when you see the light hopefully it’s not a train


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a light from a car in the darkness shaped like a heart

A dark day, scary atmosphere, there is a train in the dark, very scary atmosphere.

Ultra HD picture quality, late at night, there is hazy moonlight in the sky, shining on a 24-year-old Chinese girl, the girl is wearing a white jumper, coffee-coloured trousers, black shoes, sleeping in the middle of the grassland, next to the girl there are wolves, tigers, leopards, hyenas, lions looking at her fiercely, the girl is sleeping very well. The picture is scary and worrying to look at. The light is soft.

Ultra HD picture quality, late at night, there is hazy moonlight in the sky, shining on a 24-year-old Chinese girl, the girl is wearing a white jumper, coffee-coloured trousers, black shoes, sleeping in the middle of the grassland, next to the girl there are wolves, tigers, leopards, hyenas, lions looking at her fiercely, the girl is sleeping very well. The picture is scary and worrying to look at. The light is soft.

A dark day, a scary atmosphere, there is a train in the dark, and there is a scary face in the train window, very scary.

A Watch Art Display Swiss town street in the background Decoration Theme: Chrome Break New Path Product pricing light luxury Client Groups: young - middle-aged, have a certain spending power, the elite group of young society Elements: pattern according to the road stones, drule, street, trail Product Features: egg-shaped, sapphire mirror; retro reference color scheme: the red light under the dim light

a ray of light from the sky

Ultra HD picture quality, late at night, there is hazy moonlight in the sky, shining on a 24-year-old Chinese girl, the girl is wearing a white jumper, coffee-coloured trousers, black shoes, sleeping in the middle of the grassland, next to the girl there are wolves, tigers, leopards, hyenas, lions looking at her fiercely, the girl is sleeping very well. The picture is scary and worrying to look at. The light is very soft.

Ultra HD picture quality, late at night, there is hazy moonlight in the sky, shining on a 24-year-old Chinese girl, the girl is wearing a white jumper, coffee-coloured trousers, black shoes, sleeping in the middle of the grassland, next to the girl there are wolves, tigers, leopards, hyenas, lions looking at her fiercely, the girl is sleeping very well. The picture is scary and worrying to look at. The light is very soft.

a photo of some brazil avenue, lots of buildinds, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. intensive traffic. rush hour. no shadows. soft colors. smoth appearance. reallystic. big light at the end of the avenue, like the sun, it's morning. the year is 2022

a photo of brazil, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. intensive traffic. rush hour. no shadows. soft colors. smoth appearance. reallystic. big light at the end of the avenue, like the sun, it's morning. the year is 2022

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. intensive traffic. rush hour. no shadows. soft colors. smoth appearance. reallystic. big light at the end of the avenue, like the sun, it's end of affternoon

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. intensive traffic. rush hour. no shadows. soft colors. smoth appearance. reallystic. big light at the end of the avenue, like the sun, it's end of affternoon

The snowstorm has spun so gently In a white dance the chilled earth, This dance is so pure and innocent: The movements are all blue hoarfrost. A stream of confetti falls from the sky, Bringing dreams back to my soul: A New Years fairy tale in a snowstorm... The Christmas tree is decorated with streamers... Christmas and the smiles of friends. Repentance in the glow of the lights.

when all the other lights go out

living room in bionic style, with large panoramic windows, corner of the room, glass lamps hanging from the ceiling, on the left a wall with grass, in the middle a black glass table in bionic style, a brown wavy armchair in bionic style on the left, a white wavy plastic bench in bionic style on the right, a lot of greenery, beige laminate floor, nature outside the window, dim light

living room in bionic style, with large panoramic windows, corner of the room, glass lamps hanging from the ceiling, on the left a wall with grass, in the middle a black glass table in bionic style, a brown wavy armchair in bionic style on the left, a white wavy plastic bench in bionic style on the right, a lot of greenery, beige laminate floor, nature outside the window, dim light

living room in bionic style, with large panoramic windows, corner of the room, glass lamps hanging from the ceiling, on the left a wall with grass, in the middle a black glass table in bionic style, a brown wavy armchair in bionic style on the left, a white wavy plastic bench in bionic style on the right, a lot of greenery, beige laminate floor, nature outside the window, dim light

## Cinematic Enchantment: A Magical Car**Setting:** A moonlit coastal road, waves crashing against jagged cliffs. The air crackles with a subtle magic, unseen but felt.**Car:** A sleek, chrome-plated roadster emerges from the mist. Its body is no ordinary metal, but a shimmering obsidian that reflects the moonlight like a liquid mirror. Intricate runes etched across its surface glow with an ethereal blue light.**Details:*** **Headlights:** No mundane bulbs here. The cars headlights are twin orbs of swirling fire, casting long, dancing shadows on the road.* **Engine:** Instead of a roar, the car hums with a low, melodic thrum that vibrates the earth. It feels more like a living creature than a machine.* **Interior:** The interior is a tapestry of starlight and moonlight, woven into the leather seats and flowing across the dashboard. Each touch sends ripples of soft luminescence dancing across the surfaces.* **Wheels:** Instead of tires, the car rides on four swirling vortexes of pure energy, lifting it above the road and leaving no trace of its passage.**Cinematic Moments:*** The car effortlessly climbs a sheer cliff face, the runes on its body pulsing with power as it defies gravity.* It races through a dense forest, the trees parting before it like curtains, drawn by its magical aura.* In a high-speed chase, the car phases through solid objects, leaving its pursuers bewildered and frustrated.* It plunges into a raging river, but instead of sinking, the water parts around it, creating a shimmering path of light.

A dark tunnel with light at the end, symbolizing hope amidst difficult times

first layer - high quality, excellently detailed, two cropped pair of hands, one handing down small excavator's keys (highly detailed) to the other one, second layer (background) - slightly blurrer, slightly visible parked heavy machinery like excavators and backhoe loaders, keywords: happiness, realistic, photo-like, camera distance: close, wide shot, soft focus lens: prime, lighting: soft light

un visuel très réaliste avec lumière naturelle du matin d'un TGV dans la montagne

The first light of dawn pierces through the hazy clouds, as a long train slowly makes its way into the tranquil town, dispersing steam into the crisp morning air.

The first light of dawn pierces through the hazy clouds, as a long train slowly makes its way into the tranquil town, dispersing steam into the crisp morning air.

A bird’s eye view of the train, as it curves along the track, with the snow storm looming behind it, ready to engulf it, cinematic light

a forest scene bathed in the soft light of what appears to be early morning or late afternoon. A person is walking away from the camera down a narrow, verdant path, surrounded by lush greenery. The forest is dense with a variety of trees, some with twisting branches that reach across the frame, creating an intricate silhouette against the light-diffused sky. The light filters through the foliage, casting dappled patterns on the ground and creating an ethereal atmosphere with rays of sunshine piercing the mist or light fog. The overall mood is tranquil and introspective, with the figure's presence adding a sense of scale and the journey ahead. The natural archway formed by the branches above the path draws the eye towards the center of the composition, where the person and the light converge.

a forest scene bathed in the soft light of what appears to be early morning or late afternoon. A person is walking away from the camera down a narrow, verdant path, surrounded by lush greenery. The forest is dense with a variety of trees, some with twisting branches that reach across the frame, creating an intricate silhouette against the light-diffused sky. The light filters through the foliage, casting dappled patterns on the ground and creating an ethereal atmosphere with rays of sunshine piercing the mist or light fog. The overall mood is tranquil and introspective, with the figure's presence adding a sense of scale and the journey ahead. The natural archway formed by the branches above the path draws the eye towards the center of the composition, where the person and the light converge.

Ultra 8k In a haunting and atmospheric scene, an American steam train, dark and dirty, makes its eerie arrival at a gothic-style train station on a spooky, moonlit night. This tableau is steeped in eerie and macabre ambiance. The steam train, an imposing and grimy locomotive, approaches the station with a ghostly aura. Its exterior is marred by layers of grime and soot, and the once-brilliant metalwork has tarnished to a tarnished silver hue. The locomotives headlight emits a feeble, flickering glow, casting long, unsettling shadows as it emerges from the enveloping darkness. The gothic-style train station looms like a haunted castle, complete with spires that seem to reach for the heavens and grotesque stone gargoyles that leer menacingly down upon the trains arrival. The stations stone façade appears ancient and weathered, as if it has borne witness to centuries of eerie occurrences. The platform is drenched in an eerie, spectral light provided by dim, flickering lanterns that only partially pierce the oppressive darkness. Silent figures, barely visible in the murky gloom, await the trains arrival. They wear antiquated clothing, their faces obscured by the shadows and the unsettling half-light of the moon. The full moon, its pale glow an eerie counterpoint to the surrounding darkness, casts an unsettling aura over the entire scene. It highlights the stark contrast between the trains sooty exterior and the foreboding architecture of the station, creating an unsettling visual dissonance. As the steam train grinds to a hauntingly creaking halt, the doors of the passenger cars open with an eerie groan. Passengers disembark, their faces hidden by the moons ghostly light and the eerie obscurity of the stations cavernous interior. The passenger cars themselves remain veiled in mystery, their windows obscured by grime and shadows. This is a scene that beckons the imagination toward the realm of the supernatural and the uncanny. It is a place where the boundaries between reality and the paranormal blur, and one can easily envision stories of spectral encounters and haunted journeys unfolding under the unsettling gaze of the full moon., professional ominous concept art, by artgerm and greg rutkowski, an intricate, elegant, highly detailed digital painting, concept art, smooth, sharp focus, illustration, in the style of simon stalenhag, wayne barlowe, and igor kieryluk.

train dilemma

a photo of brazil, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. intensive traffic. rush hour. no shadows. soft colors. smoth appearance. reallystic. big light at the end of the avenue, like the sun, it's end of affternoon

Crossing a pedestrian crossing in the city in the dark, in the shape of a human figure in the style of a trending penlight.

the light from the front bulbs of a car in the darkness shaped like a heart

a photo of avenida paulista in sao paulo, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. many cars.no shadows. soft colors. smoth appearance. reallystic. big light at the end of the avenue, like the sun, it's end of affternoon

car and motorbike in darkness with light on

a photo of brazil, during the day, in the middle of the avenue, looking parallel with the road to infinite, buildings are seen in both sides of the avenue but kind of bluered, i mean not much details, i am right in the middle of the avenue looking to the end of the avenue, the end of the avenue in the middle of the picture. intensive traffic. rush hour. no shadows. soft colors. smoth appearance. reallystic. big light at the end of the avenue, like the sun, it's morning

the light shines on the floor which is shaped like an heart, the light is from the front bulbs of a car in the darkness

an abandoned crypt bathroom, dirty muddy stained windows, mold, charred brick walls, a lot of cobwebs, garbage, trash, bones, a rusty open coffin, extinguished candles. Creepy scary evil Jack Nicholson feasting on a can of mushy baked beans and old rotten vegetables, dark, forbidding, foreboding, ritualistic

Two young caucasian women are holding microphones. The two women are sitting on dark pink bean bags in center of room. On their left and right side, there are two-two other young women. These four women are holding laptops. These four women are sitting on light pink bean bags. The set is arranged in a home, the mood is cosy and intimate. Professional photography. Clear light.

Night scene, empty street vehicles shine a bright light, tall buildings stand on both sides of the street

first layer - high quality, excellently detailed, two cropped pair of hands, one handing down small excavator's keys (highly detailed) to the other one, second layer (background) - slightly blurrer, slightly visible parked heavy machinery like excavators and backhoe loaders, keywords: happiness, realistic, photo-like, camera distance: close, wide shot, soft focus lens: prime, lighting: soft light,

first layer - high quality, excellently detailed, two cropped pair of hands, one handing down small excavator's keys (highly detailed) to the other one, second layer (background) - slightly blurrer, slightly visible parked heavy machinery like excavators and backhoe loaders, keywords: happiness, realistic, photo-like, camera distance: close, wide shot, soft focus lens: prime, lighting: soft light,

first layer - high quality, excellently detailed, two cropped pair of hands, one handing down small excavator's keys (highly detailed) to the other one, second layer (background) - slightly blurrer, slightly visible parked heavy machinery like excavators and backhoe loaders, keywords: happiness, realistic, photo-like, camera distance: close, wide shot, soft focus lens: prime, lighting: soft light,

someone being blasted by light from the sky, blinded by light, black and white

Night scene, deserted street, a car shines a bright light from a distance, tall buildings stand on both sides of the street

Night scene, deserted street, a car shines a bright light from a distance, tall buildings stand on both sides of the street