Retro dance floor scene 1970s or 1980s fashion Party atmosphere with multiple people Surreal, disproportionate creature Vintage color palette , made by Jesse Kaminsky and Frank Kunert and alejandro jodorowsky (stereoscopic wet marble vagina and trash and stars constelation soup close up incredible, stereoscopic texture, liquid marble few crystals and flesh close up, trash, witchcraft liquid splash and hyper close up, a super desaturated close up, a desaturated texture, microscopic 3D texture, inspired on trash and transcendence, trippy but beautiful, made of stop motion textures, shadowbox textures, beautifully, delicate and just a few bones, hair, BDSM, depth of field, super close up, film shot, inspired on stereoscopic \"the garden of earthly delights\" by hieronymus bosch colors, textures and illumination , beautiful :0.9)
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MARCEL WANDERS IVAN MARCHUK IRIS VAN HERPEN HIERONYMUS BOSCH, water fowl
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MARCEL WANDERS IVAN MARCHUK IRIS VAN HERPEN HIERONYMUS BOSCH, water fowl
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Boschs triptych, \The Garden of Earthly Delights,\ unfolds a vivid narrative across its three panels. On the left, Eden emerges with God presenting Eve to Adam, depicted with intricate symbolism and controversial interpretations of lust and human nature. The lush landscape teems with exotic creatures, reflecting Boschs exposure to contemporary travel literature. In the center, the titular garden pulsates with uninhibited pleasure, featuring an array of nude figures engaging in diverse activities. The surreal scene challenges conventional depictions of paradise, exploring the interplay between innocence and corruption. The absence of children and the elderly suggests a utopian existence untouched by consequence, prompting speculation on a prelapsarian world. The right panel starkly contrasts the preceding bliss, revealing a nightmarish hellscape. Boschs innovative approach portrays hell not as a fantastical realm but as a twisted reflection of earthly vices. Tormented figures face gruesome punishments corresponding to the seven deadly sins. Symbolism, such as the \Prince of Hell\ with a debased crown, underscores the moralistic tone. Scenes of brutal violence and moral transgressions, like the seductive pig with legal documents, serve as cautionary tales. Through intricate details, Bosch weaves a complex narrative addressing the human condition, morality, and the consequences of indulgence. Each panel contributes to a profound exploration of the eternal struggle between temptation and salvation, making \The Garden of Earthly Delights\ a masterpiece that continues to captivate and perplex observers.
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Boschs triptych, \The Garden of Earthly Delights,\ unfolds a vivid narrative across its three panels. On the left, Eden emerges with God presenting Eve to Adam, depicted with intricate symbolism and controversial interpretations of lust and human nature. The lush landscape teems with exotic creatures, reflecting Boschs exposure to contemporary travel literature. In the center, the titular garden pulsates with uninhibited pleasure, featuring an array of nude figures engaging in diverse activities. The surreal scene challenges conventional depictions of paradise, exploring the interplay between innocence and corruption. The absence of children and the elderly suggests a utopian existence untouched by consequence, prompting speculation on a prelapsarian world. The right panel starkly contrasts the preceding bliss, revealing a nightmarish hellscape. Boschs innovative approach portrays hell not as a fantastical realm but as a twisted reflection of earthly vices. Tormented figures face gruesome punishments corresponding to the seven deadly sins. Symbolism, such as the \Prince of Hell\ with a debased crown, underscores the moralistic tone. Scenes of brutal violence and moral transgressions, like the seductive pig with legal documents, serve as cautionary tales. Through intricate details, Bosch weaves a complex narrative addressing the human condition, morality, and the consequences of indulgence. Each panel contributes to a profound exploration of the eternal struggle between temptation and salvation, making \The Garden of Earthly Delights\ a masterpiece that continues to captivate and perplex observers.
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Boschs triptych, \The Garden of Earthly Delights,\ unfolds a vivid narrative across its three panels. On the left, Eden emerges with God presenting Eve to Adam, depicted with intricate symbolism and controversial interpretations of lust and human nature. The lush landscape teems with exotic creatures, reflecting Boschs exposure to contemporary travel literature. In the center, the titular garden pulsates with uninhibited pleasure, featuring an array of nude figures engaging in diverse activities. The surreal scene challenges conventional depictions of paradise, exploring the interplay between innocence and corruption. The absence of children and the elderly suggests a utopian existence untouched by consequence, prompting speculation on a prelapsarian world. The right panel starkly contrasts the preceding bliss, revealing a nightmarish hellscape. Boschs innovative approach portrays hell not as a fantastical realm but as a twisted reflection of earthly vices. Tormented figures face gruesome punishments corresponding to the seven deadly sins. Symbolism, such as the \Prince of Hell\ with a debased crown, underscores the moralistic tone. Scenes of brutal violence and moral transgressions, like the seductive pig with legal documents, serve as cautionary tales. Through intricate details, Bosch weaves a complex narrative addressing the human condition, morality, and the consequences of indulgence. Each panel contributes to a profound exploration of the eternal struggle between temptation and salvation, making \The Garden of Earthly Delights\ a masterpiece that continues to captivate and perplex observers.
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Boschs triptych, \The Garden of Earthly Delights,\ unfolds a vivid narrative across its three panels. On the left, Eden emerges with God presenting Eve to Adam, depicted with intricate symbolism and controversial interpretations of lust and human nature. The lush landscape teems with exotic creatures, reflecting Boschs exposure to contemporary travel literature. In the center, the titular garden pulsates with uninhibited pleasure, featuring an array of nude figures engaging in diverse activities. The surreal scene challenges conventional depictions of paradise, exploring the interplay between innocence and corruption. The absence of children and the elderly suggests a utopian existence untouched by consequence, prompting speculation on a prelapsarian world. The right panel starkly contrasts the preceding bliss, revealing a nightmarish hellscape. Boschs innovative approach portrays hell not as a fantastical realm but as a twisted reflection of earthly vices. Tormented figures face gruesome punishments corresponding to the seven deadly sins. Symbolism, such as the \Prince of Hell\ with a debased crown, underscores the moralistic tone. Scenes of brutal violence and moral transgressions, like the seductive pig with legal documents, serve as cautionary tales. Through intricate details, Bosch weaves a complex narrative addressing the human condition, morality, and the consequences of indulgence. Each panel contributes to a profound exploration of the eternal struggle between temptation and salvation, making \The Garden of Earthly Delights\ a masterpiece that continues to captivate and perplex observers.
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nonesentical depiction of the void in the stle of Hieronymus Bosch
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Abstract contemporary sculpture close up, made of liquid splash and trash and flesh and darkweb and crystals, shadowbox close up stopmotion claywork, hyeronumus bosh illumination, slow motion, rare colors, bodyparts, Hieronymus Boschs sculptures, paparazzi shots, Zdzisław Beksiński, Dom Qwek, and H.R. Giger. The extreme zoom and close-up shots result in a fascinating collaboration involving \H.R. Giger,\ Arai Ryo, \Zdzisław Beksiński,\ \Heide Hatry,\ \Giovanni Da Modena,\ \Otto Dix,\ \Frederik Ruysch,\ \Chris Mars,\ and others. The artwork showcases hyper zoom-ins with Hieronymus Bosch-style color illumination, along with the unique artistic expressions of Monica Pilon, Olivier de Sagazan, Lisa Clague, Guy Bourdin, David LaChapelle, Tim Walker, Oleg Oprisco, Miles Aldridge, Jesse Kanda, Gianluca Gambino, Raymond Douillet, Remedios Varo, and Ernst Steiner.
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(disturbing liminal liquid abstract product detail sensual surreal texture close up 1:2), Abstract contemporary abstract organic sculpture close up, made of liquid splash and trash and flesh and darkweb and crystals, shadowbox close up stopmotion claywork, made by hyeronumus bosh illumination, slow motion, rare colors, bodyparts, Hieronymus Boschs sculptures and \H.R. Giger,\ Arai Ryo, \Zdzisław Beksiński,\ \Heide Hatry,\ \Giovanni Da Modena,\ \Otto Dix,\ \Frederik Ruysch,\ \Chris Mars,\ and hyper zoom-in with Hieronymus Bosch-style color illumination, stereoscopic close up incredible, stereoscopic texture, liquid marble few crystals and flesh close up, trash, witchcraft liquid splash and hyper close up, a super desaturated close up, a desaturated texture, microscopic 3D texture, inspired on trash and transcendence, trippy but beautiful, made of stop motion textures, shadowbox textures, beautifully, delicate and just a few bones, hair, , depth of field, super close up, film shot, inspired on stereoscopic \the garden of earthly delights\ by hieronymus bosch colors, textures and illumination , beautiful, stereoscopic close up incredible, stereoscopic texture, liquid marble few crystals and flesh close up, trash, witchcraft liquid splash and hyper close up, a super desaturated close up, a desaturated texture, microscopic 3D texture, inspired on trash and transcendence, trippy but beautiful, made of stop motion textures, shadowbox textures, beautifully, delicate and just a few bones, hair, , depth of field, super close up, film shot, inspired on stereoscopic \the garden of earthly delights\ by hieronymus bosch colors, textures and illumination , beautiful
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(disturbing liminal liquid abstract product detail sensual surreal texture close up 1:2), Abstract contemporary abstract organic sculpture close up, made of liquid splash and trash and flesh and darkweb and crystals, shadowbox close up stopmotion claywork, made by hyeronumus bosh illumination, slow motion, rare colors, bodyparts, Hieronymus Boschs sculptures and \H.R. Giger,\ Arai Ryo, \Zdzisław Beksiński,\ \Heide Hatry,\ \Giovanni Da Modena,\ \Otto Dix,\ \Frederik Ruysch,\ \Chris Mars,\ and hyper zoom-in with Hieronymus Bosch-style color illumination, stereoscopic close up incredible, stereoscopic texture, liquid marble few crystals and flesh close up, trash, witchcraft liquid splash and hyper close up, a super desaturated close up, a desaturated texture, microscopic 3D texture, inspired on trash and transcendence, trippy but beautiful, made of stop motion textures, shadowbox textures, beautifully, delicate and just a few bones, hair, BDSM, depth of field, super close up, film shot, inspired on stereoscopic \the garden of earthly delights\ by hieronymus bosch colors, textures and illumination , beautiful
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(disturbing liminal liquid abstract product detail sensual surreal texture close up 1:2), Abstract contemporary abstract organic sculpture close up, made of liquid splash and trash and flesh and darkweb and crystals, shadowbox close up stopmotion claywork, made by hyeronumus bosh illumination, slow motion, rare colors, bodyparts, Hieronymus Boschs sculptures and \H.R. Giger,\ Arai Ryo, \Zdzisław Beksiński,\ \Heide Hatry,\ \Giovanni Da Modena,\ \Otto Dix,\ \Frederik Ruysch,\ \Chris Mars,\ and hyper zoom-in with Hieronymus Bosch-style color illumination, stereoscopic close up incredible, stereoscopic texture, liquid marble few crystals and flesh close up, trash, witchcraft liquid splash and hyper close up, a super desaturated close up, a desaturated texture, microscopic 3D texture, inspired on trash and transcendence, trippy but beautiful, made of stop motion textures, shadowbox textures, beautifully, delicate and just a few bones, hair, BDSM, depth of field, super close up, film shot, inspired on stereoscopic \the garden of earthly delights\ by hieronymus bosch colors, textures and illumination , beautiful, stereoscopic close up incredible, stereoscopic texture, liquid marble few crystals and flesh close up, trash, witchcraft liquid splash and hyper close up, a super desaturated close up, a desaturated texture, microscopic 3D texture, inspired on trash and transcendence, trippy but beautiful, made of stop motion textures, shadowbox textures, beautifully, delicate and just a few bones, hair, BDSM, depth of field, super close up, film shot, inspired on stereoscopic \the garden of earthly delights\ by hieronymus bosch colors, textures and illumination , beautiful
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MARCEL WANDERS IVAN MARCHUK IRIS VAN HERPEN HIERONYMUS BOSCH, close up portrait, two sisters walking in a meadows, followed by suitors
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MARCEL WANDERS IVAN MARCHUK IRIS VAN HERPEN HIERONYMUS BOSCH, close up portrait, two sisters walking in a meadows, followed by suitors
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high quality, highly detailed, Imagine a dreamlike scene blending the swirling cosmic colors of Vincent van Gogh's Starry Night with the surreal celestial precision of Salvador Dalí. In this cosmic dance, celestial bodies echo Turner's atmospheric touch, blurring the line between reality and fantasy, In the foreground, a fantastical creature takes center stage, blending the whimsy of Hieronymus Bosch's beings with the organic flow of Alphonse Mucha's art nouveau lines. Elements of H.R. Giger's biomechanical aesthetic add an otherworldly touch, by yukisakura, awesome full color,, Mysterious, Ancient Egypt, Gamercore, DSLR, Redshift rendering, Faded, Sculpture, colours are muted colors, Halloween, magic sparkles lighting, 64-bit --ar 9:16
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(disturbing abstract product detail sensual surreal texture close up 1:2), Abstract contemporary abstract organic sculpture close up, made of liquid splash and trash and flesh and darkweb and crystals, shadowbox close up stopmotion claywork, made by hyeronumus bosh illumination, slow motion, rare colors, bodyparts, Hieronymus Boschs sculptures and \H.R. Giger,\ Arai Ryo, \Zdzisław Beksiński,\ \Heide Hatry,\ \Giovanni Da Modena,\ \Otto Dix,\ \Frederik Ruysch,\ \Chris Mars,\ and hyper zoom-in with Hieronymus Bosch-style color illumination
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Retro initiation ritual scene 1970s or 1980s fashion Party atmosphere with multiple people Surreal, disproportionate creature Vintage color palette , made by Jesse Kaminsky and Frank Kunert and alejandro jodorowsky and Christian Rex van Minnen and (stereoscopic wet marble vagina and trash and stars constelation soup close up incredible, stereoscopic texture, liquid marble few crystals and flesh close up, trash, witchcraft liquid splash and hyper close up, a super desaturated close up, a desaturated texture, microscopic 3D texture, inspired on trash and transcendence, trippy but beautiful, made of stop motion textures, shadowbox textures, beautifully, delicate and just a few bones, hair, BDSM, depth of field, super close up, film shot, inspired on stereoscopic \"the garden of earthly delights\" by hieronymus bosch colors, textures and illumination , beautiful :0.9)
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Retro initiation ritual scene 1970s or 1980s fashion Party atmosphere with multiple people Surreal, disproportionate creature Vintage color palette , made by Jesse Kaminsky and Frank Kunert and alejandro jodorowsky and Christian Rex van Minnen and (stereoscopic wet marble vagina and trash and stars constelation soup close up incredible, stereoscopic texture, liquid marble few crystals and flesh close up, trash, witchcraft liquid splash and hyper close up, a super desaturated close up, a desaturated texture, microscopic 3D texture, inspired on trash and transcendence, trippy but beautiful, made of stop motion textures, shadowbox textures, beautifully, delicate and just a few bones, hair, BDSM, depth of field, super close up, film shot, inspired on stereoscopic \"the garden of earthly delights\" by hieronymus bosch colors, textures and illumination , beautiful :0.9)
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MARCEL WANDERS IVAN MARCHUK IRIS VAN HERPEN HIERONYMUS BOSCH, close up portrait, two sisters walking in a meadows, followed by a bear
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Abstract non human contemporary sculpture close up made of liquid splash and trash and flesh and darkweb and crystals shadowbox close up stopmotion claywork made by Hyeronumus Bosh illumination slow motion rare colors bodyparts Hieronymus Boschs sculptures and \H.R. Giger\ and Arai Ryo and \Zdzisław Beksiński\ and \Heide Hatry\ and \Giovanni Da Modena\ and \Otto Dix\ and \Frederik Ruysch\ and \Chris Mars\ and hyper zoom-ins with Hieronymus Bosch-style color illumination and Monica Pilon and Olivier de Sagazan and Lisa Clague and Guy Bourdin and David LaChapelle and Tim Walker and Oleg Oprisco and Miles Aldridge and Jesse Kanda and Gianluca Gambino and Raymond Douillet and Remedios Varo and Ernst Steiner.
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Abstract non human contemporary sculpture close up made of liquid splash and trash and flesh and darkweb and crystals shadowbox close up stopmotion claywork made by Hyeronumus Bosh illumination slow motion rare colors bodyparts Hieronymus Boschs sculptures and \H.R. Giger\ and Arai Ryo and \Zdzisław Beksiński\ and \Heide Hatry\ and \Giovanni Da Modena\ and \Otto Dix\ and \Frederik Ruysch\ and \Chris Mars\ and hyper zoom-ins with Hieronymus Bosch-style color illumination and Monica Pilon and Olivier de Sagazan and Lisa Clague and Guy Bourdin and David LaChapelle and Tim Walker and Oleg Oprisco and Miles Aldridge and Jesse Kanda and Gianluca Gambino and Raymond Douillet and Remedios Varo and Ernst Steiner.
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MARCEL WANDERS IVAN MARCHUK IRIS VAN HERPEN HIERONYMUS BOSCH, close up, two sisters walking in a meadows
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horror art version for illustration: The Garden of Earthly Delights, detail from the Hell Panel - Hieronymus Bosch, c.1505.
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MARCEL WANDERS IVAN MARCHUK IRIS VAN HERPEN HIERONYMUS BOSCH, two sisters walking in a meadows
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MARCEL WANDERS IVAN MARCHUK IRIS VAN HERPEN HIERONYMUS BOSCH, two sisters walking in a meadows
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MARCEL WANDERS IVAN MARCHUK IRIS VAN HERPEN HIERONYMUS BOSCH, close up modern portrait, two sisters walking in a meadows, followed by suitors
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