Christchurch, New Zealand in the style of Edward Hopper. Paint by numbers
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a small town in South Island, New Zealand, 1995. By Edward Hopper.
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a small town in South Island, New Zealand, 1995. By Edward Hopper.
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a painting of an engrosed boy playing games on a pentium 75mhz comptuer, in Christchurch, New Zealand, 1995. Light streams in from a skylight. By Edward Hopper
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a local bar in small town in South Island, New Zealand, 1995. By Edward Hopper.
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a painting of a milk delivery boy working on milk truck ready to deliver, in Christchurch, New Zealand, 2000. By Edward Hopper.
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a painting of a milk delivery boy hanging off the milk truck ready to deliver, in Christchurch, New Zealand, 2000. By Edward Hopper.
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inside a local bar, South Island, New Zealand, 1985. By Edward Hopper.
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a painting of an engrosed boy playing games on a beige pentium 75mhz comptuer with CRT monitor, in Christchurch, New Zealand, 1995. Light streams in from a skylight above. By Edward Hopper. Cinematic lighting.
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a local rugby club, South Island, New Zealand, 1985. By Edward Hopper.
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a painting of an engrosed boy playing games on a beige pentium 75mhz comptuer with CRT monitor with MS DOS, in Christchurch, New Zealand, 1995. Light streams in from a skylight above. By Edward Hopper. Cinematic lighting.
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a painting of an engrosed boy playing games on a beige pentium 75mhz comptuer with CRT monitor with MS DOS, in Christchurch, New Zealand, 1995. Light streams in from a skylight above. By Edward Hopper. Cinematic lighting.
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Consider incorporating elements of urban life, technology, or cultural diversity to capture the spirit of the present moment in a visually striking composition. Damien Hirst spinning paint style
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minimal matte painting of busy Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
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minimal matte painting of busy Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
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minimal matte painting of busy Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
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minimal matte painting of downtown San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Low drone perspective
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minimal matte painting of downtown San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Low drone perspective
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minimal matte painting of downtown San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Drone perspective
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minimal matte painting of busy downtown San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Low drone perspective. Shadow and lightning study
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matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective. Cars, umbrellas, hotels
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matte painting of busy Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
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matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective. Cars, hotels, people
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matte painting of busy raining Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
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matte painting of busy raining Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.
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Ghost Train Echo: A dilapidated, graffiti-covered train carriage abandoned in a sun-drenched desert, its windows reflecting shimmering mirages. Dust motes dance in shafts of sunlight piercing the grimy windows, revealing faint outlines of faded advertisements and ghostly remnants of passenger belongings. (Camera: DSLR, Lens: Wide-angle, Time: Midday, Focal: Midground,
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matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Cinematic lighting. Beautiful composition. Drone perspective
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minimal matte painting of downtown broadway San Francisco, 1985 by Edward hopper, Wes Anderson. Drone perspective
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minimal matte painting of downtown broadway San Francisco, 1985 by Edward hopper, Wes Anderson. Drone perspective
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matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective.
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matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective.
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Cyberpunk
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Cyberpunk
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matte painting of busy, heavy raining, San Francisco architecture, set 1985. by Edward hopper, Wes Anderson. See into buildings with lights on. High drone perspective. Cars, hotels, people. Car and street lights. Shop signs. Retro lights. Isometric composition
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