautiful and clear visible eyes, walking and going to pond to with a steel pot in her hand in the morning. full photo of the women
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one 25 years south indian village women with beautiful and clear visible eyes, walking and going to pond to with a steel pot in her hand in the morning. full photo of the women
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An artistic representation of King Harishchandra standing in front of a grand palace, reluctantly parting with symbolic representations of his kingdom - a crown being handed over, a piece of land with a \"For Sale\" sign, and a teary-eyed queen bidding farewell. The image should convey the emotional struggle and sacrifices due to Harishchandra's commitment to truth. 9:16 realistic
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An artistic representation of King Harishchandra standing in front of a grand palace, reluctantly parting with symbolic representations of his kingdom - a crown being handed over, a piece of land with a \"For Sale\" sign, and a teary-eyed queen bidding farewell. The image should convey the emotional struggle and sacrifices due to Harishchandra's commitment to truth. 9:16 realistic
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The image shows a serene Mallu woman in traditional attire, superimposed on a double-exposure of a hillstation. The black and white background adds to the natural beauty of the scene. The woman's elegant posture and serene expression create a sense of tranquility.
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The image shows a serene Mallu woman in traditional attire, superimposed on a double-exposure of a hillstation. The black and white background adds to the natural beauty of the scene. The woman's elegant posture and serene expression create a sense of tranquility.
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The image shows a serene Mallu woman in traditional attire, superimposed on a double-exposure of a hillstation. The black and white background adds to the natural beauty of the scene. The woman's elegant posture and serene expression create a sense of tranquility.
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The image shows a serene Mallu woman in traditional attire, superimposed on a double-exposure of a hillstation. The black and white background adds to the natural beauty of the scene. The woman's elegant posture and serene expression create a sense of tranquility.
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The image shows a serene Mallu woman in traditional attire, superimposed on a double-exposure of a hillstation. The black and white background adds to the natural beauty of the scene. The woman's elegant posture and serene expression create a sense of tranquility.
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The image shows a serene Mallu woman in traditional attire, superimposed on a double-exposure of a hillstation. The black and white background adds to the natural beauty of the scene. The woman's elegant posture and serene expression create a sense of tranquility.
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The image shows a serene Mallu woman in traditional attire, superimposed on a double-exposure of a hillstation. The black and white background adds to the natural beauty of the scene. The woman's elegant posture and serene expression create a sense of tranquility.
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The image shows a serene Mallu woman in traditional attire, superimposed on a double-exposure of a hillstation. The black and white background adds to the natural beauty of the scene. The woman's elegant posture and serene expression create a sense of tranquility.
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The image shows a serene Mallu woman in traditional attire, superimposed on a double-exposure of a hillstation. The black and white background adds to the natural beauty of the scene. The woman's elegant posture and serene expression create a sense of tranquility.
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The image shows a serene Mallu woman in traditional attire, superimposed on a double-exposure of a hillstation. The black and white background adds to the natural beauty of the scene. The woman's elegant posture and serene expression create a sense of tranquility.
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The image shows a serene Mallu woman in traditional attire, superimposed on a double-exposure of a hillstation. The black and white background adds to the natural beauty of the scene. The woman's elegant posture and serene expression create a sense of tranquility.
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The image shows a serene Mallu woman in traditional attire, superimposed on a double-exposure of a hillstation. The black and white background adds to the natural beauty of the scene. The woman's elegant posture and serene expression create a sense of tranquility.
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A full body of muscular 20 year old Hindu with a bit long hairs, rudraksh beads and pearl beads around his neck, rudraksh beads around his wrists and rudraksh beads around his biceps, tripundra tilak on forehead, small trouser like Indian dhoti with a wide cloth belt and a metal at the place of belt buckle, t-shirt tucked in belt and long modern shoes praying to God according to Hindu tradition
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a 25 years south indian village women with beautiful eyes arguing with 2 south indian village boys in the morning. full photo of everyone
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a 25 years south indian village women with beautiful eyes, walking and going to pond to with a steel pot in her hand in the morning. full photo of the women
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a 25 years south indian village women with beautiful eyes, walking and going to pond to with a steel pot in her hand in the morning. full photo of the women
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a 25 years south indian village women with beautiful eyes, walking and going to pond to with a steel pot in her hand in the morning. full photo of the women
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wide bacground where Nathanji is worshippnig Shiva during ancient times in India
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a 25 years south indian village women with beautiful eyes arguing with 2 south indian village men with beautiful eyes in the morning. full photo of everyone
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a 25 years south indian village women with beautiful eyes arguing with 2 south indian village men with beautiful eyes in the morning. full photo of everyone
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It was decided during the reign of Christian Chief Minister YS Rajasekhara Reddy that only two of the seven hills of Tirumala could be used for Hindu worship and the rest for other purposes. As a result there were fierce protests across Andhra Pradesh and finally the court declared that the area of the seven holy hills should be maintained by the Tirumala Tirupati Devasthanas.
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Kalidasa portrays Shakuntala as a symbol of beauty, femininity, and womanhood in Sanskrit literature. She is portrayed as an ideal woman like Savitri and Sita, embodying ideal beauty and grace. Shakuntala is a child of nature, transcending erotics and playing a significant role in her life. Canon EOS 6DFocal 50.0mm Aperture ƒ2.8 ISO 640hyperdetailed, photorealistic, hyperrealistic, rule of the thirds, shadows and shades.style:Photographic
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