blue Subaru WRC rally car, wet, muddy, New Zealand, 1995. By Edward Hopper.
blue Subaru WRC rally car, wet, muddy, New Zealand, 1995. Oil painting By Edward Hopper.
blue Subaru WRC rally car, wet, muddy, New Zealand, 1995. Oil painting By Edward Hopper.
blue Subaru WRC rally car, wet, muddy, New Zealand, 1995. Oil painting By Edward Hopper.
a local bar in small town in South Island, New Zealand, 1995. By Edward Hopper.
a painting of a milk delivery boy working on milk truck ready to deliver, in Christchurch, New Zealand, 2000. By Edward Hopper.
a local rugby club, South Island, New Zealand, 1985. By Edward Hopper.
a painting of a milk delivery boy hanging off the milk truck ready to deliver, in Christchurch, New Zealand, 2000. By Edward Hopper.
inside a local bar, South Island, New Zealand, 1985. By Edward Hopper.
a painting of an engrosed boy playing games on a pentium 75mhz comptuer, in Christchurch, New Zealand, 1995. Light streams in from a skylight. By Edward Hopper
Christchurch, New Zealand in the style of Edward Hopper. Paint by numbers
Ghost Train Echo: A dilapidated, graffiti-covered train carriage abandoned in a sun-drenched desert, its windows reflecting shimmering mirages. Dust motes dance in shafts of sunlight piercing the grimy windows, revealing faint outlines of faded advertisements and ghostly remnants of passenger belongings. (Camera: DSLR, Lens: Wide-angle, Time: Midday, Focal: Midground,
a painting of an engrosed boy playing games on a beige pentium 75mhz comptuer with CRT monitor, in Christchurch, New Zealand, 1995. Light streams in from a skylight above. By Edward Hopper. Cinematic lighting.
a painting of an engrosed boy playing games on a beige pentium 75mhz comptuer with CRT monitor with MS DOS, in Christchurch, New Zealand, 1995. Light streams in from a skylight above. By Edward Hopper. Cinematic lighting.
a painting of an engrosed boy playing games on a beige pentium 75mhz comptuer with CRT monitor with MS DOS, in Christchurch, New Zealand, 1995. Light streams in from a skylight above. By Edward Hopper. Cinematic lighting.
matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Cinematic lighting. Beautiful composition. Drone perspective
very beautiful hopper style painting, large apartment, cult scene brigitte bardot (film le mérpis) behind a large window looking at the sea, and Michel picoli reading a newspaper sitting on a sofa, Edward Hopper and the American Hotel style with sea view
matte painting of downtown broadway San Francisco, 1998 by Edward hopper, Wes Anderson. Cinematic lighting. Beautiful composition. Subject is foreground
I am a picture book writer, and I want to make a picture book on the theme of the deformed future traffic. The picture book is that in the future city, cars can not only drive on the road, but also be turned into aircraft. The protagonist may be a family, through their flying cars, explore the citys high-rise buildings, flying through the clouds of the wonderful landscape. The picture on the first page shows a beautiful flying car parked on the street of the future city, and the protagonists family is sitting excitedly in the car.
I am a picture book writer, and I want to make a picture book on the theme of the deformed future traffic. The picture book is that in the future city, cars can not only drive on the road, but also be turned into aircraft. The protagonist may be a family, through their flying cars, explore the citys high-rise buildings, flying through the clouds of the wonderful landscape. The picture on the first page shows a beautiful flying car parked on the street of the future city, and the protagonists family is sitting excitedly in the car.
minimal matte painting of downtown broadway San Francisco, 1985 by Edward hopper, Wes Anderson. Drone perspective
minimal matte painting of downtown broadway San Francisco, 1985 by Edward hopper, Wes Anderson. Drone perspective
photo from the inside of a car with an open worn paper map. Open empty road. Car from the 80's, hyperrealistic, analog film, first person view, beautiful landscape, detailed rich car interior, colourful rich map, polaroid shot
matte painting of busy, raining San Francisco architecture, 1985 by Edward hopper, Wes Anderson. You can see into buildings with lights on. Mid drone perspective. Cars, umbrellas, hotels
photo from the inside of a car with an open paper map. Open empty road. Car from the 80's, hyperrealistic, analog film, first person view, beautiful landscape, detailed rich car interior, worn out map
matte painting of busy Nob Hill, San Francisco architecture, 1985 by Edward hopper, Wes Anderson. Mid drone perspective.