very beautiful hopper style painting, large apartment, cult scene brigitte bardot (film le mérpis) behind a large window looking at the sea, and Michel picoli reading a newspaper sitting on a sofa, Edward Hopper and the American Hotel style with sea view
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Hopper style painting with Brigitte Bardot and Michel Piccoli (film Contempt of Godard) in a large apartment, behind a large window, Edward Hopper and the American Hotel style with sea view
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Hopper style painting with Brigitte Bardot and Michel Piccoli (film Contempt of Godard) in a large apartment, behind a large window, Edward Hopper and the American Hotel style with sea view
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Brigitte Bardot and Michel Piccoli in a large apartment, behind a large window, Edward Hopper and the American Hotel style with sea view
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Brigitte Bardot and Michel Piccoli in a large apartment, behind a large window, Edward Hopper and the American Hotel style with sea view
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hopper style painting, large house, retro style sofa, large window with sea view, Brigitte Bardot
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hopper style painting, large house, retro style sofa, large window with sea view, Brigitte Bardot
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hopper style painting, large house, 60s, large window with sea view, brigitte bardot
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Famous painting iconic scene of Brigitte Bardot film \"Le Mépris\" and Michel Picolli in an architectural style room from the 60s. Painting in the style of hopper
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painting of the cult scene on the immense roof terrace of the Villa Malaparte (film Le Mépris de Godard) facing the sea, with Brigitte Bardot and Michel Picolli with his hat in the style of Hopper's paintings
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painting large house architecture style 60s with sea view, brigitte bardot and michel picolli with hats, painting in the style of hopper
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painting large house architecture style 60s with sea view, brigitte bardot and michel picolli with hats, painting in the style of hopper
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painting large house architecture style 60s with sea view, brigitte bardot and michel picolli with hats, painting in the style of hopper
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painting large house architecture style 60s with sea view, brigitte bardot and michel picolli with hats, painting in the style of hopper
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Famous painting by Brigitte Bardot and Michel Piccoli from the film \"Le Mépris\" An iconic scene shows Bardot languid on a bed, and another shows Piccoli with his face painted in blue during an artistic sequence in the film. Painting in the style of hopper
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painting of the cult scene on the immense roof terrace of the Villa Malaparte with the stairs (film Le Mépris de Godard) facing the sea, with Brigitte Bardot and Michel Picolli with his hat in the style of Hopper's paintings
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painting cult scene at the Villa Malaparte from the film Le Mépris by Godard, around an immense sea, with Brigitte Bardot going down large stairs and Michel Picolli behind with his hat in the style of Hopper's paintings
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painting of the villa malaparte with brigitte bardot on the huge terrace from behind looking at the sea and michel picolli with his hat looking from the front in the style of hopper paintings
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painting cult scene at the Villa Malaparte from the film Le Mépris by Godard, Brigitte Bardot nude, art deco living room and Michel Picolli behind with his hat in the style of Hopper's paintings
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painting large house architectural style 60s with sea view and dune of Pyla in France, Brigitte Bardot and Michel Picolli with hats, painting in the style of Hopper
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painting of the immense roof terrace of the villa malaparte (Godard's Contempt) with brigitte bardot on the immense terrace from behind looking at the sea and michel picolli with his hat looking from the front in the style of hopper paintings
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painting brigitte bardot nude lying on a sofa, art deco style living room and michel picolli with his hat reading a newspaper, painting in the style of hopper paintings
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painting of the immense roof terrace of the villa malaparte with guardrail intact (Godard's Contempt) with brigitte bardot on the immense terrace with potted plants and a sculpture from behind looking at the sea and michel picolli with his hat looking from the front in the style of hopper paintings
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painting large house style architecture year 60 in capferret in france with view of sea and the dunes of pyla in the distance, brigitte bardot and michel picolli with hats, painting in the style of hopper
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woman in large apartment, behind large window, Edward Hopper and the American Hotel style looks at dune of the pyla
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Ghost Train Echo: A dilapidated, graffiti-covered train carriage abandoned in a sun-drenched desert, its windows reflecting shimmering mirages. Dust motes dance in shafts of sunlight piercing the grimy windows, revealing faint outlines of faded advertisements and ghostly remnants of passenger belongings. (Camera: DSLR, Lens: Wide-angle, Time: Midday, Focal: Midground,
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figurative avant garde post - morden monumental dynamic interior portrait by magritte and edward hopper, inspired by william blake and gaugin, illusion surreal art, highly conceptual figurative art, intricate detailed illustration, controversial poster art
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matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Cinematic lighting. Beautiful composition. Drone perspective
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minimal matte painting of downtown San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Low drone perspective
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minimal matte painting of downtown San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Low drone perspective
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minimal matte painting of downtown San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Drone perspective
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matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective. Cars, umbrellas, hotels
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matte painting of busy Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
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matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective. Cars, hotels, people
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matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Cinematic lighting. Beautiful composition. Subject is foreground
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minimal matte painting of busy Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
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minimal matte painting of busy Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
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minimal matte painting of busy Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
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painting in hopper style woman in large apartment, window, view of Eiffel Tower
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painting in hopper style woman in large apartment, window, view of Eiffel Tower
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painting in hopper style woman in large apartment, window, view of Eiffel Tower
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matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective.
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matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective.
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matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Lighting study. Cinematic lighting. Beautiful composition
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minimal matte painting of busy downtown San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Low drone perspective. Shadow and lightning study
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minimal matte painting of downtown broadway San Francisco, 1985 by Edward hopper, Wes Anderson. Drone perspective
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minimal matte painting of downtown broadway San Francisco, 1985 by Edward hopper, Wes Anderson. Drone perspective
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop entrance with customers. Retro lights. Isometric composition
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop entrance with customers. Retro lights. Isometric composition
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