The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the flags, every segment marked in turn with scratches, indentations, scrolls. Metropolis movie Fritz Lang 1920s futuristic Cubist
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More Like This
The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the flags, every segment marked in turn with scratches, indentations, scrolls. Metropolis movie Fritz Lang 1920s futuristic
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The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the flags, every segment marked in turn with scratches, indentations, scrolls. Metropolis movie Fritz Lang 1920s futuristic
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The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the flags, every segment marked in turn with scratches, indentations, scrolls. Metropolis movie Fritz Lang 1920s futuristic
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The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the flags, every segment marked in turn with scratches, indentations, scrolls. Metropolis movie Fritz Lang 1920s futuristic
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The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the flags, every segment marked in turn with scratches, indentations, scrolls. Metropolis movie Fritz Lang 1920s futuristic
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The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the flags, every segment marked in turn with scratches, indentations, scrolls.
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The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the flags, every segment marked in turn with scratches, indentations, scrolls.
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The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the flags, every segment marked in turn with scratches, indentations, scrolls.
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A city where the buildings have spiral staircases encrusted with spiral seashells, where perfect telescopes and violins are made, where the foreigner hesitating between two women always encounters a third, where cockfights degenerate into bloody brawls among the bettors. In the square there is the wall where the old men sit and watch the young go by; he is seated in a row with them. Looks like scenes from the movie Metropolis
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A city where the buildings have spiral staircases encrusted with spiral seashells, where perfect telescopes and violins are made, where the foreigner hesitating between two women always encounters a third, where cockfights degenerate into bloody brawls among the bettors. In the square there is the wall where the old men sit and watch the young go by; he is seated in a row with them. Looks like scenes from the movie Metropolis
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four aluminum towers rise from its walls flanking seven gates with spring-operated drawbridges that span the moat whose water feeds four green canals which cross the city. Style the images to look like the Fritz Lang film Metropolis
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four aluminum towers rise from its walls flanking seven gates with spring-operated drawbridges that span the moat whose water feeds four green canals which cross the city. Style the images to look like the Fritz Lang film Metropolis
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A city where the buildings have spiral staircases encrusted with spiral seashells, where perfect telescopes and violins are made, where the foreigner hesitating between two women always encounters a third, where cockfights degenerate into bloody brawls among the bettors. Use Metropolis movie as visual reference
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A city where the buildings have spiral staircases encrusted with spiral seashells, where perfect telescopes and violins are made, where the foreigner hesitating between two women always encounters a third, where cockfights degenerate into bloody brawls among the bettors. Use Metropolis movie as visual reference
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A futuristic metropolis skyline at dusk, hovering vehicles and neon lights painting the sky, a solitary figure gazing from a rooftop, capturing the mix of awe and solitude, executed with elegant and detailed pencil drawing techniques reminiscent of Arthur Rackham, Jean-Baptiste Monge, and others,, --ar 16:9 --v 5
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A futuristic metropolis skyline at dusk, hovering vehicles and neon lights painting the sky, a solitary figure gazing from a rooftop, capturing the mix of awe and solitude, executed with elegant and detailed pencil drawing techniques reminiscent of Arthur Rackham, Jean-Baptiste Monge, and others,, --ar 16:9 --v 5
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A futuristic metropolis skyline at dusk, hovering vehicles and neon lights painting the sky, a solitary figure gazing from a rooftop, capturing the mix of awe and solitude, executed with elegant and detailed pencil drawing techniques reminiscent of Arthur Rackham, Jean-Baptiste Monge, and others,, --ar 16:9 --v 5
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view of a brutalist home, in the nature, minimalistic, architectural vizualization , in the chandigarh style, high denoizing, realistic, light and space, arches, , curves, minimalist, sanctuary A captivating isometric watercolor vintage cover art that transports us to the vibrant and bustling Japanese city metro during the 1980s, with the enchanting backdrop of a neon-lit night. This artwork is a nostalgic journey into the heart of Japanese urban life, beautifully combining artistic styles that capture the spirit of the era. The isometric design gives the scene a distinctive geometric and architectural flair. It allows the viewer to appreciate the meticulous details of a retro Japanese city metro, its clean lines, and organized chaos. This perspective resonates with the technological and urban advancements of the 1980s. Watercolor techniques add a softness and dream-like quality to the composition. The color palette reflects the neon-infused atmosphere of the city at night, with vibrant pinks, blues, and purples illuminating the metro stations and streets. The blending of these colors brings a sense of nostalgia, making it feel like a snapshot from an era long gone. The Japanese city metro is vividly represented, with bustling commuters, sleek trains, and an amalgamation of neon signs, billboards, and traditional Japanese elements. The artwork captures the essence of Tokyo or Osaka, where tradition and modernity coexist in a mesmerizing dance of cultures. The night setting adds to the urban allure. The metro stations are alive with activity, with people moving to and fro, encapsulating the energy and endless possibilities of city life during the 1980s. This isometric watercolor vintage cover art immerses the viewer in a captivating blend of nostalgia and city life. It's an invitation to experience the vibrant and futuristic allure of Japanese urban centers during a time when the world was embracing technology and the future. The artwork captures the spirit of an era and transports us to a city that never sleeps.
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view of a brutalist home, in the nature, minimalistic, architectural vizualization , in the chandigarh style, high denoizing, realistic, light and space, arches, , curves, minimalist, sanctuary A captivating isometric watercolor vintage cover art that transports us to the vibrant and bustling Japanese city metro during the 1980s, with the enchanting backdrop of a neon-lit night. This artwork is a nostalgic journey into the heart of Japanese urban life, beautifully combining artistic styles that capture the spirit of the era. The isometric design gives the scene a distinctive geometric and architectural flair. It allows the viewer to appreciate the meticulous details of a retro Japanese city metro, its clean lines, and organized chaos. This perspective resonates with the technological and urban advancements of the 1980s. Watercolor techniques add a softness and dream-like quality to the composition. The color palette reflects the neon-infused atmosphere of the city at night, with vibrant pinks, blues, and purples illuminating the metro stations and streets. The blending of these colors brings a sense of nostalgia, making it feel like a snapshot from an era long gone. The Japanese city metro is vividly represented, with bustling commuters, sleek trains, and an amalgamation of neon signs, billboards, and traditional Japanese elements. The artwork captures the essence of Tokyo or Osaka, where tradition and modernity coexist in a mesmerizing dance of cultures. The night setting adds to the urban allure. The metro stations are alive with activity, with people moving to and fro, encapsulating the energy and endless possibilities of city life during the 1980s. This isometric watercolor vintage cover art immerses the viewer in a captivating blend of nostalgia and city life. It's an invitation to experience the vibrant and futuristic allure of Japanese urban centers during a time when the world was embracing technology and the future. The artwork captures the spirit of an era and transports us to a city that never sleeps.
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Dystopian metropolis: towering, corroded skyscrapers shrouded in smog; flickering, neon-lit signs amidst dilapidated, bustling streets; citizens in ragged attire navigating through labyrinthine alleys; surveillance drones casting ominous shadows; graffiti-clad walls; rusty, abandoned vehicles; an oppressive skyline dominating the polluted horizon.
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Illustration featuring a sprawling metropolis with advanced architecture, vibrant lights, and bustling activity; a sense of futurism and technological marvel, captured in a high-definition, cyberpunk-inspired style
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Generate a compelling digital depiction of a cityscape dominated by towering skyscrapers that reach towards the heavens. At the heart of this urban jungle lies a colossal, dormant crater, a silent testament to the cataclysmic impact of a meteorite. The city's skyline should convey a sense of grandeur and modernity, juxtaposed with the stark and ominous void at its center. Capture the intricate architectural details of the skyscrapers, and emphasize the contrast between the bustling city life on the periphery and the desolate, cratered core. Let the image evoke both awe and a lingering sense of the celestial devastation that left an indelible mark on this metropolis.
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Illustrate a metropolis with soaring skyscrapers, each one striving for the sky, forming a majestic skyline. However, at the heart of this urban landscape, there exists an immense, extinguished crater resulting from a meteorite impact. The city sprawls around this central void, with its architecture showcasing a blend of modernity and ambition. Capture the vibrancy of city life, with lights gleaming from the windows of the towering buildings. Let the absence of the crater in the illustration be felt, creating a visual narrative that sparks curiosity about the historical catastrophe that shaped this city's unique topography.
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In this picture, we can see a vibrant view of a city in the future. The buildings in this city present futuristic designs, some reaching straight into the sky, others floating in midair, with diverse shapes, the materials look like future alloys and glass. The whole city looks high-tech and prosperous, with different future transportation tools filling the roads, including flying cars and self-driving electromagnetic rail cars. The brilliant neon lights and beams illuminate the entire city at night, adding a mysterious and busy atmosphere to the urban area. The crowd moving in there is busy and orderly. The picture's artistic style can adopt the modernism with a sense of science fiction to show the city's brilliance and dreaminess. The most suitable artists might be science fiction artists like John Berkey and Chris Foss.
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In this picture, we can see a vibrant view of a city in the future. The buildings in this city present futuristic designs, some reaching straight into the sky, others floating in midair, with diverse shapes, the materials look like future alloys and glass. The whole city looks high-tech and prosperous, with different future transportation tools filling the roads, including flying cars and self-driving electromagnetic rail cars. The brilliant neon lights and beams illuminate the entire city at night, adding a mysterious and busy atmosphere to the urban area. The crowd moving in there is busy and orderly. The picture's artistic style can adopt the modernism with a sense of science fiction to show the city's brilliance and dreaminess. The most suitable artists might be science fiction artists like John Berkey and Chris Foss.
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In this picture, we can see a vibrant view of a city in the future. The buildings in this city present futuristic designs, some reaching straight into the sky, others floating in midair, with diverse shapes, the materials look like future alloys and glass. The whole city looks high-tech and prosperous, with different future transportation tools filling the roads, including flying cars and self-driving electromagnetic rail cars. The brilliant neon lights and beams illuminate the entire city at night, adding a mysterious and busy atmosphere to the urban area. The crowd moving in there is busy and orderly. The picture's artistic style can adopt the modernism with a sense of science fiction to show the city's brilliance and dreaminess. The most suitable artists might be science fiction artists like John Berkey and Chris Foss.
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In this picture, we can see a vibrant view of a city in the future. The buildings in this city present futuristic designs, some reaching straight into the sky, others floating in midair, with diverse shapes, the materials look like future alloys and glass. The whole city looks high-tech and prosperous, with different future transportation tools filling the roads, including flying cars and self-driving electromagnetic rail cars. The brilliant neon lights and beams illuminate the entire city at night, adding a mysterious and busy atmosphere to the urban area. The crowd moving in there is busy and orderly. The picture's artistic style can adopt the modernism with a sense of science fiction to show the city's brilliance and dreaminess. The most suitable artists might be science fiction artists like John Berkey and Chris Foss.
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In a bustling cityscape straight out of a retro-futuristic dream, hovercars soar above neon-lit streets while citizens traverse on elevated walkways. The digital illustration expertly captures the essence of a bygone era's vision of the future, with towering skyscrapers featuring sleek, streamlined designs and holographic billboards illuminating the urban landscape. The fashion of the inhabitants reflects a blend of vintage silhouettes and cutting-edge technology, creating a unique aesthetic. This highly detailed and immersive piece transports viewers to a world where the past's utopian visions of the future are realized in a captivating display of retro-futurism. Ready to garner attention on platforms like artstation, this illustration invites exploration and admiration of an era that never was but remains eternally inspiring.
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In a bustling cityscape straight out of a retro-futuristic dream, hovercars soar above neon-lit streets while citizens traverse on elevated walkways. The digital illustration expertly captures the essence of a bygone era's vision of the future, with towering skyscrapers featuring sleek, streamlined designs and holographic billboards illuminating the urban landscape. The fashion of the inhabitants reflects a blend of vintage silhouettes and cutting-edge technology, creating a unique aesthetic. This highly detailed and immersive piece transports viewers to a world where the past's utopian visions of the future are realized in a captivating display of retro-futurism. Ready to garner attention on platforms like artstation, this illustration invites exploration and admiration of an era that never was but remains eternally inspiring.
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Step back into the neon-soaked streets of the 80s with \"Retro Chronicles,\" a mesmerizing underground musical odyssey encapsulated in a vinyl masterpiece. The album cover transports you to an era where vibrant hues collided with gritty urban landscapes, capturing the essence of rebellious creativity. At the forefront stands a rebellious figure, clad in eclectic 80s fashion, sporting a leather jacket adorned with rebellious patches and badges. A pair of acid-washed jeans and high-top sneakers complete the ensemble. The character exudes an air of nonconformity, mirroring the spirit of the underground scene. The backdrop is a kaleidoscope of visual stimuli. Graffiti-covered brick walls, flickering neon lights, and the dim glow of an alleyway transport you to the heart of a retro metropolis. The skyline is dominated by iconic silhouettes of 80s architecture, reminiscent of a time when bold structures defined cityscapes. The foreground is a canvas of symbols and references from the 80s and early 90s. Boomboxes, arcade cabinets, and cassette tapes are scattered like artifacts from a bygone era. A strategically placed Rubik's Cube hints at the puzzle-like nature of the eclectic sounds contained within the record. The color palette is an homage to the vibrant aesthetic of the era. Electric blues, hot pinks, and neon greens clash and harmonize, creating a visual symphony that mirrors the sonic diversity within the album. Glowing lines reminiscent of Tron and geometric shapes evoke a sense of digital futurism, a nod to the evolving technology of the time. The typography embraces the bold, exaggerated fonts that defined graphic design in the 80s. The album title, \"Retro Chronicles,\" is emblazoned across the top in dynamic, neon-lit letters, radiating energy and attitude. \"Retro Chronicles\" is not just an album; it's a visual time capsule, a portal to the rebellious spirit of the 80s underground scene, where music, fashion, and art collided to create an unforgettable cultural moment.
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Step back into the neon-soaked streets of the 80s with \"Retro Chronicles,\" a mesmerizing underground musical odyssey encapsulated in a vinyl masterpiece. The album cover transports you to an era where vibrant hues collided with gritty urban landscapes, capturing the essence of rebellious creativity. At the forefront stands a rebellious figure, clad in eclectic 80s fashion, sporting a leather jacket adorned with rebellious patches and badges. A pair of acid-washed jeans and high-top sneakers complete the ensemble. The character exudes an air of nonconformity, mirroring the spirit of the underground scene. The backdrop is a kaleidoscope of visual stimuli. Graffiti-covered brick walls, flickering neon lights, and the dim glow of an alleyway transport you to the heart of a retro metropolis. The skyline is dominated by iconic silhouettes of 80s architecture, reminiscent of a time when bold structures defined cityscapes. The foreground is a canvas of symbols and references from the 80s and early 90s. Boomboxes, arcade cabinets, and cassette tapes are scattered like artifacts from a bygone era. A strategically placed Rubik's Cube hints at the puzzle-like nature of the eclectic sounds contained within the record. The color palette is an homage to the vibrant aesthetic of the era. Electric blues, hot pinks, and neon greens clash and harmonize, creating a visual symphony that mirrors the sonic diversity within the album. Glowing lines reminiscent of Tron and geometric shapes evoke a sense of digital futurism, a nod to the evolving technology of the time. The typography embraces the bold, exaggerated fonts that defined graphic design in the 80s. The album title, \"Retro Chronicles,\" is emblazoned across the top in dynamic, neon-lit letters, radiating energy and attitude. \"Retro Chronicles\" is not just an album; it's a visual time capsule, a portal to the rebellious spirit of the 80s underground scene, where music, fashion, and art collided to create an unforgettable cultural moment.
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a futuristic metropolis, sci-fi cityscape, infrastructure, towering skyscrapers, steel and glass architecture, urban landscape, aerial perspective, sunset lighting, colorful neon signs, sci-fi lighting, Craig Mullins style, loose brushwork, environmental storytelling, John Park influences, architectural details, textured concrete, hints of nature amongst infrastructure, lone tree among buildings, golden hour ambiance, scenic digital painting, 8K resolution, cinematic digital art
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depict a night scene in an urban setting, combining cubist fragmentation of light sources with the intense emotion of expressionism
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A bustling metropolis carved into the side of a towering cliff, its spiraling skyscrapers and twisting alleyways hewn from solid granite were brought to life through a vibrant blend of pointillism and cubism in an aerial perspective captured during a gleaming sunrise that evoked feelings of awe and wonder.
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