On the set of a film set in 1888 London, featuring cameras and the director orchestrating the scene.
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On the set of a film set in 1888 London, featuring cameras and the director orchestrating the scene.
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Filming a scene for a movie set in 1888 London, capturing the emotions of actors, camera crew, and director on the movie set.
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Actors on a movie set portraying emotional scenes set in 1888 London, capturing the essence of the events.
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We see a man from behind wrapped in used-up desert clothes, his head is wrapped, he wearing a damaged backpack. He is walking towards a concrete bunker which can be seen in the shallow background. He is surrounded by a sandstorm, strong wind is whirling sand. In the style of professional cinematography, shallow depth of field, subject in focus, professional color grade, subtle dynamic movement, filmic, shot of professional cinematic camera.
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a movie scene where six black gangsters are all smoking cigars. The gangsters are all holding long guns, pistols and baseball bats. They are partially surrounding another black man sitting on a chair, crying, pleading for forgiveness. one of the gangsters is sitting very close to the man in the chair, holding an opened straight razor close to the mans cheek. 4k, hd, high resolution, cinematic, movie scene. black and white, vintage,
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A scene set in 1888, East End streets: The shadow of Jack the Ripper emerges on a foggy street, emphasizing the atmosphere of 19th-century London.
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Genji, Overwatch, cyberpunk cityscape, neon lights, sleek armor, metallic enhancements, glowing sword, swift strikes, shadows and reflected light, urban combat, late night rain, painted in light, Izumi Kato style, Artgerm coloring, Jiří Otava composition, Jakub Różalski atmosphere, Craig Mullins energy, Ian McQue movement, Simon Stalenhag futurism, digital painting, masterful details, 16K resolution, cinematic atmosphere
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dystopian bird-human hybrid, sombrero and serape, clutching a lasso and spurs, cracked desert landscape, crumbling adobe buildings, inspired by guillermo del toro and carlos ortega, warm earth tones, dramatic lighting, sunset, tattered feathers, taloned feet, beaked face, concept art, digital painting, brush strokes, loose painterly style, by carlos ortega and alejandro gomez palacio, 8K masterpiece, cinematic atmosphere
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Genji, Overwatch, cyberpunk cityscape, neon lights, sleek armor, metallic enhancements, glowing sword, swift strikes, shadows and reflected light, urban combat, late night rain, painted in light, Izumi Kato style, Artgerm coloring, Jiří Otava composition, Jakub Różalski atmosphere, Craig Mullins energy, Ian McQue movement, Simon Stalenhag futurism, digital painting, masterful details, 16K resolution, cinematic atmosphere
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A sudden camera turn captures the chaos and terror unfolding in Miller's Court in 1888.
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(Moebius art style, 80's scifi fantasy magazine art, professional illustration, hyper-details:2), stunning image of a dystopian alien princess on Mars, wearing a luxurious white and orange space suit with bubble helmet that fits her athletic physique well, \"SToke \" (legible and cinematic font), action background (dystopian alien landscape with starships falling to surface with smoke trails), cinematic composition
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(Moebius art style, 80's scifi fantasy magazine art, professional illustration, hyper-details:2), stunning image of a dystopian alien princess on Mars, wearing a luxurious white and orange space suit with bubble helmet that fits her athletic physique well, \"SToke \" (legible and cinematic font), action background (dystopian alien landscape with starships falling to surface with smoke trails), cinematic composition
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(Moebius art style, 80's scifi fantasy magazine art, professional illustration, hyper-details:2), stunning image of a dystopian alien princess on Mars, wearing a luxurious white and orange space suit with bubble helmet that fits her athletic physique well, \"SToke \" (legible and cinematic font), action background (dystopian alien landscape with starships falling to surface with smoke trails), cinematic composition
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(Moebius art style, 80's scifi fantasy magazine art, professional illustration, hyper-details:2), stunning image of a dystopian alien princess on Mars, wearing a luxurious white and orange space suit with bubble helmet that fits her athletic physique well, \"SToke \" (legible and cinematic font), action background (dystopian alien landscape with starships falling to surface with smoke trails), cinematic composition
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(Moebius art style, 80's scifi fantasy magazine art, professional illustration, hyper-details:2), stunning image of a dystopian alien princess on Mars, wearing a luxurious white and orange space suit with bubble helmet that fits her athletic physique well, \"SToke \" (legible and cinematic font), action background (dystopian alien landscape with starships falling to surface with smoke trails), cinematic composition
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Visualize a scene in the style of Xianxia, a genre blending elements of Chinese mythology and martial arts. A 19-year-old male stands on a volcanic island, adorned in a suit of gold and crimson armor. He commands the flowing magma, shaping it into a colossal phoenix. Poised on the phoenix's back, he exudes confidence and power. The young man has tousled golden short hair, golden eyes, eyebrows, and eyelashes. His face is clear and smooth, reflecting determination and wisdom. His muscular chest and defined waistline accentuate his strength. With a graceful and fierce posture, he embodies the untamed spirit of the Xianxia realm. The scene is bathed in intricate lighting and shadows, with sunlight casting a radiant glow. The colors are vibrant and vivid, with the flames of the phoenix illuminating the surroundings. The style of the artwork seamlessly blends Xianxia aesthetics with elements of Baroque and Cyber Art. Created digitally using Blender, the piece is a masterpiece of the highest quality, boasting unparalleled attention to detail. The rendering is done in HDR Vivid 64K, resulting in hyper-realistic visuals akin to an epic cinematic experience. The camera settings used include an f/22 aperture, 1/8-second shutter speed, and ISO 600.
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A scene from the city streets of 1888 in England, capturing the back view of Jack the Ripper in the act of attempting murder. The atmosphere is cloaked in darkness, illuminated by dim lighting, creating a chilling and ominous setting.
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A scene from the city streets of 1888 in England, capturing the back view of Jack the Ripper in the act of attempting murder. The atmosphere is cloaked in darkness, illuminated by dim lighting, creating a chilling and ominous setting.
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1888, dark London streets, eerie night atmosphere, a haunting ambiance in the square, anachronistic automobiles, bustling with busy people.
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cyberpunk skull deity from mexican folklore, ornate headdress of LED lights and circuitry, neon pink and teal armor plating, overlooking futuristic metropolis, by rafael albuquerque, francisco franco, javier rodriguez, hyper-detailed 4K digital painting, glowing eyes pierce the smoggy night, glitch art aesthetic, cel-shaded lighting, circuitboard tattoos, aztec and mayan iconography fused with sci-fi, cinematic atmosphere.
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futuristic hovercraft, fantasy vehicle design, concept art by alex andreev and syd mead, hybrid air/land craft, metallic orange and teal plating, glowing propulsion engines, sleek aerodynamic form, tinted glass cockpit, rugged off-road tires, fantastical lighting by greg rutkowski and john harris, painterly digital art style, 8K masterpiece, brush strokes, airbrush effects, photoshop post-production, cinematic atmosphere.
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We see a man from behind wrapped in used-up desert clothes and wearing a backpack. He is walking towards a bunker which is surrounded by desolate buildings which look like Madrid. He is surrounded by a sandstorm. Around In the style of professional cinematography, shallow depth of field, subject in focus, professional color grade, subtle dynamic movement, filmic, shot of professional cinematic camera.
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A nineteen-year-old male god, wearing golden and red armor, stood on a volcanic island. He controlled the flowing magma and shaped it into a huge and majestic phoenix. Ride on the phoenix. The young man has short, messy golden hair, golden eyes, eyebrows, and eyelashes. His face was clear and smooth, and his eyes were sharp. Emphasizing his muscular chest and waistline. His posture is elegant. The mood is wild and the expression is domineering. The scene is illuminated with exquisite light and shadow, with sunlight shining down from above. The colors are bright and the flames are bright and radiant. The artwork is a fusion of baroque and internet art styles. HDR Vivid 64K, excellent quality and meticulous attention to detail. 3D rendering. Epic cinematic visuals. Camera settings used were f/22 aperture, 1/8 second shutter speed, and ISO 600.
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In the early hours of 1888, around 1:45 a.m., a scene unfolds in London's Mitre Square Park, shrouded in darkness, creating an ominous and mysterious atmosphere.
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In the newsroom, a scene where news of Jack the Ripper's murders spreads. Numerous reporters and editors busy at work depict the fear spreading across London in 1888.
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K logo in vibrant red and sleek silver, with sharp lines and a modern, minimalist design. The logo stands out against a white background, exuding confidence and sophistication. The man is dressed in a tailored black suit, his posture exuding strength and authority. His face carries a determined expression, highlighting his professionalism. The woman, on the other hand, is dressed in a flowing, elegant gown, her vibrant red dress contrasting with the man's attire. She radiates grace and poise, her eyes filled with warmth and kindness. The environment is a contemporary urban setting, with sleek skyscrapers and city lights illuminating the scene. The mood is electric, with a sense of ambition and possibility in the air. The atmosphere is charged with excitement and anticipation, as if something significant is about to happen. The camera used is a high-end DSLR, capturing every detail with precision. The specific camera model is a Canon EOS 5D Mark IV, paired with a Canon EF 50mm f/1.4 lens. The color film type is Kodak Portra 400, known for its rich and vibrant colors. The lens provides a shallow depth of field, allowing the subjects to stand out against the background. The techniques used include strategic composition and creative lighting to enhance the overall aesthetic. Unlikely collaborators for this scene would be directors Christopher Nolan and Wes Anderson, cinematographer Emmanuel Lubezki, photographer Annie Leibovitz, and fashion designer Alexander McQueen. —c 10 —ar 2:3
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K logo in vibrant red and sleek silver, with sharp lines and a modern, minimalist design. The logo stands out against a white background, exuding confidence and sophistication. The man is dressed in a tailored black suit, his posture exuding strength and authority. His face carries a determined expression, highlighting his professionalism. The woman, on the other hand, is dressed in a flowing, elegant gown, her vibrant red dress contrasting with the man's attire. She radiates grace and poise, her eyes filled with warmth and kindness. The environment is a contemporary urban setting, with sleek skyscrapers and city lights illuminating the scene. The mood is electric, with a sense of ambition and possibility in the air. The atmosphere is charged with excitement and anticipation, as if something significant is about to happen. The camera used is a high-end DSLR, capturing every detail with precision. The specific camera model is a Canon EOS 5D Mark IV, paired with a Canon EF 50mm f/1.4 lens. The color film type is Kodak Portra 400, known for its rich and vibrant colors. The lens provides a shallow depth of field, allowing the subjects to stand out against the background. The techniques used include strategic composition and creative lighting to enhance the overall aesthetic. Unlikely collaborators for this scene would be directors Christopher Nolan and Wes Anderson, cinematographer Emmanuel Lubezki, photographer Annie Leibovitz, and fashion designer Alexander McQueen. —c 10 —ar 2:3
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1888, dark London streets, Jack the Ripper, thick fog, mysterious ambiance.
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1888, dark London streets, Jack the Ripper, thick fog, mysterious ambiance.
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1888, dark London streets, eerie night atmosphere, narrow alleyways.
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(MCU, Marvel, Infinity War, quantum physics): Closeup, (Jonathan Majors as Kang deconstructed into millions of particles, evaporating: 2.0), (Illuminated blue face, Kang mask: 2.0), fading away : 1.7, disapearring, dynamic pose, Technicolor, blurred and faded, Kodak Porta 400 film, 80mm, editorial, interesting angle and perspective, (lens flare), movie poster, cinematic, Kang: 1.7, matte black background, cinematic
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A scene from the city streets of 1888 in England, capturing Jack the Ripper in the act of committing murder, holding a bloodied knife in one hand. The atmosphere is cloaked in darkness, illuminated by dim lighting, creating a chilling and ominous setting.
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A scene from the city streets of 1888 in England, capturing Jack the Ripper in the act of committing murder, holding a bloodied knife in one hand. The atmosphere is cloaked in darkness, illuminated by dim lighting, creating a chilling and ominous setting.
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In 1888 England, a distant shot captures 46-year-old Catherine Edwards, dressed in orange, engaging in conversation with a man wearing a black fedora. The scene is set in a foggy park on a dark night, featuring shadowy figures.
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