nonesentical depiction of the void in the stle of Hieronymus Bosch
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Boschs triptych, \The Garden of Earthly Delights,\ unfolds a vivid narrative across its three panels. On the left, Eden emerges with God presenting Eve to Adam, depicted with intricate symbolism and controversial interpretations of lust and human nature. The lush landscape teems with exotic creatures, reflecting Boschs exposure to contemporary travel literature. In the center, the titular garden pulsates with uninhibited pleasure, featuring an array of nude figures engaging in diverse activities. The surreal scene challenges conventional depictions of paradise, exploring the interplay between innocence and corruption. The absence of children and the elderly suggests a utopian existence untouched by consequence, prompting speculation on a prelapsarian world. The right panel starkly contrasts the preceding bliss, revealing a nightmarish hellscape. Boschs innovative approach portrays hell not as a fantastical realm but as a twisted reflection of earthly vices. Tormented figures face gruesome punishments corresponding to the seven deadly sins. Symbolism, such as the \Prince of Hell\ with a debased crown, underscores the moralistic tone. Scenes of brutal violence and moral transgressions, like the seductive pig with legal documents, serve as cautionary tales. Through intricate details, Bosch weaves a complex narrative addressing the human condition, morality, and the consequences of indulgence. Each panel contributes to a profound exploration of the eternal struggle between temptation and salvation, making \The Garden of Earthly Delights\ a masterpiece that continues to captivate and perplex observers.
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Boschs triptych, \The Garden of Earthly Delights,\ unfolds a vivid narrative across its three panels. On the left, Eden emerges with God presenting Eve to Adam, depicted with intricate symbolism and controversial interpretations of lust and human nature. The lush landscape teems with exotic creatures, reflecting Boschs exposure to contemporary travel literature. In the center, the titular garden pulsates with uninhibited pleasure, featuring an array of nude figures engaging in diverse activities. The surreal scene challenges conventional depictions of paradise, exploring the interplay between innocence and corruption. The absence of children and the elderly suggests a utopian existence untouched by consequence, prompting speculation on a prelapsarian world. The right panel starkly contrasts the preceding bliss, revealing a nightmarish hellscape. Boschs innovative approach portrays hell not as a fantastical realm but as a twisted reflection of earthly vices. Tormented figures face gruesome punishments corresponding to the seven deadly sins. Symbolism, such as the \Prince of Hell\ with a debased crown, underscores the moralistic tone. Scenes of brutal violence and moral transgressions, like the seductive pig with legal documents, serve as cautionary tales. Through intricate details, Bosch weaves a complex narrative addressing the human condition, morality, and the consequences of indulgence. Each panel contributes to a profound exploration of the eternal struggle between temptation and salvation, making \The Garden of Earthly Delights\ a masterpiece that continues to captivate and perplex observers.
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Boschs triptych, \The Garden of Earthly Delights,\ unfolds a vivid narrative across its three panels. On the left, Eden emerges with God presenting Eve to Adam, depicted with intricate symbolism and controversial interpretations of lust and human nature. The lush landscape teems with exotic creatures, reflecting Boschs exposure to contemporary travel literature. In the center, the titular garden pulsates with uninhibited pleasure, featuring an array of nude figures engaging in diverse activities. The surreal scene challenges conventional depictions of paradise, exploring the interplay between innocence and corruption. The absence of children and the elderly suggests a utopian existence untouched by consequence, prompting speculation on a prelapsarian world. The right panel starkly contrasts the preceding bliss, revealing a nightmarish hellscape. Boschs innovative approach portrays hell not as a fantastical realm but as a twisted reflection of earthly vices. Tormented figures face gruesome punishments corresponding to the seven deadly sins. Symbolism, such as the \Prince of Hell\ with a debased crown, underscores the moralistic tone. Scenes of brutal violence and moral transgressions, like the seductive pig with legal documents, serve as cautionary tales. Through intricate details, Bosch weaves a complex narrative addressing the human condition, morality, and the consequences of indulgence. Each panel contributes to a profound exploration of the eternal struggle between temptation and salvation, making \The Garden of Earthly Delights\ a masterpiece that continues to captivate and perplex observers.
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Boschs triptych, \The Garden of Earthly Delights,\ unfolds a vivid narrative across its three panels. On the left, Eden emerges with God presenting Eve to Adam, depicted with intricate symbolism and controversial interpretations of lust and human nature. The lush landscape teems with exotic creatures, reflecting Boschs exposure to contemporary travel literature. In the center, the titular garden pulsates with uninhibited pleasure, featuring an array of nude figures engaging in diverse activities. The surreal scene challenges conventional depictions of paradise, exploring the interplay between innocence and corruption. The absence of children and the elderly suggests a utopian existence untouched by consequence, prompting speculation on a prelapsarian world. The right panel starkly contrasts the preceding bliss, revealing a nightmarish hellscape. Boschs innovative approach portrays hell not as a fantastical realm but as a twisted reflection of earthly vices. Tormented figures face gruesome punishments corresponding to the seven deadly sins. Symbolism, such as the \Prince of Hell\ with a debased crown, underscores the moralistic tone. Scenes of brutal violence and moral transgressions, like the seductive pig with legal documents, serve as cautionary tales. Through intricate details, Bosch weaves a complex narrative addressing the human condition, morality, and the consequences of indulgence. Each panel contributes to a profound exploration of the eternal struggle between temptation and salvation, making \The Garden of Earthly Delights\ a masterpiece that continues to captivate and perplex observers.
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Abstract non human contemporary sculpture close up made of liquid splash and trash and flesh and darkweb and crystals shadowbox close up stopmotion claywork made by Hyeronumus Bosh illumination slow motion rare colors bodyparts Hieronymus Boschs sculptures and \H.R. Giger\ and Arai Ryo and \Zdzisław Beksiński\ and \Heide Hatry\ and \Giovanni Da Modena\ and \Otto Dix\ and \Frederik Ruysch\ and \Chris Mars\ and hyper zoom-ins with Hieronymus Bosch-style color illumination and Monica Pilon and Olivier de Sagazan and Lisa Clague and Guy Bourdin and David LaChapelle and Tim Walker and Oleg Oprisco and Miles Aldridge and Jesse Kanda and Gianluca Gambino and Raymond Douillet and Remedios Varo and Ernst Steiner.
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Abstract non human contemporary sculpture close up made of liquid splash and trash and flesh and darkweb and crystals shadowbox close up stopmotion claywork made by Hyeronumus Bosh illumination slow motion rare colors bodyparts Hieronymus Boschs sculptures and \H.R. Giger\ and Arai Ryo and \Zdzisław Beksiński\ and \Heide Hatry\ and \Giovanni Da Modena\ and \Otto Dix\ and \Frederik Ruysch\ and \Chris Mars\ and hyper zoom-ins with Hieronymus Bosch-style color illumination and Monica Pilon and Olivier de Sagazan and Lisa Clague and Guy Bourdin and David LaChapelle and Tim Walker and Oleg Oprisco and Miles Aldridge and Jesse Kanda and Gianluca Gambino and Raymond Douillet and Remedios Varo and Ernst Steiner.
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Retro dance floor scene 1970s or 1980s fashion Party atmosphere with multiple people Surreal, disproportionate creature Vintage color palette , made by Jesse Kaminsky and Frank Kunert and alejandro jodorowsky (stereoscopic wet marble vagina and trash and stars constelation soup close up incredible, stereoscopic texture, liquid marble few crystals and flesh close up, trash, witchcraft liquid splash and hyper close up, a super desaturated close up, a desaturated texture, microscopic 3D texture, inspired on trash and transcendence, trippy but beautiful, made of stop motion textures, shadowbox textures, beautifully, delicate and just a few bones, hair, BDSM, depth of field, super close up, film shot, inspired on stereoscopic \"the garden of earthly delights\" by hieronymus bosch colors, textures and illumination , beautiful :0.9)
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horror art version for illustration: The Garden of Earthly Delights, detail from the Hell Panel - Hieronymus Bosch, c.1505.
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(Abstract:3.5) non human contemporary sculpture close up made of liquid splash and trash and flesh and darkweb and crystals shadowbox close up stopmotion claywork made by Hyeronumus Bosh illumination slow motion rare colors bodyparts Hieronymus Boschs sculptures and \H.R. Giger\ and Arai Ryo and \Zdzisław Beksiński\ and \Heide Hatry\ and \Giovanni Da Modena\ and \Otto Dix\ and \Frederik Ruysch\ and \Chris Mars\ and hyper zoom-ins with Hieronymus Bosch-style color illumination and Monica Pilon and Olivier de Sagazan and Lisa Clague and Guy Bourdin and David LaChapelle and Tim Walker and Oleg Oprisco and Miles Aldridge and Jesse Kanda and Gianluca Gambino and Raymond Douillet and Remedios Varo and Ernst Steiner. Bryce 3D, light white and light blue, made of imitation material, soft Dynamic curves, intricate details, subtle color gradients, Unreal Engine, Film, Color Gradient Photoqraphy, 8K-ar 2:3
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horror art illustration influenced by The Garden of Earthly Delights, detail from the Hell Panel - Hieronymus Bosch, c.1505
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horror art illustration influenced by The Garden of Earthly Delights, detail from the Hell Panel - Hieronymus Bosch, c.1505
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the court of azathoth, azathoth, Cthulhu, Shub Niggurath, the king in yellow, by Hieronymus Bosch
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A haunting oil painting depicting demons animating ancient marionettes in a fog-laden abyss, backlit by a ghostly, greenish glow. Each marionette bears sinister, uncanny modifications, hinting at their malevolent puppeteers. The desolate, moon-like landscape of the abyss sets a chilling stage. This artwork fuses Hieronymus Bosch's grotesque details with Francisco Goya's shadowy depth, emphasizing a palette of somber blues and grays, eerie textures, and a pervasive aura of dread.
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A haunting oil painting depicting demons animating ancient marionettes in a fog-laden abyss, backlit by a ghostly, greenish glow. Each marionette bears sinister, uncanny modifications, hinting at their malevolent puppeteers. The desolate, moon-like landscape of the abyss sets a chilling stage. This artwork fuses Hieronymus Bosch's grotesque details with Francisco Goya's shadowy depth, emphasizing a palette of somber blues and grays, eerie textures, and a pervasive aura of dread.
1 of 2
A haunting oil painting depicting demons animating ancient marionettes in a fog-laden abyss, backlit by a ghostly, greenish glow. Each marionette bears sinister, uncanny modifications, hinting at their malevolent puppeteers. The desolate, moon-like landscape of the abyss sets a chilling stage. This artwork fuses Hieronymus Bosch's grotesque details with Francisco Goya's shadowy depth, emphasizing a palette of somber blues and grays, eerie textures, and a pervasive aura of dread.
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the door to nothingness, whimsical oil painting, philosophy, statue in a huge wide desert landscape, a few mountains in the distance, ornaments like Elephants or Rhinos in the sand, one dried out tree, intricate details, mix by Beksinsky and Androind Jones, by Hieronymus Bosch, sonly one green tree, surreal stones, morning light, morning sun, damped colors only warmed by the sunlight, in the style of Salvador Dali and Beskinsky combined
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Surreal, visual art, chaos:2,( hand grasping a rose inside, a womans mouth inside an eggshell), rope, twisted lines, dark tones, oil painting style,by Hieronymus Bosch,Jarek Kubicki,
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Surreal, visual art, chaos:2,( hand grasping a rose inside, a womans mouth inside an eggshell), rope, twisted lines, dark tones, oil painting style,by Hieronymus Bosch,Jarek Kubicki,
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Surreal, visual art, chaos:2,( hand grasping a rose inside, a womans mouth inside an eggshell), rope, twisted lines, dark tones, oil painting style,by Hieronymus Bosch,Jarek Kubicki,
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abstract product photography, Abstract contemporary sculpture close up, made of liquid splash and trash and flesh and darkweb and crystals, shadowbox close up stopmotion claywork, made by hyeronumus bosh illumination, slow motion, rare colors, bodyparts, Hieronymus Boschs sculptures and \H.R. Giger,\ Arai Ryo, \Zdzisław Beksiński,\ \Heide Hatry,\ \Giovanni Da Modena,\ \Otto Dix,\ \Frederik Ruysch,\ \Chris Mars,\ and hyper zoom-ins with Hieronymus Bosch-style color illumination, Monica Pilon, Olivier de Sagazan, Lisa Clague, Guy Bourdin, David LaChapelle, Tim Walker, Oleg Oprisco, Miles Aldridge, Jesse Kanda, Gianluca Gambino, Raymond Douillet, Remedios Varo, and Ernst Steiner.
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Retro initiation ritual empty scene 1970s or 1980s fashion Party atmosphere with multiple people Surreal, disproportionate creature Vintage color palette , made by Jesse Kaminsky and Frank Kunert and alejandro jodorowsky and Christian Rex van Minnen and (stereoscopic wet marble vagina and trash and stars constelation soup close up incredible, stereoscopic texture, liquid marble few crystals and flesh close up, trash, witchcraft liquid splash and hyper close up, a super desaturated close up, a desaturated texture, microscopic 3D texture, inspired on trash and transcendence, trippy but beautiful, made of stop motion textures, shadowbox textures, beautifully, delicate and just a few bones, hair, BDSM, depth of field, super close up, film shot, inspired on stereoscopic \the garden of earthly delights\ by hieronymus bosch colors, textures and illumination , beautiful :0.9)\free thinker\ liminal allegoric initiation sculpture temple \secret retro NASA trash industrial design \ retrofuturistic sexy shadowbox space odessey extreme close up,, weird and trashgang, made by \paul laffoley\ and \Madeline von Foerster\ and \wes anderson\ and \tarkovsky\ and \Jan van Eyck\ , extreme close up shadowbox texture, diorama texture, dirty sexy machine
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(Abstract:2.1) product photography, Abstract contemporary sculpture close up, made of liquid splash and trash and flesh and darkweb and crystals, shadowbox close up stopmotion claywork, made by hyeronumus bosh illumination, slow motion, rare colors, bodyparts, Hieronymus Boschs sculptures and \H.R. Giger,\ Arai Ryo, \Zdzisław Beksiński,\ \Heide Hatry,\ \Giovanni Da Modena,\ \Otto Dix,\ \Frederik Ruysch,\ \Chris Mars,\ and hyper zoom-ins with Hieronymus Bosch-style color illumination, Monica Pilon, Olivier de Sagazan, Lisa Clague, Guy Bourdin, David LaChapelle, Tim Walker, Oleg Oprisco, Miles Aldridge, Jesse Kanda, Gianluca Gambino, Raymond Douillet, Remedios Varo, and Ernst Steiner.
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Abstract contemporary sculpture close up, made of liquid splash and trash and flesh and darkweb and crystals, shadowbox close up stopmotion claywork, made by hyeronumus bosh illumination, slow motion, rare colors, bodyparts, Hieronymus Boschs sculptures and \H.R. Giger,\ Arai Ryo, \Zdzisław Beksiński,\ \Heide Hatry,\ \Giovanni Da Modena,\ \Otto Dix,\ \Frederik Ruysch,\ \Chris Mars,\ and hyper zoom-ins with Hieronymus Bosch-style color illumination, Monica Pilon, Olivier de Sagazan, Lisa Clague, Guy Bourdin, David LaChapelle, Tim Walker, Oleg Oprisco, Miles Aldridge, Jesse Kanda, Gianluca Gambino, Raymond Douillet, Remedios Varo, and Ernst Steiner.
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Abstract contemporary sculpture close up, made of liquid splash and trash and flesh and darkweb and crystals, shadowbox close up stopmotion claywork, made by hyeronumus bosh illumination, slow motion, rare colors, bodyparts, Hieronymus Boschs sculptures and \H.R. Giger,\ Arai Ryo, \Zdzisław Beksiński,\ \Heide Hatry,\ \Giovanni Da Modena,\ \Otto Dix,\ \Frederik Ruysch,\ \Chris Mars,\ and others. The artwork showcases hyper zoom-ins with Hieronymus Bosch-style color illumination, along with the unique artistic expressions of Monica Pilon, Olivier de Sagazan, Lisa Clague, Guy Bourdin, David LaChapelle, Tim Walker, Oleg Oprisco, Miles Aldridge, Jesse Kanda, Gianluca Gambino, Raymond Douillet, Remedios Varo, and Ernst Steiner.
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abstract product photography, Abstract contemporary abstract sculpture close up, made of liquid splash and trash and flesh and darkweb and crystals, shadowbox close up stopmotion claywork, made by hyeronumus bosh illumination, slow motion, rare colors, bodyparts, Hieronymus Boschs sculptures and \H.R. Giger,\ Arai Ryo, \Zdzisław Beksiński,\ \Heide Hatry,\ \Giovanni Da Modena,\ \Otto Dix,\ \Frederik Ruysch,\ \Chris Mars,\ and hyper zoom-in with Hieronymus Bosch-style color illumination, Monica Pilon, Olivier de Sagazan, Lisa Clague, Guy Bourdin, David LaChapelle, Tim Walker, Oleg Oprisco, Miles Aldridge, Jesse Kanda, Gianluca Gambino, Raymond Douillet, Remedios Varo, and Ernst Steiner.
1 of 2
Retro initiation ritual scene 1970s or 1980s fashion Party atmosphere with multiple people Surreal, disproportionate creature Vintage color palette , made by Jesse Kaminsky and Frank Kunert and alejandro jodorowsky and Christian Rex van Minnen and (stereoscopic wet marble vagina and trash and stars constelation soup close up incredible, stereoscopic texture, liquid marble few crystals and flesh close up, trash, witchcraft liquid splash and hyper close up, a super desaturated close up, a desaturated texture, microscopic 3D texture, inspired on trash and transcendence, trippy but beautiful, made of stop motion textures, shadowbox textures, beautifully, delicate and just a few bones, hair, BDSM, depth of field, super close up, film shot, inspired on stereoscopic \"the garden of earthly delights\" by hieronymus bosch colors, textures and illumination , beautiful :0.9)
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