multiple giant pink sphere translucent balls falling from sky far away at the end of road, city with light pink asphait road, stores and candy shops aside, photographic, Wes Anderson style
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multiple giant pink sphere translucent balls with different sizes falling from sky far away at the end of road, different sizes pink balls, city with light pink asphait road, stores and candy shops aside, a girl in red dress walking on the road, photographic, Wes Anderson style
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multiple giant pink sphere translucent balls with different sizes falling from sky far away at the end of road, different sizes pink balls, city with light pink asphait road, stores and candy shops aside, a girl in red dress walking on the road, photographic, Wes Anderson style
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a giant pink translucent sphere ball on a city road, multiple stores and shops aside, Wes Anderson style, high res, pinkish blue sky, smooth quality
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multiple pink sphere translucent balls rolling on city road, pink sphere balls pile together, Yayoi Kusama style, photographic, high res, full shot type
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multiple pink sphere translucent balls rolling on city road, pink sphere balls pile together, Yayoi Kusama style, photographic, high res, full shot type
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天空明亮，晴天，a pink highway goes in a snow storm, in the style of max rive, naomi okubo, natural phenomena, time-lapse photography, atey ghailan, natural scenery, light pink and light indigo
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天空明亮，晴天，a pink highway goes in a snow storm, in the style of max rive, naomi okubo, natural phenomena, time-lapse photography, atey ghailan, natural scenery, light pink and light indigo
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天空明亮，晴天，a pink highway goes in a snow storm, in the style of max rive, naomi okubo, natural phenomena, time-lapse photography, atey ghailan, natural scenery, light pink and light indigo
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop entrance with customers. Retro lights. Isometric composition
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop entrance with customers. Retro lights. Isometric composition
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights. Isometric composition
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights. Isometric composition
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights. Isometric composition
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Raw photo, pink big fluffy heart-shaped clouds, white snowflakes around, snow-capped mountains and forests in the background, dreamy sky, nebula, galaxy, focus, ultra-high quality, ultra-detailed focus, high detail, 8k, photorealistic, dazzling, rule of thirds, depth of field, complex details, concept art, bright colors, futuristic design, attention to detail, grandeur and awe-inspiring feeling, stunning visual masterpiece, intense light.
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car driving down a road with many hot air balloons, highly detailed surreal vfx, surreal scene, golden embers flying, golden meteors, travis scott flying over earth, still from a music video, movie screen shot, the most beautiful scene, hot air balloons, stunning vfx, magic realism matte painting, epic road - trip in outer space
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car driving down a road with many hot air balloons, highly detailed surreal vfx, surreal scene, golden embers flying, golden meteors, travis scott flying over earth, still from a music video, movie screen shot, the most beautiful scene, hot air balloons, stunning vfx, magic realism matte painting, epic road - trip in outer space
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matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective.
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matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective.
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matte painting of busy raining Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
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matte painting of busy raining Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
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matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective. Cars, hotels, people
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Unidentified Flying Object (UFO)，Mysterious lights，Village skyline，Enigmatic presence，sci-fi movie still, 35mm film, cyan-orange color grading, futuristic cityscape
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Cyberpunk
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Cyberpunk
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matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective. Cars, umbrellas, hotels
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Future sci-fi earth, frozen street scenes, cool towers, aerial hover cars, complex traffic lines, movie shots
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Future sci-fi earth, frozen street scenes, cool towers, aerial hover cars, complex traffic lines, movie shots
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Future sci-fi earth, frozen street scenes, cool towers, aerial hover cars, helicopters, complex traffic, movie shots
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Future sci-fi earth, frozen street scenes, cool towers, aerial hover cars, helicopters, complex traffic, movie shots
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Future sci-fi earth, frozen street scenes, cool towers, aerial hover cars, helicopters, complex traffic, movie shots
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retrofuturistic city, at night, intense blue sky, people floating in the air with rockets on their feet, planets seen from afar, street lights, very tall buildings, flying cars, Art deco style, vintage color palette, cinematic light.
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create a dreamy future scene, where massive aerial cities float in the sky. They are constructed of transparent materials, and their streamlined structures give them a sense of the future. These aerial cities are connected by corridors of fantastical lights, especially dreamy at night. On the ground, a technologically advanced linear city, bustling streets filled with crowds and autonomously driving cars. Around, lush green plants and wildlife coexist harmoniously, showing a future vision of harmonious coexistence between humans and nature. The artistic style of the painting can adopt strong contrasts of light and shadow to enhance the dreamy and futuristic feel. The most suitable artists might be the style masters in the field of cyberpunk, such as Sid Mead or Peter Elson.
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