nonesentical depiction of the void in the stle of Hieronymus Bosch
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Retro dance floor scene 1970s or 1980s fashion Party atmosphere with multiple people Surreal, disproportionate creature Vintage color palette , made by Jesse Kaminsky and Frank Kunert and alejandro jodorowsky (stereoscopic wet marble vagina and trash and stars constelation soup close up incredible, stereoscopic texture, liquid marble few crystals and flesh close up, trash, witchcraft liquid splash and hyper close up, a super desaturated close up, a desaturated texture, microscopic 3D texture, inspired on trash and transcendence, trippy but beautiful, made of stop motion textures, shadowbox textures, beautifully, delicate and just a few bones, hair, BDSM, depth of field, super close up, film shot, inspired on stereoscopic \"the garden of earthly delights\" by hieronymus bosch colors, textures and illumination , beautiful :0.9)
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Boschs triptych, \The Garden of Earthly Delights,\ unfolds a vivid narrative across its three panels. On the left, Eden emerges with God presenting Eve to Adam, depicted with intricate symbolism and controversial interpretations of lust and human nature. The lush landscape teems with exotic creatures, reflecting Boschs exposure to contemporary travel literature. In the center, the titular garden pulsates with uninhibited pleasure, featuring an array of nude figures engaging in diverse activities. The surreal scene challenges conventional depictions of paradise, exploring the interplay between innocence and corruption. The absence of children and the elderly suggests a utopian existence untouched by consequence, prompting speculation on a prelapsarian world. The right panel starkly contrasts the preceding bliss, revealing a nightmarish hellscape. Boschs innovative approach portrays hell not as a fantastical realm but as a twisted reflection of earthly vices. Tormented figures face gruesome punishments corresponding to the seven deadly sins. Symbolism, such as the \Prince of Hell\ with a debased crown, underscores the moralistic tone. Scenes of brutal violence and moral transgressions, like the seductive pig with legal documents, serve as cautionary tales. Through intricate details, Bosch weaves a complex narrative addressing the human condition, morality, and the consequences of indulgence. Each panel contributes to a profound exploration of the eternal struggle between temptation and salvation, making \The Garden of Earthly Delights\ a masterpiece that continues to captivate and perplex observers.
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Boschs triptych, \The Garden of Earthly Delights,\ unfolds a vivid narrative across its three panels. On the left, Eden emerges with God presenting Eve to Adam, depicted with intricate symbolism and controversial interpretations of lust and human nature. The lush landscape teems with exotic creatures, reflecting Boschs exposure to contemporary travel literature. In the center, the titular garden pulsates with uninhibited pleasure, featuring an array of nude figures engaging in diverse activities. The surreal scene challenges conventional depictions of paradise, exploring the interplay between innocence and corruption. The absence of children and the elderly suggests a utopian existence untouched by consequence, prompting speculation on a prelapsarian world. The right panel starkly contrasts the preceding bliss, revealing a nightmarish hellscape. Boschs innovative approach portrays hell not as a fantastical realm but as a twisted reflection of earthly vices. Tormented figures face gruesome punishments corresponding to the seven deadly sins. Symbolism, such as the \Prince of Hell\ with a debased crown, underscores the moralistic tone. Scenes of brutal violence and moral transgressions, like the seductive pig with legal documents, serve as cautionary tales. Through intricate details, Bosch weaves a complex narrative addressing the human condition, morality, and the consequences of indulgence. Each panel contributes to a profound exploration of the eternal struggle between temptation and salvation, making \The Garden of Earthly Delights\ a masterpiece that continues to captivate and perplex observers.
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Boschs triptych, \The Garden of Earthly Delights,\ unfolds a vivid narrative across its three panels. On the left, Eden emerges with God presenting Eve to Adam, depicted with intricate symbolism and controversial interpretations of lust and human nature. The lush landscape teems with exotic creatures, reflecting Boschs exposure to contemporary travel literature. In the center, the titular garden pulsates with uninhibited pleasure, featuring an array of nude figures engaging in diverse activities. The surreal scene challenges conventional depictions of paradise, exploring the interplay between innocence and corruption. The absence of children and the elderly suggests a utopian existence untouched by consequence, prompting speculation on a prelapsarian world. The right panel starkly contrasts the preceding bliss, revealing a nightmarish hellscape. Boschs innovative approach portrays hell not as a fantastical realm but as a twisted reflection of earthly vices. Tormented figures face gruesome punishments corresponding to the seven deadly sins. Symbolism, such as the \Prince of Hell\ with a debased crown, underscores the moralistic tone. Scenes of brutal violence and moral transgressions, like the seductive pig with legal documents, serve as cautionary tales. Through intricate details, Bosch weaves a complex narrative addressing the human condition, morality, and the consequences of indulgence. Each panel contributes to a profound exploration of the eternal struggle between temptation and salvation, making \The Garden of Earthly Delights\ a masterpiece that continues to captivate and perplex observers.
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Boschs triptych, \The Garden of Earthly Delights,\ unfolds a vivid narrative across its three panels. On the left, Eden emerges with God presenting Eve to Adam, depicted with intricate symbolism and controversial interpretations of lust and human nature. The lush landscape teems with exotic creatures, reflecting Boschs exposure to contemporary travel literature. In the center, the titular garden pulsates with uninhibited pleasure, featuring an array of nude figures engaging in diverse activities. The surreal scene challenges conventional depictions of paradise, exploring the interplay between innocence and corruption. The absence of children and the elderly suggests a utopian existence untouched by consequence, prompting speculation on a prelapsarian world. The right panel starkly contrasts the preceding bliss, revealing a nightmarish hellscape. Boschs innovative approach portrays hell not as a fantastical realm but as a twisted reflection of earthly vices. Tormented figures face gruesome punishments corresponding to the seven deadly sins. Symbolism, such as the \Prince of Hell\ with a debased crown, underscores the moralistic tone. Scenes of brutal violence and moral transgressions, like the seductive pig with legal documents, serve as cautionary tales. Through intricate details, Bosch weaves a complex narrative addressing the human condition, morality, and the consequences of indulgence. Each panel contributes to a profound exploration of the eternal struggle between temptation and salvation, making \The Garden of Earthly Delights\ a masterpiece that continues to captivate and perplex observers.
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Abstract non human contemporary sculpture close up made of liquid splash and trash and flesh and darkweb and crystals shadowbox close up stopmotion claywork made by Hyeronumus Bosh illumination slow motion rare colors bodyparts Hieronymus Boschs sculptures and \H.R. Giger\ and Arai Ryo and \Zdzisław Beksiński\ and \Heide Hatry\ and \Giovanni Da Modena\ and \Otto Dix\ and \Frederik Ruysch\ and \Chris Mars\ and hyper zoom-ins with Hieronymus Bosch-style color illumination and Monica Pilon and Olivier de Sagazan and Lisa Clague and Guy Bourdin and David LaChapelle and Tim Walker and Oleg Oprisco and Miles Aldridge and Jesse Kanda and Gianluca Gambino and Raymond Douillet and Remedios Varo and Ernst Steiner.
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Abstract non human contemporary sculpture close up made of liquid splash and trash and flesh and darkweb and crystals shadowbox close up stopmotion claywork made by Hyeronumus Bosh illumination slow motion rare colors bodyparts Hieronymus Boschs sculptures and \H.R. Giger\ and Arai Ryo and \Zdzisław Beksiński\ and \Heide Hatry\ and \Giovanni Da Modena\ and \Otto Dix\ and \Frederik Ruysch\ and \Chris Mars\ and hyper zoom-ins with Hieronymus Bosch-style color illumination and Monica Pilon and Olivier de Sagazan and Lisa Clague and Guy Bourdin and David LaChapelle and Tim Walker and Oleg Oprisco and Miles Aldridge and Jesse Kanda and Gianluca Gambino and Raymond Douillet and Remedios Varo and Ernst Steiner.
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horror art version for illustration: The Garden of Earthly Delights, detail from the Hell Panel - Hieronymus Bosch, c.1505.
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horror art illustration influenced by The Garden of Earthly Delights, detail from the Hell Panel - Hieronymus Bosch, c.1505
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horror art illustration influenced by The Garden of Earthly Delights, detail from the Hell Panel - Hieronymus Bosch, c.1505
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high quality, highly detailed, Imagine a dreamlike scene blending the swirling cosmic colors of Vincent van Gogh's Starry Night with the surreal celestial precision of Salvador Dalí. In this cosmic dance, celestial bodies echo Turner's atmospheric touch, blurring the line between reality and fantasy, In the foreground, a fantastical creature takes center stage, blending the whimsy of Hieronymus Bosch's beings with the organic flow of Alphonse Mucha's art nouveau lines. Elements of H.R. Giger's biomechanical aesthetic add an otherworldly touch, by yukisakura, awesome full color,, Mysterious, Ancient Egypt, Gamercore, DSLR, Redshift rendering, Faded, Sculpture, colours are muted colors, Halloween, magic sparkles lighting, 64-bit --ar 9:16
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high quality, highly detailed, Imagine a dreamlike scene blending the swirling cosmic colors of Vincent van Gogh's Starry Night with the surreal celestial precision of Salvador Dalí. In this cosmic dance, celestial bodies echo Turner's atmospheric touch, blurring the line between reality and fantasy, In the foreground, a fantastical creature takes center stage, blending the whimsy of Hieronymus Bosch's beings with the organic flow of Alphonse Mucha's art nouveau lines. Elements of H.R. Giger's biomechanical aesthetic add an otherworldly touch, by yukisakura, awesome full color,, Harmonious, Christmas, illustration, long shot, Cinema4D rendering, Sharp, tiles, brown colors, Hackercore, glow in the dark lighting, Super detailed, photorealistic materials, interior design, V-Ray render, 4k --ar 9:16
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(Abstract:3.5) non human contemporary sculpture close up made of liquid splash and trash and flesh and darkweb and crystals shadowbox close up stopmotion claywork made by Hyeronumus Bosh illumination slow motion rare colors bodyparts Hieronymus Boschs sculptures and \H.R. Giger\ and Arai Ryo and \Zdzisław Beksiński\ and \Heide Hatry\ and \Giovanni Da Modena\ and \Otto Dix\ and \Frederik Ruysch\ and \Chris Mars\ and hyper zoom-ins with Hieronymus Bosch-style color illumination and Monica Pilon and Olivier de Sagazan and Lisa Clague and Guy Bourdin and David LaChapelle and Tim Walker and Oleg Oprisco and Miles Aldridge and Jesse Kanda and Gianluca Gambino and Raymond Douillet and Remedios Varo and Ernst Steiner. Bryce 3D, light white and light blue, made of imitation material, soft Dynamic curves, intricate details, subtle color gradients, Unreal Engine, Film, Color Gradient Photoqraphy, 8K-ar 2:3
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the court of azathoth, azathoth, Cthulhu, Shub Niggurath, the king in yellow, by Hieronymus Bosch
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azathoth, schizoid acid fueled chaos magic, surrealism is above all a state of mind, by Van Gogh and Hieronymus Bosch
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azathoth, schizoid acid fueled chaos magic, surrealism is above all a state of mind, by Van Gogh and Hieronymus Bosch
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azathoth, schizoid acid fueled chaos magic, surrealism is above all a state of mind, by Van Gogh and Hieronymus Bosch
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azathoth, schizoid acid fueled chaos magic, surrealism is above all a state of mind, by Van Gogh and Hieronymus Bosch
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azathoth, schizoid acid fueled chaos magic, surrealism is above all a state of mind, by Van Gogh and Hieronymus Bosch
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azathoth, schizoid acid fueled chaos magic, surrealism is above all a state of mind, by Van Gogh and Hieronymus Bosch
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high quality, highly detailed, Imagine a dreamlike portrait of a fantastical woman, merging the cosmic colors inspired by Vincent van Gogh's Starry Night with the surreal celestial precision reminiscent of Salvador Dalí, In this celestial dance, celestial bodies mirror Turner's atmospheric touch, blurring the boundary between reality and fantasy, Stepping into the foreground is an enchanting figure, embodying the whimsical essence of Hieronymus Bosch's beings and the organic grace found in Alphonse Mucha's art nouveau lines, Infusing an otherworldly aura, elements inspired by H.R. Giger's biomechanical aesthetic seamlessly integrate, creating a mesmerizing synthesis of fantasy and realism, by yukisakura, high detailed,
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