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Venus sits on a cloud, taking a selfie with a Leonardo da Vinci-style painting.
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Venus sits on a cloud, taking a selfie with a Leonardo da Vinci-style painting.
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Venus sits on a cloud, taking a selfie with a Leonardo da Vinci-style painting.
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Venus sits on a cloud, taking a selfie with a Leonardo da Vinci-style painting.
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Venus sits on a cloud, taking a selfie with a Leonardo da Vinci-style painting.
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botticelli style portrait of a woman with butterflies in her hair in muted blues and greens
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Photo realistic of The figure of a young woman emerged from a swirl of pink and purple brushstrokes, her shapely form clad in a form-fitting gown and pair of glittering high heels rendered with exquisite detail, while her stunning face gazed off with a mysterious smile, the gorgeous portrait lit by a warm golden glow against a blurred cubist background.
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An image of a woman with stars painted on her face, intricate embellishments, contemporary art, backlight, carnivalesque, detailed atmospheric portraits, sgrafitto
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An image of a woman with stars painted on her face, intricate embellishments, contemporary art, backlight, carnivalesque, detailed atmospheric portraits, sgrafitto
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low angle Photorealistic painting of plus size model chinese venus in a ruined temple , goddess of love with open eyes, long straight Black hair , braids, full body venus with beautiful smile, muscle, Pine tree, spring, front view, lying in crystal water, full length view of the goddes venus, looking at you, well defined features, By Caravaggio
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a chiaroscuro portrait with stainedglass patterns on the face, emphasizing the woman's face. full color.
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a chiaroscuro portrait with stainedglass patterns on the face, emphasizing the woman's face. full color.
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The figure of a young woman emerged from a swirl of pink and purple brushstrokes, her shapely form clad in a form-fitting gown and pair of glittering high heels rendered with exquisite detail, while her stunning face gazed off with a mysterious smile, the gorgeous portrait lit by a warm golden glow against a blurred cubist background.
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A woman with stars painted on her face, intricate embellishments, contemporary art, backlight, carnivalesque, detailed atmospheric portraits, sgrafitto
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a hyper-real full-body photo portrait of a hauntingly beautiful Woman made out of pastel flames, joyous, pastel colours, large amounts of flowers and crystals and flames
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a chiaroscuro portrait with stainedglass patterns, emphasizing the woman's face. full color.
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illustration of a woman with stars painted on her face, intricate embellishments, contemporary art, backlight, carnivalesque, detailed atmospheric portraits, sgrafitto
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a hyper-real full-body photo portrait of a hauntingly beautiful Woman made out of pastel flames, joyous, pastel colours
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In a masterpiece orchestrated by the lens of Dmitry Kosovoy, we find a woman transformed into a living sculpture amidst a surreal forest of lifeless trees. This composition takes inspiration from the artistic style of Ray Caesar, blending the ethereal and the tangible in breathtaking harmony. The central figure, a woman of profound grace and mystique, dons an elaborate kimono that billows around her like the petals of a surreal flower. The kimono itself is a work of art, adorned with intricate patterns in contrasting shades of dark white and light orange. These colors create an otherworldly ambiance that defies conventional reality. As if in a reverie of juxtaposition, the forest surrounding her consists of dead trees, their twisted branches reaching out like skeletal fingers. These eerie remnants of nature form a compelling backdrop, serving as a stark contrast to the woman's vitality. The composition is further enriched by the presence of birds and flowers, mirroring the themes found in the works of Patricia Piccinini. These avian and floral elements lend an aura of life and renewal to the scene, suggesting that even in desolation, there is the potential for rebirth and transformation. The influence of Zen Buddhism is evident in the woman's serene expression and the tranquil energy that emanates from her. It's as though she has discovered a profound connection between her inner self and the world around her. The technical aspects of this photograph are as impressive as its artistic elements. High-resolution photography is a must, ensuring that every nuance, from the intricate details of the kimono to the fine texture of the dead trees, is captured with utmost clarity. To bring out the depth and dimensionality of the portrait, Dmitry Kosovoy employs the Rembrandt lighting technique. This technique bathes the subject's face in a soft, diffused light, accentuating the sculptural qualities of her visage and adding a touch of chiaroscuro drama to the scene. The backdrop is a seamless canvas, allowing the subject to take center stage without any distractions. This simplicity enhances the dreamlike quality of the photograph, emphasizing the woman's role as a living sculpture amidst a surreal and captivating landscape. The result is not just a photograph but a work of art that transcends the boundaries of reality, inviting viewers to contemplate the delicate interplay between life and death, art and nature, and the enduring beauty of the human spirit --ar 23:24 --
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In a masterpiece orchestrated by the lens of Dmitry Kosovoy, we find a woman transformed into a living sculpture amidst a surreal forest of lifeless trees. This composition takes inspiration from the artistic style of Ray Caesar, blending the ethereal and the tangible in breathtaking harmony. The central figure, a woman of profound grace and mystique, dons an elaborate kimono that billows around her like the petals of a surreal flower. The kimono itself is a work of art, adorned with intricate patterns in contrasting shades of dark white and light orange. These colors create an otherworldly ambiance that defies conventional reality. As if in a reverie of juxtaposition, the forest surrounding her consists of dead trees, their twisted branches reaching out like skeletal fingers. These eerie remnants of nature form a compelling backdrop, serving as a stark contrast to the woman's vitality. The composition is further enriched by the presence of birds and flowers, mirroring the themes found in the works of Patricia Piccinini. These avian and floral elements lend an aura of life and renewal to the scene, suggesting that even in desolation, there is the potential for rebirth and transformation. The influence of Zen Buddhism is evident in the woman's serene expression and the tranquil energy that emanates from her. It's as though she has discovered a profound connection between her inner self and the world around her. The technical aspects of this photograph are as impressive as its artistic elements. High-resolution photography is a must, ensuring that every nuance, from the intricate details of the kimono to the fine texture of the dead trees, is captured with utmost clarity. To bring out the depth and dimensionality of the portrait, Dmitry Kosovoy employs the Rembrandt lighting technique. This technique bathes the subject's face in a soft, diffused light, accentuating the sculptural qualities of her visage and adding a touch of chiaroscuro drama to the scene. The backdrop is a seamless canvas, allowing the subject to take center stage without any distractions. This simplicity enhances the dreamlike quality of the photograph, emphasizing the woman's role as a living sculpture amidst a surreal and captivating landscape. The result is not just a photograph but a work of art that transcends the boundaries of reality, inviting viewers to contemplate the delicate interplay between life and death, art and nature, and the enduring beauty of the human spirit --ar 23:24 --
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In a masterpiece orchestrated by the lens of Dmitry Kosovoy, we find a woman transformed into a living sculpture amidst a surreal forest of lifeless trees. This composition takes inspiration from the artistic style of Ray Caesar, blending the ethereal and the tangible in breathtaking harmony. The central figure, a woman of profound grace and mystique, dons an elaborate kimono that billows around her like the petals of a surreal flower. The kimono itself is a work of art, adorned with intricate patterns in contrasting shades of dark white and light orange. These colors create an otherworldly ambiance that defies conventional reality. As if in a reverie of juxtaposition, the forest surrounding her consists of dead trees, their twisted branches reaching out like skeletal fingers. These eerie remnants of nature form a compelling backdrop, serving as a stark contrast to the woman's vitality. The composition is further enriched by the presence of birds and flowers, mirroring the themes found in the works of Patricia Piccinini. These avian and floral elements lend an aura of life and renewal to the scene, suggesting that even in desolation, there is the potential for rebirth and transformation. The influence of Zen Buddhism is evident in the woman's serene expression and the tranquil energy that emanates from her. It's as though she has discovered a profound connection between her inner self and the world around her. The technical aspects of this photograph are as impressive as its artistic elements. High-resolution photography is a must, ensuring that every nuance, from the intricate details of the kimono to the fine texture of the dead trees, is captured with utmost clarity. To bring out the depth and dimensionality of the portrait, Dmitry Kosovoy employs the Rembrandt lighting technique. This technique bathes the subject's face in a soft, diffused light, accentuating the sculptural qualities of her visage and adding a touch of chiaroscuro drama to the scene. The backdrop is a seamless canvas, allowing the subject to take center stage without any distractions. This simplicity enhances the dreamlike quality of the photograph, emphasizing the woman's role as a living sculpture amidst a surreal and captivating landscape. The result is not just a photograph but a work of art that transcends the boundaries of reality, inviting viewers to contemplate the delicate interplay between life and death, art and nature, and the enduring beauty of the human spirit --ar 23:24 --
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A portrait of a beautiful woman, styled like a classic Renaissance painting, with soft, natural lighting and a warm, earthy color palette. The mood is serene and contemplative, captured in an oil on canvas medium. The composition focuses on her face with a close-up shot, highlighting intricate details and expressions.
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**low angle Photorealistic painting of plus size model chinese venus in a ruined temple , goddess of love with open eyes, long straight Black hair , braids, full body venus with beautiful smile, muscle, Pine tree, spring, front view, lying in crystal water, full length view of the goddes venus, looking at you, well defined features, By Henry Cartier-Bressom
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A woman stands at the top of a mountain in Santorini, wearing a flowing blue dress. She is perched on a fantastical summit, surrounded by the magnificent landscapes of Greece. The painting captures the enchanting charm of this beautiful island. The woman dons an elegant blue gown, its hem dancing in the breeze, exuding a sense of grace. Crafted from soft silk, the dress feels smooth and delicate, providing comfort and gentleness. The woman's style and photography exhibit a high level of fashion, with enhanced color saturation creating a vibrant and vivid scene. The color of the blue dress harmonizes with the surroundings, creating a sense of unity. The spinning dress highlights the woman's graceful charm and dynamism, reinforcing the overall blue theme of the painting. Furthermore, through her attire and posture, the audience can sense her freedom and lightness, adding a touch of romance to the entire scene. The image adopts a fashionable photographic style, accentuating the beauty of the woman and her surroundings. The overall lighting is soft and bright, evoking a tranquil and serene atmosphere. This prompt adheres to high-quality standards, and the generated image will possess precise and intricate details, making it a work of art.photorealistic, a deep V-shaped back,facing to the sea and valley,facing away from the camera.
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A woman stands at the top of a mountain in Santorini, wearing a flowing blue dress. She is perched on a fantastical summit, surrounded by the magnificent landscapes of Greece. The painting captures the enchanting charm of this beautiful island. The woman dons an elegant blue gown, its hem dancing in the breeze, exuding a sense of grace. Crafted from soft silk, the dress feels smooth and delicate, providing comfort and gentleness. The woman's style and photography exhibit a high level of fashion, with enhanced color saturation creating a vibrant and vivid scene. The color of the blue dress harmonizes with the surroundings, creating a sense of unity. The spinning dress highlights the woman's graceful charm and dynamism, reinforcing the overall blue theme of the painting. Furthermore, through her attire and posture, the audience can sense her freedom and lightness, adding a touch of romance to the entire scene. The image adopts a fashionable photographic style, accentuating the beauty of the woman and her surroundings. The overall lighting is soft and bright, evoking a tranquil and serene atmosphere. This prompt adheres to high-quality standards, and the generated image will possess precise and intricate details, making it a work of art.photorealistic,
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A portrait of a woman with striking features, captivating eyes, and a gentle smile, set against a serene natural background.
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a chiaroscuro portrait with Rorschach patterns, emphasizing the woman's face.
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young and beautiful noblewoman in Renaissance clothes. Photography in the style of Paolo Roversi, jan Van Eyck style. format: photo
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young and beautiful noblewoman in Renaissance clothes. Photography in the style of Paolo Roversi, jan Van Eyck style. format: photo
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young and beautiful noblewoman in Renaissance clothes. Photography in the style of Paolo Roversi, jan Van Eyck style. format: photo
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Half-lengt portrait of sexy actress. ancient teatre in background, photography by Paolo Roversi
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a photograph looking like a painting by Joanna Kustra, of a woman with avian features of a pink Flamingo, high fasion, avant garde explosion, hyper maximalism, soft light, painterly
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a photograph looking like a painting by Joanna Kustra, of a woman with avian features of a pink Flamingo, high fasion, avant garde explosion, hyper maximalism, soft light, painterly
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